Resilient Beats: The Best Polish Jazz Albums of 2013

While jazz is a popular music genre around the world, it holds particular popularity in  http://theculturetrip.com/europe/poland/" rel="nofollow - Poland . Passionate about this genre and proud of the talented artists that the country produces, the  http://polish-jazz.blogspot.co.uk/" rel="nofollow - Polish Jazz Blog  is a fantastic resource for events, reviews and news on the Polish jazz scene. Discover the Polish Jazz Blogs' choice of the best albums released in 2013.

Introduced to  http://theculturetrip.com/europe/poland/" rel="nofollow - Poland  in the turbulent 20th century, jazz music holds a distinct link with Polish culture due to the country's history. Having been banned during Stalin’s rule, jazz continued to be popular throughout these repressive years through record smuggling and shortwave radio stations. After Stalin’s death, jazz resurfaced from the underground and has since continued to be a popular music genre, with Poland producing lists of talented musicians whose influence can be felt around the world.

RGG – Szymanowski

This is the sixth album by the exquisite  http://theculturetrip.com/europe/poland/" rel="nofollow - Polish  jazz piano trio  https://www.facebook.com/rggtrio/info" rel="nofollow - RGG , and their first release following the changeover of their piano player, with  https://myspace.com/ojdanalukasz" rel="nofollow - Lukasz Ojdana  replacing the founding member Przemyslaw Raminiak. For a piano trio the replacement of the pianist is equivalent more or less to a heart transplant in a human body, which is of course a tremendous upheaval. The fact that such transition not only is possible, but is also successful is nothing short of a miracle. Bassist  http://maciejgarbowski.com/index.php?lang=en" rel="nofollow - Maciej Garbowski  and drummer  https://myspace.com/krzysztofgradziuk" rel="nofollow - Krzysztof Gradziuk  should be congratulated for going through this experience unspoiled and unshaken in their team spirit. The fact that the trio chose to retain its name (rather than changing it to OGG for example) is a most welcome sign of respect towards their departed colleague and the will to continue the splendid tradition they created so far, a fine and very rare example of camaraderie winning over ego.

http://polish-jazz.blogspot.co.uk/2013/06/rgg-szymanowski-2013.html" rel="nofollow - Read the full review here.

Obara International – Komeda

It’s not a secret that Scandinavia has always been a fascination for http://theculturetrip.com/europe/poland/" rel="nofollow - Polish  saxophonist  http://www.maciejobara.com/" rel="nofollow - Maciej Obara , especially in recent times when he started to look in his music for the ‘cooler means of expression’. It was therefore a happy coincidence when during the  http://www.takefiveeurope.com/" rel="nofollow - Take Five: Europe  meeting in 2012 his musical path crossed with two http://theculturetrip.com/europe/the-netherlands/" rel="nofollow - Norwegians : double bassist  http://en.wikipedia.org/wiki/Ole_Morten_V%C3%A5gan" rel="nofollow - Ole Morten Vågan  and drummer  http://en.wikipedia.org/wiki/Gard_Nilssen" rel="nofollow - Gard Nielssen . His decision to record the music of legendary  http://www.krzysztofkomeda.com/" rel="nofollow - Krzysztof Komeda  seems to be natural. On the one hand Komeda is a point of reference for any jazz musician in  http://theculturetrip.com/europe/poland/" rel="nofollow - Poland  and to establish himself on the Polish scene it is mandatory to record his music. Moreover Obara and pianist  http://www.dominikwania.com/" rel="nofollow - Dominik Wania  were lucky to have some personal connection to Komeda as they both collaborated with  http://www.tomaszstanko.com/" rel="nofollow - Tomasz Stańko , a favourite trumpeter of Komeda, in his new  http://www.youtube.com/watch?v=-ifQTNhJ0jg" rel="nofollow - Balladyna Project  where they also played some of Komeda’s compositions.

http://polish-jazz.blogspot.co.uk/2013/07/obara-international-komeda-2013.html" rel="nofollow - Read the full review here.

Waclaw Zimpel Quartet – Stone Fog

Despite his young age  http://www.waclawzimpel.pl/" rel="nofollow - Wacław Zimpel  is one of the most important personalities in the field of free and improvised jazz in http://theculturetrip.com/europe/poland/" rel="nofollow - Poland . And this is not only because of his many collaborations with Polish and international artists, but above all because of his special style. Already with the first songs I heard from him I got the feeling that this must be something special, and since then I have been following his development with great interest.

http://polish-jazz.blogspot.co.uk/2013/06/waclaw-zimpel-quartet-stone-fog-2013.html" rel="nofollow - Read the full review here.

