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2011 likes and dislikes in jazz music

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Topic: 2011 likes and dislikes in jazz music
Posted By: idlero
Subject: 2011 likes and dislikes in jazz music
Date Posted: 08 Apr 2011 at 10:42am
What do you like and what disapointed you in 2011 so far?

I liked:
Brad Mehldau's-Live In Marciac,
Colin Stetson-Judges
Helge Lien Trio-Natsukashii
Iiro Rantala-Lost Heroes
Joachim Kuhn-Chalaba
Julia Hulsmann Trio-Imprint
Avishai Cohen-Seven Seas

disapointments:
Magnus Ostrom-Thread Of Life
Mathias Eick-Skala
Marcin Wasilewski Trio-Faithful



Replies:
Posted By: harmonium.ro
Date Posted: 08 Apr 2011 at 10:58am
I have listened to very little jazz from 2011. Recommendations with samples are welcome! 


Posted By: darkshade
Date Posted: 08 Apr 2011 at 11:01am
Originally posted by harmonium.ro harmonium.ro wrote:

I have listened to very little jazz from 2011. Recommendations with samples are welcome! 


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http://www.last.fm/user/MysticBoogy" rel="nofollow - My Last.fm


Posted By: Ricochet
Date Posted: 08 Apr 2011 at 11:04am
Stetson's Warfare and Donny McCaslin's Perpetual Motion are top of the chart for me right now. There's also Mostly Other People Do The Killing with their Coimbra Concert, but you really have to stand through those two heavy hours, so it might fall on the next listens.

Good stuff, otherwise: the new Book of Angels [Masada] with Banquet of the Spirits, Cantuaria & Frisell was nice, Helge Lien Trio disappointed me heavily two years ago, but now they're playing decent. Also, The Kilimanjaro Darkjazz Ensemble. On the prog / jazz-rock side, Planeta Imaginario have come with good compositions, but it's 80 souless minutes.

My biggest disappointment so far was Avishai Cohen. So little substance and it's like hearing nothing but world music cliches in playing.


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Posted By: Ricochet
Date Posted: 08 Apr 2011 at 11:06am
Originally posted by harmonium.ro harmonium.ro wrote:

I have listened to very little jazz from 2011. Recommendations with samples are welcome! 


Most fruitful genre so far.


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Posted By: snobb
Date Posted: 08 Apr 2011 at 11:22am
Originally posted by Ricochet Ricochet wrote:

Stetson's Warfare and Donny McCaslin's Perpetual Motion are top of the chart for me right now. There's also Mostly Other People Do The Killing with their Coimbra Concert, but you really have to stand through those two heavy hours, so it might fall on the next listens.

Good stuff, otherwise: the new Book of Angels [Masada] with Banquet of the Spirits, Cantuaria & Frisell was nice, Helge Lien Trio disappointed me heavily two years ago, but now they're playing decent. Also, The Kilimanjaro Darkjazz Ensemble. On the prog / jazz-rock side, Planeta Imaginario have come with good compositions, but it's 80 souless minutes.

My biggest disappointment so far was Avishai Cohen. So little substance and it's like hearing nothing but world music cliches in playing.

Absolutely agree with opinion on Cohen's album. Frisell's new one is pleasant and very refreshing (after his decades of bluegrass-country-fusion formula), but not too much original. Let say- more pleasant than interesting



Posted By: darkshade
Date Posted: 08 Apr 2011 at 11:55am
the Frisell album intrigues me

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http://www.last.fm/user/MysticBoogy" rel="nofollow - My Last.fm


Posted By: SaltyJon
Date Posted: 08 Apr 2011 at 12:27pm
I haven't even heard that many jazz albums! Shocked  It would take forever to make a list of over 2000 things I like and dislike, anyway. Tongue

Nah, in all seriousness, I agree with Alex and Mike, I haven't really heard 2011 jazz yet.


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http://www.last.fm/user/Salty_Jon" rel="nofollow">


Posted By: idlero
Date Posted: 08 Apr 2011 at 12:33pm



Posted By: harmonium.ro
Date Posted: 08 Apr 2011 at 12:33pm
Actually I heard the new Avishai Coen which is good but in a world-pop way (so I find the disappointment of Rico and Slava perfectly justified) and the new Kilimanjaro Darkjazz Ensemble, which is great but I didn't think of it as "jazz". 


Posted By: idlero
Date Posted: 08 Apr 2011 at 12:34pm



Posted By: darkshade
Date Posted: 08 Apr 2011 at 12:43pm
we should have a 2000's Jazz thread, especially for those looking to get modern jazz albums (like me). I always thought I had an ok selection until I came here

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http://www.last.fm/user/MysticBoogy" rel="nofollow - My Last.fm


Posted By: idlero
Date Posted: 08 Apr 2011 at 12:44pm



Posted By: Ricochet
Date Posted: 08 Apr 2011 at 12:48pm
What are you doing, idlero? Wink

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Posted By: idlero
Date Posted: 08 Apr 2011 at 1:08pm
I'm bored so I keep myself busy, while relistening to some good jazz pieces from 2011
Also this is a good opportunity to suggest some new artists who are missing ...Tongue
Another one





Posted By: andyman1125
Date Posted: 08 Apr 2011 at 3:20pm
Originally posted by harmonium.ro harmonium.ro wrote:

I have listened to very little jazz from 2011. Recommendations with samples are welcome! 


