ABDULLAH IBRAHIM (DOLLAR BRAND) — The Journey (review)

ABDULLAH IBRAHIM (DOLLAR BRAND) — The Journey album cover Album · 1977 · African Fusion Buy this album from MMA partners
4/5 ·
js
Recorded and released in 1977, “The Journey” is a different sort of album for Abdullah Ibrahim, who was still going by the name of Dollar Brand at this time. Ibrahim is usually known for his hypnotic African grooves, and you get a good bit of that on “The Journey”, but you also get a lengthy, less typical for him, free jazz excursion featuring some stars from NYC’s pioneering free jazz movement. Ibrahim had just moved to NYC from South Africa before he recorded this, and apparently he was immediately embraced by the avant-garde vanguard, including such renowned musicians such as Don Cherry and Hamiet Bluiett.

Side one opens with an energetic South African calypso that is relatively short and to the point. Abdullah leaves the piano alone for this one and instead gives us a fiery soprano saxophone solo. The lengthy “Jabulani” takes up the rest of this side and features the large ensemble in free jazz mode as they pass the solos around so that eventually everyone gets a free ride. This is that original form of free jazz that sounds like bebop gone berserk, so much more rhythmic and lively than often what passes for free jazz today. Side two is made up of the 20 minute plus “Hajj”, which is an absolute groove monster based around North African rhythms and melodies. Talib Rhynie’s ‘snake charmer’ oboe melodies are a real plus on this one, as is Bluiett’s clarinet solo as most of the musicians all get a turn to play with the oriental mode that comprises the main theme. Abdullah plays piano on this one as he provides a repeating rhythmic figure that is the backbone of the piece.

“The Journey”, with its free jazz excursion, is a somewhat different album for Ibrahim, but really all of this eclectic music comes together and makes total sense, thanks to the talent of the assembled crew here that is equally at home with in the groove playing, as well as going completely outside.
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