Mikrokolektyw - Absent Minded

Forward-thinking  http://theculturetrip.com/north-america/usa/" rel="nofollow - American  jazz musicians have made a ton of important and influential recordings for  http://theculturetrip.com/europe/" rel="nofollow - European  labels, but seeing an exploratory European outfit on an American label is more of a rarity. So it was a noteworthy event when the Polish duo http://mikrokolektyw.com/" rel="nofollow - Mikrokolektyw  – drummer  https://www.facebook.com/kuba.suchar" rel="nofollow - Kuba Suchar  and trumpeter  https://myspace.com/arturmajewski" rel="nofollow - Artur Majewski  – released their debut disc Revisit and the live DVD Dew Point on Chicago-based indie Delmark back in 2010. In operation for over half a century, Delmark is revered in jazz circles for releasing some of the earliest waxings of Sun Ra and the first recordings by the musicians who would become the  http://www.artensembleofchicago.com/" rel="nofollow - Art Ensemble of Chicago , as well as a stack of seminal urban blues discs by Junior Wells, Magic Sam, and J.B. Hutto, among others. Producer Raymond Salvador Harmon heard them in 2007 and brought them to the label.

http://polish-jazz.blogspot.co.uk/2013/04/mikrokolektyw-absent-minded-2013.html" rel="nofollow - Read the full review here.

Shofar - Ha-Huncvot

The existence of this trio, which released its debut album in 2007, speaks to the resurgence of Jewish culture in  http://theculturetrip.com/europe/poland/" rel="nofollow - Poland  since the demise of communism there. Inspired by the pioneering work of ethnomusicologist  http://en.wikipedia.org/wiki/Moisei_Beregovsky" rel="nofollow - Moshe Beregovski  (whose work documenting indigenous musics in the  http://theculturetrip.com/europe/ukraine/" rel="nofollow - Ukraine , Poland and  http://theculturetrip.com/europe/moldova/" rel="nofollow - Moldavia  beginning in the 1920s is roughly analogous to that of  http://en.wikipedia.org/wiki/John_Lomax" rel="nofollow - John Lomax  in the American South), the three musicians – guitarist  https://myspace.com/raphaelroginski" rel="nofollow - Raphael Roginski , altoist and bass clarinettist  http://www.trzaska.art.pl/" rel="nofollow - Mikolaj Trzaska  and drummer  http://pl.wikipedia.org/wiki/Macio_Moretti" rel="nofollow - Macio Moretti  – apply a free jazz spin to centuries-old Hasidic musical forms including negunim (wordless melodies) or freylakhs (meant to accompany dancing). In their intent, they are not unlike John Zorn’s Masada quartet, which plays Jewish themes as Ornette Coleman might have re-imagined them ca. 1959.

http://polish-jazz.blogspot.co.uk/2013/05/shofar-ha-huncvot-2013.html" rel="nofollow - Read the full review here.

Hunger Pangs - Meet Meat

The first association with the title of this album is that of the hunger for personal development, for art and creativity. It can indeed lead to mental and physical problems when someone is hindered in his self-unfolding – maybe that can be called pain too. But even here the band members should not be affected as they are touring for several years in many different formations in  http://theculturetrip.com/europe/poland/" rel="nofollow - Poland , http://theculturetrip.com/europe/denmark/" rel="nofollow - Denmark  and  http://theculturetrip.com/europe/germany/" rel="nofollow - Germany . The liner notes then indeed clarify that the name of the trio stems from a book. You can feel though that on this album three musicians came together who are bound and determined. Uncompromisingly they lay before the listener their own compositions, most of which were written by  http://www.marekkadziela.com/" rel="nofollow - Marek Kądziela . From the first song onward it is clear that the three are not here to produce a ‘nice’ album – these songs had to get out.

http://polish-jazz.blogspot.co.uk/2013/06/hunger-pangs-meet-meat-fortune-records.html" rel="nofollow - Read the full review here.