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Posted By: The Block
Date Posted: 08 Apr 2011 at 4:05pm
Originally posted by andyman1125 andyman1125 wrote:

Originally posted by harmonium.ro harmonium.ro wrote:

I have listened to very little jazz from 2011. Recommendations with samples are welcome! 

<-------- Tongue


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Posted By: triceratopsoil
Date Posted: 08 Apr 2011 at 4:10pm
JAZZ, Brian

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http://www.last.fm/user/TullDerGraff" rel="nofollow">


Posted By: The Block
Date Posted: 08 Apr 2011 at 4:12pm
It is jazz, though it's not on this site Angry

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Posted By: triceratopsoil
Date Posted: 08 Apr 2011 at 4:16pm
It is not jazz.

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http://www.last.fm/user/TullDerGraff" rel="nofollow">


Posted By: harmonium.ro
Date Posted: 08 Apr 2011 at 4:17pm
Originally posted by triceratopsoil triceratopsoil wrote:

It is not jazz.


Maybe it's jazz-related rock, but I don't remember it as such.


Posted By: The Block
Date Posted: 08 Apr 2011 at 4:18pm

Listen to it at 00:30, that is jazz...


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Posted By: triceratopsoil
Date Posted: 08 Apr 2011 at 4:19pm
No, that is a saxophone solo.

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http://www.last.fm/user/TullDerGraff" rel="nofollow">


Posted By: The Block
Date Posted: 08 Apr 2011 at 4:22pm
Originally posted by triceratopsoil triceratopsoil wrote:

No, that is a saxophone solo.

Which is very jazzy


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Posted By: Matt
Date Posted: 08 Apr 2011 at 7:15pm
 Likes
Henry Threadgill,.....  This brings us 2
Hiromi .......Voice
Kurt Elling..........The Gate
Cassandra Wilson.........Silver Pony
Tito Puente Jr..........Got Mambo
 
Dislike
 
Bill Laswell..........Aspiration
 
 


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Matt


Posted By: darkshade
Date Posted: 08 Apr 2011 at 7:27pm
Originally posted by The Block The Block wrote:

Originally posted by triceratopsoil triceratopsoil wrote:

No, that is a saxophone solo.

Which is very jazzy


Bruce Springsteen has big long sax solos in his music, a lot of 80s bands had a sax player, some original rock n' roll bands had a sax player; doesn't make them jazz


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http://www.last.fm/user/MysticBoogy" rel="nofollow - My Last.fm


Posted By: The Block
Date Posted: 09 Apr 2011 at 2:10pm
It was released in late 2010, but Soren Moller's newest album The Christian X Variations pretty good.

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Posted By: idlero
Date Posted: 09 Apr 2011 at 2:24pm
Hiromi's Voice is a pretty good one


Posted By: Krilons Resa
Date Posted: 18 Apr 2011 at 2:58pm
So far, of the top of my head, I have enjoyed:

Matthew Halsall - On The Go
Darren Johnston - Cylinder
Motif - Facienda
Helge Lien Trio - Natsukashii

Waiting for Liam Sillery's new album to drop tomorrow. Last year's Phenomenology was spectacular.

I agree about the Avishai Cohen album.  It sounds like he just keeps doing the same thing over and over again, vamp after vamp.  I used to really dig his stuff but it hasn;t aged well imo.  Once you've heard one of his albums, you have heard them all, for the most part anyway.

I was also semi-disappointed with the new Omer Avital Quintet - Live At Smalls album.  Not that it is bad.  Not as good as his earlier recorded work but it may be just me listening to mostly more "out" stuff since the times when I couldnt get enough of him.


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That shows you the power of music, that magician of magician, who lifts his wand, says his mysterious word and all things real pass away and the phantoms of your mind walk before you clothed in flesh.


Posted By: Sancho Panza
Date Posted: 18 Apr 2011 at 9:10pm
Hiromi Uehara!


Posted By: Kazuhiro
Date Posted: 18 Apr 2011 at 9:21pm
Originally posted by Sancho Panza Sancho Panza wrote:

Hiromi Uehara!
Thumbs Up
Welcome to the site.
This thread waits for your opinion.
http://www.jazzmusicarchives.com/forum/forum_posts.asp?TID=100" rel="nofollow - http://www.jazzmusicarchives.com/forum/forum_posts.asp?TID=100


Posted By: Krilons Resa
Date Posted: 18 Apr 2011 at 9:21pm


This album is gonna be fantastic.


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That shows you the power of music, that magician of magician, who lifts his wand, says his mysterious word and all things real pass away and the phantoms of your mind walk before you clothed in flesh.


Posted By: EatThatPhonebook
Date Posted: 24 Apr 2011 at 7:28am
The only jazz stuff I've listened to is the new Colin Stetson. Definitely one of the best of the year!


Posted By: Freddie Freeloader
Date Posted: 24 Apr 2011 at 12:13pm
Originally posted by The Block The Block wrote:

Originally posted by triceratopsoil triceratopsoil wrote:

No, that is a saxophone solo.

