With Taking Turns, Danish guitarist and composer Jakob Bro presents a fine compendium of engagingly layered compositions recorded 10 years ago in New York. This exceptional record features the late, legendary saxophonist Lee Konitz, with Bro weaving smooth harmonic tapestries alongside fellow guitarist Bill Frisell and pianist Jason Moran. Working on a consistently lucid rhythmic foundation are bassist Thomas Morgan and drummer Andrew Cyrille.

“Black is All Colors at Once” opens with the rippling pianism from Moran— who had never worked with Bro before—soon joined by contemplative, arpeggiated guitar layers. Konitz's saxophone melodies float delicately atop, while Cyrille’s understated brushwork provides a subtle rhythmic underpinning. Konitz exhibits his distinctively explorative phraseology throughout but takes center stage on “Milford Sound”, a poignant ballad narrative dedicated both to the late free jazz pioneer Milford Graves and the New Zealand fjord of the same name.

Surprisingly, on the open-ended “Haiti”, Konitz makes a rare appearance on soprano saxophone, adding a playful yet gentle touch to a piece that dances gracefully with amiable charm. The rhythm here suggests a flowing sextuple feel, contrasting with the {3+5} cadence of “Aarhus”. The latter track showcases the ensemble’s dynamic control and cohesion, offering a soaring perspective through its carefully crafted rhythmic drive. In turn, “Pearl River”, evocative of New York’s Chinatown and its Asian emporium, leans into more abstraction and suspension. Here, Bro and Frisell intertwine their guitars to create a beautifully sculpted, textural surface that invites deeper listening.

In “Peninsula”, guitars and piano contribute layers of detail that only add to the overall chemistry. Elevated levels of illumination and relaxation are easily found here, and restraint is a key element of all the tracks in this set. The sax-less closer, “Mar Del Plata”, delivered at a slow 3/4 tempo, is nothing short of stunning, with everyone circling around an endearing melody that refuses to come out of your head. 

Abounding in smooth, expressive gestures, Taking Turns is another fundamental touchstone for Bro’s radiating atmospheric style, marking an important phase in his career. It grows more enchanting with every listen, offering both warmth and introspection in equal measure.