BILL ORTIZ

RnB / Latin Jazz / Jazz Related Electronica/Hip-Hop • United States
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A longstanding member of the Santana band, Bill Ortiz has been involved in the Hip-Hop and R&B movements for as long as he’s played music. He played trumpet on the classic hip-hop Souls of Mischief album “93 til Infinity” and has worked and recorded with Tony Toni Tone’, En Vogue, Sheila E, TLC, among others. Born in San Francisco, California, Ortiz began his mastery of the trumpet at age 10. While in school he was first chair trumpet in the San Francisco All-City Band, and by his mid-teens he was playing at local dances and clubs with a number of R&B and jazz groups, giving him an early and varied start to his professional career. His horizons were broadened even further during his college years with his first exposure to electronic and Latin music.

In the nineties Ortiz began working with R&B/Hip-Hop group Tony Toni Tone’ as a touring band member
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BILL ORTIZ From Where I Stand album cover 0.00 | 0 ratings
From Where I Stand
RnB 2009
BILL ORTIZ Highest Wish album cover 0.00 | 0 ratings
Highest Wish
RnB 2012
BILL ORTIZ Points Of View album cover 3.50 | 1 ratings
Points Of View
Latin Jazz 2022

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BILL ORTIZ Winter In America album cover 0.00 | 0 ratings
Winter In America
Jazz Related Electronica/Hip-Hop 2012

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BILL ORTIZ Points Of View

Album · 2022 · Latin Jazz
Cover art Buy this album from MMA partners
js
Trumpeter Bill Ortiz has worked with many well-known artists over the years, but possibly he is best known for his sixteen years with Carlos Santana (2000-2016) Along with Carlos, Bill has also toured with Bay Area RnB groups like Tony Toni Tone and En Vogue, and has also performed with top jazz musicians such as Herbie Hancock, Wayne Shorter and Chick Corea. Add to that list many RnB, blues and Latin jazz performers and you get an idea of how much Bill gets around. His latest album, “Points of View”, takes Ortiz in more of a Latin jazz and fusion direction, which is different from his previous albums which were more RnB and hip-hop oriented. There is an amazing all-star cast assembled for this album, too many stars to list, but two of the top contributors include Dennis Chambers on drums and Azar Lawrence on tenor saxophone. Although “Points of View” is very much a modern album, there is a spiritual connection to the 70s with songs by artists like Eddie Henderson, Lonnie Liston Smith and Brian Jackson, but it’s Azar’s big soulful tenor sound that brings that organic 70s vibe more than anything else.

There is a wide variety of music on here, each song has its own unique flavor that stands on its own. Looking at some album highlights, opening track “Sunburst” brings the jazz-rock energy. Although Bill rarely sounds like Miles, on this rockin track he seems to channel Miles’ aggressive riffs from his Live at the Fillmore album. “Okonkole y Trompa” is a mystical African flavored rumba with Bill’s deep toned flugelhorn sounding like an ancient African horn sounding over a percussion groove. The psychedelic Afro-Cuban sound is also found on “Fusion/Noche Cubana", on which Ortiz plays echoed trumpet lines over the percussion backdrop. “Aint Gon Change a Thang” is funky Latin RnB and has Bill playing a processed trumpet that sounds like Randy Brecker’s work combining mutes and wah pedals. And there are plenty more tracks of course. Though out the album, Ortiz’s trumpet playing is bold and forthright, very much in the Latin tradition, and also similar to power trumpeters like Freddie Hubbard and Jon Faddis.

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