Which is very jazzy
I think what he is getting at is that a few elements in a rock song thrown in to sound like jazz, such as horns do not make somthing jazz. Jazz thas more to do with how the music is structured than the particular instruments that are used. The idea that every song that has horns in it is jazz is just plain wrong.
 
What differentiates that sax solo from a jazz sax solo is the context. It is obviously not improvised, a trait of most jazz solo's, the other instruments arn't playing jazz. Listen to the drums in that song while they are complex they obviously are not coming from the jazz tradition they are far too stiff. It is the rigidly composed nature of the song that seperates it from jazz and a quick listen reveals how different it really is from the style.


Posted By: Freddie Freeloader
Date Posted: 24 Apr 2011 at 12:15pm
^^^
that being sayed its a great solo and a great song. Its just a prog song not a jazz song


Posted By: Prog Geo
Date Posted: 24 Apr 2011 at 12:34pm
Akakabotu is a prog/jazz composition.


Posted By: darkshade
Date Posted: 24 Apr 2011 at 2:14pm
Am I the only one who always hesitates to buy a modern jazz release, based on the cover "art"? They always seem like they're going to be smooth jazz, r&b, or something else like that. Obviously you can't judge a book by its cover, but I really don't like how many of them look.

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http://www.last.fm/user/MysticBoogy" rel="nofollow - My Last.fm


Posted By: triceratopsoil
Date Posted: 24 Apr 2011 at 6:32pm
Originally posted by Freddie Freeloader Freddie Freeloader wrote:

Originally posted by The Block The Block wrote:

Originally posted by triceratopsoil triceratopsoil wrote:

No, that is a saxophone solo.

Which is very jazzy
I think what he is getting at is that a few elements in a rock song thrown in to sound like jazz, such as horns do not make somthing jazz. Jazz thas more to do with how the music is structured than the particular instruments that are used. The idea that every song that has horns in it is jazz is just plain wrong.
 
What differentiates that sax solo from a jazz sax solo is the context. It is obviously not improvised, a trait of most jazz solo's, the other instruments arn't playing jazz. Listen to the drums in that song while they are complex they obviously are not coming from the jazz tradition they are far too stiff. It is the rigidly composed nature of the song that seperates it from jazz and a quick listen reveals how different it really is from the style.


Yep, also, we already sort of tore poor Block apart for the Beardfish thing.  A lot less politely than you did LOL.


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http://www.last.fm/user/TullDerGraff" rel="nofollow">


Posted By: triceratopsoil
Date Posted: 24 Apr 2011 at 11:27pm
Originally posted by darkshade darkshade wrote:

Am I the only one who always hesitates to buy a modern jazz release, based on the cover "art"? They always seem like they're going to be smooth jazz, r&b, or something else like that. Obviously you can't judge a book by its cover, but I really don't like how many of them look.


Well, it depends.  If it's got a fricken walrusman or something on it, I'm more likely to buy it



awwwwww yeahhhhhhhh


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http://www.last.fm/user/TullDerGraff" rel="nofollow">


Posted By: Freddie Freeloader
Date Posted: 24 Apr 2011 at 11:30pm
Originally posted by triceratopsoil triceratopsoil wrote:

Originally posted by Freddie Freeloader Freddie Freeloader wrote:

Originally posted by The Block The Block wrote:

Originally posted by triceratopsoil triceratopsoil wrote:

No, that is a saxophone solo.

Which is very jazzy
I think what he is getting at is that a few elements in a rock song thrown in to sound like jazz, such as horns do not make somthing jazz. Jazz thas more to do with how the music is structured than the particular instruments that are used. The idea that every song that has horns in it is jazz is just plain wrong.
 
What differentiates that sax solo from a jazz sax solo is the context. It is obviously not improvised, a trait of most jazz solo's, the other instruments arn't playing jazz. Listen to the drums in that song while they are complex they obviously are not coming from the jazz tradition they are far too stiff. It is the rigidly composed nature of the song that seperates it from jazz and a quick listen reveals how different it really is from the style.


Yep, also, we already sort of tore poor Block apart for the Beardfish thing.  A lot less politely than you did LOL.
Embarrassed
I just felt like an explanation was in order so rather than just telling Block he is wrong. I would rather explain to him why I feel he is wrong so that he has an opportunity to argue against me and make his point....
 
Big smile


Posted By: idlero
Date Posted: 01 May 2011 at 12:08pm

another 2011 release that I like:



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I think the problem with a lot of the fusion music is that it's extremely predictable, it's a rock rhythm and the solos all play the same stuff and they play it over and over again ...
Ken Burns


Posted By: harmonium.ro
Date Posted: 13 May 2011 at 5:22pm
Originally posted by idlero idlero wrote:




Where is this from?


Originally posted by idlero idlero wrote:




I can't seem to be able to stand this kind of fusion anymore...





Posted By: harmonium.ro
Date Posted: 13 May 2011 at 5:31pm
Originally posted by idlero idlero wrote:





I'm getting this.


Posted By: idlero
Date Posted: 14 May 2011 at 1:16am
Originally posted by harmonium.ro harmonium.ro wrote:

Originally posted by idlero idlero wrote:




Where is this from?