Marcin Masecki - Polonezy

http://marcinmasecki.com/en/" rel="nofollow - Marcin Masecki  – still young, in his 30s, a graduate of famous  http://www.berklee.edu/" rel="nofollow - Berklee College of Music  – has already gathered experience so unbelievably rich that it makes his personality absolutely unique on the Polish music scene. In his teens he presented himself to the audience as a prodigiously talented pianist employed by some of  http://theculturetrip.com/europe/poland/" rel="nofollow - Poland's  best jazz musicians. He collaborated with such great players as Andrzej Jagodziński and  https://myspace.com/zbigniewwegehaupt" rel="nofollow - Zbigniew Wegehaupt  of older generations, and also some of the most successful jazz musicians from younger ones like Grzegorz Piotrowski (Alchemik's Dracula in Bucharest) and  http://www.mazolewski.com/project/" rel="nofollow - Wojtek Mazolewski  (Pink Freud's Alchemia). He summed up this period by releasing in 2006 the album Live at Mińsk Mazowiecki in the well known jazz trio format with  http://garthstevenson.com/" rel="nofollow - Garth Stevenson  on double bass and  http://www.ziv-ravitz.com/Ziv_Ravitz/Home.html" rel="nofollow - Ziv Ravitz  on drums, which was easily one of the best mainstream recordings in the last decade in Polish jazz.

http://polish-jazz.blogspot.co.uk/2013/05/marcin-masecki-polonezy-2013.html" rel="nofollow - Read the full review here.

Dominik Wania Trio – Ravel

This album by pianist  http://www.dominikwania.com/" rel="nofollow - Dominik Wania  is nominally his debut. But in fact Wania is already a fully matured artistic personality. A quick overview of the recordings in which he took part in the last couple of years is evidence of this and at the same time a testimony to the stunning renaissance of  http://theculturetrip.com/europe/poland/" rel="nofollow - Polish  jazz: Piotr Baron's Jazz na Hrade, http://www.maciejobara.com/" rel="nofollow - Maciej Obara's  Equilibrium, Bronisław Suchanek's Sketches In Blueor  http://www.jacekkochan.com/Site/jacek_kochan.html" rel="nofollow - Jacek Kochan's  Filing the Profile and Man of No Words are all crème-de-crème of jazz in Poland in recent times which are unimaginable without Dominik's creative contribution. Indeed by his participation in these projects Wania has won such an esteem that his debut may be easily described as one of most anticipated in Polish jazz in the last couple of years.

http://polish-jazz.blogspot.co.uk/2013/07/dominik-wania-trio-ravel-2013.html" rel="nofollow - Read the full review here.

Mazolewski/Gonzalez Quintet – Shaman

Like  http://en.wikipedia.org/wiki/Don_Cherry_%28musician%29" rel="nofollow - Don Cherry ,  http://theculturetrip.com/north-america/usa/texas/" rel="nofollow - Dallas -based trumpeter  http://www.dennisgonzalez.com/" rel="nofollow - Dennis Gonzalez's  music is organic, spiritual and cathartic. Wherever he travels, he carries with him a repertoire of tunes he's played with musicians from all over the world, along with an aura of family and community. Last year, he and  http://theculturetrip.com/europe/poland/" rel="nofollow - Polish  bassist  http://www.mazolewski.com/project/" rel="nofollow - Wojtek Mazolewski  collaborated on two stellar releases, the 7-inch Wind Streaks in Syrtis Major and the 12-inch EPBandoleros en Gdansk. Now, on Shaman, released by the new Polish label ForTune, the two men co-lead a quintet with tenor man Marek Pospieszalski (another returnee from the aforementioned dates), the astonishing pianist Joanna Duda (who plays with Mazolewski in his quintet), and drummer https://myspace.com/rogiewicz" rel="nofollow - Jerzy Rogiewicz  (from the group Levity Trio).

http://polish-jazz.blogspot.co.uk/2013/07/mazolewskigonzalez-quintet-shaman-2013.html" rel="nofollow - Read the full review here.

Power of the Horns – Alaman

Alaman is not only Power of the Horn's debut release but, with the number 001, it's also the first position in the catalogue of a new http://theculturetrip.com/europe/poland/" rel="nofollow - Polish  jazz music label ForTune – a quick view on their list makes you sure these guys are serious about publishing good music. Power of the Horns is led by  http://www.serious.org.uk/about/artist/piotr-damasiewicz" rel="nofollow - Piotr Damasiewicz  who’s responsible for the compositions and for conducting the group, which gathers together some of the hottest names on the Polish modern jazz scene. They've been performing together for a couple of years, gaining a big, if underground, reputation, and the official release was in fact long overdue.

http://polish-jazz.blogspot.co.uk/2013/09/power-of-horns-alaman-2013-12.html" rel="nofollow - Read the full review here.

By the Polish Jazz Blog

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