Iiro Rantala-Tears  For Esbjorn from 'Lost Heroes',2011


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I think the problem with a lot of the fusion music is that it's extremely predictable, it's a rock rhythm and the solos all play the same stuff and they play it over and over again ...
Ken Burns


Posted By: harmonium.ro
Date Posted: 14 May 2011 at 4:30am
Thumbs Up


Posted By: idlero
Date Posted: 15 May 2011 at 2:45pm
Two nice 2011 releases, piano trios from Italy:
08 Trio-Live In Studio-free download at jamendo
and
Chat Noir-Weather Forecasting Stone
http://www.youtube.com/watch?v=QAOvisldAFU" rel="nofollow -


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I think the problem with a lot of the fusion music is that it's extremely predictable, it's a rock rhythm and the solos all play the same stuff and they play it over and over again ...
Ken Burns


Posted By: idlero
Date Posted: 17 May 2011 at 8:13am
I like



a mix of jazz,hip pop and electronica



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I think the problem with a lot of the fusion music is that it's extremely predictable, it's a rock rhythm and the solos all play the same stuff and they play it over and over again ...
Ken Burns


Posted By: Ricochet
Date Posted: 25 May 2011 at 2:06am
Listening last evening to Nguyen Le's Songs of Freedom was the second worst experience of the year next to one of Boris' new albums.

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Posted By: idlero
Date Posted: 25 May 2011 at 6:08am
Originally posted by Ricochet Ricochet wrote:

Listening last evening to Nguyen Le's Songs of Freedom was the second worst experience of the year next to one of Boris' new albums.


Agree entirely although I haven't listened to Boris LOL


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I think the problem with a lot of the fusion music is that it's extremely predictable, it's a rock rhythm and the solos all play the same stuff and they play it over and over again ...
Ken Burns


Posted By: idlero
Date Posted: 29 May 2011 at 10:33am
Didn't like Bill Frisell's 'Sign of life'

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I think the problem with a lot of the fusion music is that it's extremely predictable, it's a rock rhythm and the solos all play the same stuff and they play it over and over again ...
Ken Burns


Posted By: darkshade
Date Posted: 29 May 2011 at 10:56pm
I dislike that I have gotten no 2011 jazz albums yet. I have my eyes on the new Hiromi album and the new Bela Fleck & The Flecktones albums

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http://www.last.fm/user/MysticBoogy" rel="nofollow - My Last.fm


Posted By: darkshade
Date Posted: 29 May 2011 at 11:12pm
also that James Farm album with Joshua Redman

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http://www.last.fm/user/MysticBoogy" rel="nofollow - My Last.fm


Posted By: snobb
Date Posted: 30 May 2011 at 2:04am
Originally posted by darkshade darkshade wrote:

I dislike that I have gotten no 2011 jazz albums yet. I have my eyes on the new Hiromi album and the new Bela Fleck & The Flecktones albums


I heard both of them - IMO them both are quite good Smile 


Posted By: idlero
Date Posted: 31 May 2011 at 2:07pm
liked James Farm, not a fan of Bella Fleck's music

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I think the problem with a lot of the fusion music is that it's extremely predictable, it's a rock rhythm and the solos all play the same stuff and they play it over and over again ...
Ken Burns


Posted By: snobb
Date Posted: 31 May 2011 at 2:12pm
Usually I don't like Bela Fleck's music too much, but last album is better than his average work for me. Still same Americana+jazz though Smile


Posted By: darkshade
Date Posted: 31 May 2011 at 2:50pm
I like BF&tFT. I dont have any of his solo stuff. ..BF&tFT remind me more of Classic Fusion, even though they're listed as World Fusion here. Victor Wooten one of the main reasons I listen to them

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http://www.last.fm/user/MysticBoogy" rel="nofollow - My Last.fm


Posted By: idlero
Date Posted: 31 May 2011 at 2:55pm
Yep, BF's last album sounded more like World to me, which usually isn't a bad thing considering my tastes but this one  didn't catch me.

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I think the problem with a lot of the fusion music is that it's extremely predictable, it's a rock rhythm and the solos all play the same stuff and they play it over and over again ...
Ken Burns


Posted By: Sean Trane
Date Posted: 31 May 2011 at 5:40pm
Originally posted by darkshade darkshade wrote:

I dislike that I have gotten no 2011 jazz albums yet. I have my eyes on the new Hiromi album and the new Bela Fleck & The Flecktones albums
 
I'm always a couple years late with jazz albums, so I shouldn't hit 2011 before 2014LOL
 
Ity's a bit like for prog, most of the new releases can wait a while (and would longer, if I didn't have to make a list at the end of the year), with a few exception (Univers Zero or VdGG)... but the exceptions in jazz a much scracer.


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my music collection increased tenfolds when I switched from drug-addicted musicians to crazy ones....



Posted By: darkshade
Date Posted: 31 May 2011 at 6:07pm
yes, sober musicians are much more prolific, since they dont waste time with narcotics

**EDIT** woops, I didn't realize that was part of your sig. I think the colors threw me off


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http://www.last.fm/user/MysticBoogy" rel="nofollow - My Last.fm


Posted By: Sean Trane
Date Posted: 01 Jun 2011 at 1:16am
Originally posted by darkshade darkshade wrote:

yes, sober musicians are much more prolific, since they dont waste time with narcotics

**EDIT** woops, I didn't realize that was part of your sig. I think the colors threw me off
LOLLOLLOL
 
Sorry about that!!
 
 
This said, I don't think that jazzmen have any less problems with drugs than other types of musos. If Coltrane managed to kick it out, Parker & Miles didn't.
 
 
 
 
 
 
 
 
 
 
s


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my music collection increased tenfolds when I switched from drug-addicted musicians to crazy ones....



Posted By: idlero
Date Posted: 01 Jun 2011 at 4:03am


Thumbs Up


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I think the problem with a lot of the fusion music is that it's extremely predictable, it's a rock rhythm and the solos all play the same stuff and they play it over and over again ...
Ken Burns


Posted By: darkshade
Date Posted: 01 Jun 2011 at 11:50am
Originally posted by Sean Trane Sean Trane wrote:

Originally posted by darkshade darkshade wrote:

yes, sober musicians are much more prolific, since they dont waste time with narcotics

**EDIT** woops, I didn't realize that was part of your sig. I think the colors threw me off
LOLLOLLOL
 
Sorry about that!!
 
 
This said, I don't think that jazzmen have any less problems with drugs than other types of musos. If Coltrane managed to kick it out, Parker & Miles didn't.
 
s


With jazz, it's a little different. There isn't as much composing as classical, or prog, so it wouldn't take as much time to record an album than say a rock band. MAny jazz albums were recorded in 1 or 2 takes, many times by the entire band(s)


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http://www.last.fm/user/MysticBoogy" rel="nofollow - My Last.fm


Posted By: Freddie Freeloader
Date Posted: 01 Jun 2011 at 5:31pm
Originally posted by darkshade darkshade wrote:

Originally posted by Sean Trane Sean Trane wrote:

Originally posted by darkshade darkshade wrote:

yes, sober musicians are much more prolific, since they dont waste time with narcotics

**EDIT** woops, I didn't realize that was part of your sig. I think the colors threw me off
LOLLOLLOL
 
Sorry about that!!
 
 
This said, I don't think that jazzmen have any less problems with drugs than other types of musos. If Coltrane managed to kick it out, Parker & Miles didn't.
 
s


With jazz, it's a little different. There isn't as much composing as classical, or prog, so it wouldn't take as much time to record an album than say a rock band. MAny jazz albums were recorded in 1 or 2 takes, many times by the entire band(s)
jazz and drugs go hand in hand, blues is born from boose, lots of jazzmen love their uppers, and the other half of jazzmen love their downers. The beats and jazzmen had alot in common, most notibly the fact they wer junkies... most all modern music is rooted to some degree on drugs.


Posted By: Krilons Resa
Date Posted: 01 Jun 2011 at 5:41pm
This should be a good one.







Quote The record, Bienestan, is a collaboration between Guillermo Klein and http://aarongoldberg.com/home/" rel="nofollow - pianist Aaron Goldberg , with crack players Miguel Zenón, Chris Cheek, Matt Penman, and Eric Harland filling out the band. Klein composed and/or arranged all the songs on Bienestan and Goldberg takes on the role of featured soloist. "We were conceiving of it almost in a Gil Evans-Miles kind of way," Goldberg writes in the press release announcing the album.


Thumbs Up





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That shows you the power of music, that magician of magician, who lifts his wand, says his mysterious word and all things real pass away and the phantoms of your mind walk before you clothed in flesh.


Posted By: Sean Trane
Date Posted: 02 Jun 2011 at 1:31am
Originally posted by Freddie Freeloader Freddie Freeloader wrote:

Originally posted by darkshade darkshade wrote:

Originally posted by Sean Trane Sean Trane wrote:

Originally posted by darkshade darkshade wrote:

yes, sober musicians are much more prolific, since they dont waste time with narcotics

**EDIT** woops, I didn't realize that was part of your sig. I think the colors threw me off
 
 
This said, I don't think that jazzmen have any less problems with drugs than other types of musos. If Coltrane managed to kick it out, Parker & Miles didn't.
 
 


With jazz, it's a little different. There isn't as much composing as classical, or prog, so it wouldn't take as much time to record an album than say a rock band. MAny jazz albums were recorded in 1 or 2 takes, many times by the entire band(s)
jazz and drugs go hand in hand, blues is born from boose, lots of jazzmen love their uppers, and the other half of jazzmen love their downers. The beats and jazzmen had alot in common, most notibly the fact they wer junkies... most all modern music is rooted to some degree on drugs.
 
 
 
I don't know about composition being less in jazz than classical or rock, thoughConfused
 
In terms of composition, sure classical has an edge when it comes to large symphonic orchestra (although Big Bands..... ), but I'm not sure Schubert's quintet pieces took less composition efforts than say Brubeck's Time Out. They were vastkly different times as well, since recording studios didn't exist too, for classical, which means that they culd take years into finalizing an oeuvre without anyone noticing it (i thionk I'm breaking down wide-open doors, hereEmbarrassedLOL)
 
As for composing in terms of rock, if you take the prog rock out of that realm, you'll find most compositions quite simple in terms of chord progressions.
 
-----------------------------
 
Albums didn't take long to record because jazz musos are great improvisers, unlike classical musicians (they couldn't improvize if their life depended on it), and in most rock circles, the musicianship is much lesser than in jazz. This is also why jazz artistes have such wide discographies as well.... cheap album production and quick recording meant that the labels could pump out sometimes up to four albums a year for an artiste... imagine this for Floyd or Madona...
 
So jazz albums took only one take or two....fine!!! But there isn't the effect-laden ultra-produced of most of these rock or pop products (beit Yes, Floyd or Michael Jackson and Madona)... and most of these rocker drug addicts, even when straight, couldn't get it right after the 15th take either, because they rarely rehearsed prior to recording sessions...And then you've got some groups that did composing during the studio sessions.
 
 
 
 
 
 
 
 


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my music collection increased tenfolds when I switched from drug-addicted musicians to crazy ones....



Posted By: snobb
Date Posted: 02 Jun 2011 at 4:15am
 

Stylish,pleasant and easy accessible solo piano album 


Posted By: darkshade
Date Posted: 02 Jun 2011 at 2:46pm
@ Sean Trane - I only mentioned composition in terms of Classical where almost everything is composed, whereas with Jazz, there is a large amount of improvisation involved. I wasn't talking about the level of composition some jazz tunes have (where some rival or even beat Classical)

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http://www.last.fm/user/MysticBoogy" rel="nofollow - My Last.fm


Posted By: Sean Trane
Date Posted: 02 Jun 2011 at 2:53pm
Originally posted by darkshade darkshade wrote:

@ Sean Trane - I only mentioned composition in terms of Classical where almost everything is composed, whereas with Jazz, there is a large amount of improvisation involved. I wasn't talking about the level of composition some jazz tunes have (where some rival or even beat Classical)
I'd understood what you said, ,and completely agreed, but there was the drug issue at stake in this conversation, ,that's allWink
 
 
but I gather that the newer jazz generatioons are much cleaner in that regard (except for amy House of WhineLOL)


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my music collection increased tenfolds when I switched from drug-addicted musicians to crazy ones....



Posted By: idlero
Date Posted: 09 Jun 2011 at 9:52am


Thumbs Up


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I think the problem with a lot of the fusion music is that it's extremely predictable, it's a rock rhythm and the solos all play the same stuff and they play it over and over again ...
Ken Burns


Posted By: idlero
Date Posted: 01 Jul 2011 at 7:13am
         

IMO another average ECM piano trio release, didn't impress me at first hearing , it improved after a few more hearings but doesn't stand out from among other average piano trios releases





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I think the problem with a lot of the fusion music is that it's extremely predictable, it's a rock rhythm and the solos all play the same stuff and they play it over and over again ...
Ken Burns


Posted By: snobb
Date Posted: 01 Jul 2011 at 7:37am

UnhappyThumbs Down


Posted By: Ricochet
Date Posted: 01 Jul 2011 at 8:04am
Recent stuff in my playlist, Ken Vandermark has two new releases, one with Resonance and an OST with Predella Group, both not your usual Vandermark. Jazz that can open your senses, in fact.

Angelica Sanchez's piano solo album (A Little House) puts me off a bit, uneven album with both hollow and interesting compositions. Never made up my mind how I feel about toy piano music, either.


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Posted By: snobb
Date Posted: 01 Jul 2011 at 8:32am
Originally posted by Ricochet Ricochet wrote:

Recent stuff in my playlist, Ken Vandermark has two new releases, one with Resonance and an OST with Predella Group, both not your usual Vandermark. Jazz that can open your senses, in fact.

Angelica Sanchez's piano solo album (A Little House) puts me off a bit, uneven album with both hollow and interesting compositions. Never made up my mind how I feel about toy piano music, either.

I tried Angelica's album few times but didn't get that music, or better to say - it was interesting at first few minutes, but later I missed interest very soon


Posted By: Ricochet
Date Posted: 01 Jul 2011 at 8:33am
Originally posted by snobb snobb wrote:

Originally posted by Ricochet Ricochet wrote:

Recent stuff in my playlist, Ken Vandermark has two new releases, one with Resonance and an OST with Predella Group, both not your usual Vandermark. Jazz that can open your senses, in fact.

Angelica Sanchez's piano solo album (A Little House) puts me off a bit, uneven album with both hollow and interesting compositions. Never made up my mind how I feel about toy piano music, either.

I tried Angelica's album few times but didn't get that music, or better to say - it was interesting at first few minutes, but later I missed interest very soon


The other way around, second half makes me wonder...


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Posted By: snobb
Date Posted: 05 Jul 2011 at 2:34am
Interesting new release - combination of American and European avant-garde roots in one duo. Sounds really good but often on the edge of two worlds :



Posted By: harmonium.ro
Date Posted: 05 Jul 2011 at 4:55am
Hey Slava, did you hear Chicago Odense Ensemble? I just added them to Post Rock on PA, but their album could also pass as one of the best Nu-Jazz albums of 2011. 


Posted By: Ricochet
Date Posted: 05 Jul 2011 at 6:25am
^ I just listened to it for the first time yesterday. I feel the two main styles are a bit corrupting each other. Cool music, otherwise.

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Posted By: snobb
Date Posted: 05 Jul 2011 at 6:27am
Originally posted by harmonium.ro harmonium.ro wrote:

Hey Slava, did you hear Chicago Odense Ensemble? I just added them to Post Rock on PA, but their album could also pass as one of the best Nu-Jazz albums of 2011. 

No, thanks I'll check themSmile


Posted By: snobb
Date Posted: 05 Jul 2011 at 6:30am
Originally posted by Ricochet Ricochet wrote:

^ I just listened to it for the first time yesterday. I feel the two main styles are a bit corrupting each other. Cool music, otherwise.

Absolutely agree - in some moments it sounds almost annoying, but often - like unusual and attractive combination, a bit of scratching glass LOL


Posted By: Ricochet
Date Posted: 05 Jul 2011 at 6:34am
Confused now, I was referring to Alex's COE, which you haven't heard yet, as you said above.

It might turn out the same with Shepp/Kuhn, but I have to hear it first. Tongue


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Posted By: snobb
Date Posted: 05 Jul 2011 at 6:35am
Originally posted by Ricochet Ricochet wrote:

Confused now, I was referring to Alex's COE, which you haven't heard yet, as you said above.

It might turn out the same with Shepp/Kuhn, but I have to hear it first. Tongue

LOL

Now you need to listen Shepp/Kuhn just to compare 


Posted By: harmonium.ro
Date Posted: 05 Jul 2011 at 6:49am
The funny thing is that Slava's description does fit C.O.E indeed. LOL It is like scratching glass, but in a good way (for me at least). 


Posted By: Sean Trane
Date Posted: 05 Jul 2011 at 7:47am
Originally posted by snobb snobb wrote:

Interesting new release - combination of American and European avant-garde roots in one duo. Sounds really good but often on the edge of two worlds :

 
Saw Archie shepp last October at Middelheim Festival (Antwerp)
 
 
Kind of deceiving... partly because of his performance is a little down because of his Parkinson (I think that's what he's got), but also a very conventional set (at least for what the fans could expect from his discography
 
 
But he was followed by McCoy Tyner, so he (Archie) stood almost no chance. (I'd probably have left after 1/2h  if it had been the other way around )
 
Still, it was nice to see a legend
 
What's this album like???(like the artwork, though)
 


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my music collection increased tenfolds when I switched from drug-addicted musicians to crazy ones....



Posted By: darkshade
Date Posted: 06 Jul 2011 at 12:50am
Originally posted by snobb snobb wrote:


UnhappyThumbs Down


I could have told you thatTongue


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http://www.last.fm/user/MysticBoogy" rel="nofollow - My Last.fm


Posted By: snobb
Date Posted: 06 Jul 2011 at 1:09am
Originally posted by Sean Trane Sean Trane wrote:

Originally posted by snobb snobb wrote:

Interesting new release - combination of American and European avant-garde roots in one duo. Sounds really good but often on the edge of two worlds :

 
Saw Archie shepp last October at Middelheim Festival (Antwerp)
 
 
Kind of deceiving... partly because of his performance is a little down because of his Parkinson (I think that's what he's got), but also a very conventional set (at least for what the fans could expect from his discography
 
 
But he was followed by McCoy Tyner, so he (Archie) stood almost no chance. (I'd probably have left after 1/2h  if it had been the other way around )
 
Still, it was nice to see a legend
 
What's this album like???(like the artwork, though)
 

I listen it again and again and I like it more and more. A bit strange though - cold technical Kuhn piano and Shepp's warm soulful and free sax over it. I believe some like it and others hate. 


Posted By: snobb
Date Posted: 14 Jul 2011 at 6:41am
Better than I expected - more adventurous than usual Liebman post bop, in big part avant garde jazz:



Posted By: Ricochet
Date Posted: 16 Jul 2011 at 3:58pm
Originally posted by snobb snobb wrote:

Interesting new release - combination of American and European avant-garde roots in one duo. Sounds really good but often on the edge of two worlds :



First listen. Kind of "meh".


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Posted By: Ricochet
Date Posted: 11 Aug 2011 at 8:25am


Really intriguing, this one, skipping from regular (for Fris) bluegrass to minimalist chamber music.



Just one of Evans' works this year, probably the most important. In fact, I'm going through all his '11 stuff, Kopros Lithos with Gustafsson/Fernandez was ok, Sum and Difference with Altieri/Pluta is more EAI and not really brilliant. I've still got High Society with Wooley to check.

 Ghosts really took me by surprise, after Evans' previous, two-hour-long heavy-spitting Nature/Culture. It has its tiny glitches or ghastly voices, as suggested, otherwise the game is pretty conventional. This could be the best "hard nu-jazz" sort of record for me since E.S.T.'s Leucocyte, but I have to give it more spins.


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Posted By: harmonium.ro
Date Posted: 11 Aug 2011 at 4:09pm
^ I just got "Ghosts" too. 


Posted By: Ricochet
Date Posted: 16 Aug 2011 at 3:14pm


Given the new school of crappy covers they adhere to, I could have easily never picked this album of theirs up. But I'm ultimately glad I did - sort of? It's definitely more interesting that I expected. Jazz with electronics - at least? (I was going to say nu-jazz, but I think that would be a pleonasm). Shouting it out to Alex, it's atypical and disjointed enough.

For sure, this next one said less to me:



It does have its moments.


Posted By: Polo
Date Posted: 16 Aug 2011 at 4:20pm
I really loved Matana Robert's Coin Coin. http://www.jazzmusicarchives.com/matana-roberts--coin-coin-chapter-one-gens-de-couleur-libres.aspx

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That's Kenny G with Miles Davis on my avatar, by the way.


Posted By: darkshade
Date Posted: 16 Aug 2011 at 5:53pm
I dislike that my copy of Hiromi's new album "Voice" hasn't arrived yet

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http://www.last.fm/user/MysticBoogy" rel="nofollow - My Last.fm


Posted By: darkshade
Date Posted: 16 Aug 2011 at 5:56pm
Originally posted by Ricochet Ricochet wrote:



Given the new school of crappy covers they adhere to, I could have easily never picked this album of theirs up. But I'm ultimately glad I did - sort of? It's definitely more interesting that I expected. Jazz with electronics - at least? (I was going to say nu-jazz, but I think that would be a pleonasm). Shouting it out to Alex, it's atypical and disjointed enough.



Is that the real artwork?

I have an album (or an EP, I dont remember) of theirs around somewhere. I believe Charlie Hunter is in that band, right? Either way, he's a ridiculous player. He plays an 8 string guitar, playing the guitar parts and bass parts (on the lower strings) at the same time.

I recall the album of theirs I have was laid-back jazz-funk. Interesting they're going in an electronic direction.


Posted By: Ricochet
Date Posted: 16 Aug 2011 at 7:15pm
Originally posted by darkshade darkshade wrote:

Originally posted by Ricochet Ricochet wrote:



Given the new school of crappy covers they adhere to, I could have easily never picked this album of theirs up. But I'm ultimately glad I did - sort of? It's definitely more interesting that I expected. Jazz with electronics - at least? (I was going to say nu-jazz, but I think that would be a pleonasm). Shouting it out to Alex, it's atypical and disjointed enough.



Is that the real artwork?

I have an album (or an EP, I dont remember) of theirs around somewhere. I believe Charlie Hunter is in that band, right? Either way, he's a ridiculous player. He plays an 8 string guitar, playing the guitar parts and bass parts (on the lower strings) at the same time.

I recall the album of theirs I have was laid-back jazz-funk. Interesting they're going in an electronic direction.


At least that's how it sounded to me, moderately charged with beats and "bytes".

Yes to the artwork question.
No to Charlie Hunter being in it (anymore).


Posted By: darkshade
Date Posted: 16 Aug 2011 at 8:06pm
Ok. So he WAS in the band, but not anymore.

That reminds me, I should try and find the Charlie Hunter albums I have. It's been years since Ive listened to them.


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http://www.last.fm/user/MysticBoogy" rel="nofollow - My Last.fm


Posted By: harmonium.ro
Date Posted: 17 Aug 2011 at 5:50am
Originally posted by Ricochet Ricochet wrote:



Given the new school of crappy covers they adhere to, I could have easily never picked this album of theirs up. But I'm ultimately glad I did - sort of? It's definitely more interesting that I expected. Jazz with electronics - at least? (I was going to say nu-jazz, but I think that would be a pleonasm). Shouting it out to Alex, it's atypical and disjointed enough.



Cheers, I'll be getting it.


Posted By: idlero
Date Posted: 23 Aug 2011 at 8:13am


very good, mostly ballads with a chamber jazz sound, 'ECM' quality





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I think the problem with a lot of the fusion music is that it's extremely predictable, it's a rock rhythm and the solos all play the same stuff and they play it over and over again ...
Ken Burns


Posted By: snobb
Date Posted: 24 Aug 2011 at 11:06am
Originally posted by Polo Polo wrote:

I really loved Matana Robert's Coin Coin. http://www.jazzmusicarchives.com/matana-roberts--coin-coin-chapter-one-gens-de-couleur-libres.aspx






Thumbs Up


Posted By: idlero
Date Posted: 22 Sep 2011 at 4:01am

not my cup of tea




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I think the problem with a lot of the fusion music is that it's extremely predictable, it's a rock rhythm and the solos all play the same stuff and they play it over and over again ...
Ken Burns


Posted By: Dick Heath
Date Posted: 30 Sep 2011 at 6:10am
I've surprised myself by really liking the collaboration of Wynton Marsalis and Eric Clapton, and having got the CD I've now gone out and bought the DVD,  gaining even more pleasure seeing the genuine pleasure each musician gets for the others' playing. Indeed having read the review in the London Time several weeks ago, where the critic states this 20's New Orleans jazz fused with Chicago style blues but it works and he in particular cited the rearranged 'Layla' (included in the set at the request of one of Marsalis's band) - I felt compelled to hear this. In part I feel there is an irony here, in that Marsalis is playing a form of jazz fusion - not done since his couple of contributions to the 'Fuse' albums of the early 80's. But most importantly,  I've long felt Clapton's laid back music had fallen over and gone to sleep, while Marsalis's utterances about fusion have been a turn off. However, here is a synergy , and some elements of musicians from slightly different backgrounds provoking each other into some superior playing without showing off.



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