DEWEY REDMAN
Post Bop / Avant-Garde Jazz / Hard Bop / Jazz Education • United States
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In 1967 San Francisco's tenor saxophonist Dewey Redman (1931), who had already recorded an original Look for the Black Star (january 1966) for piano-based quartet, moved to New York and joined Ornette Coleman's quartet (1967-74). While his huge tenor counterpoint to Coleman's alto was mesmerizing the audience of free-jazz, Redman penned more originals for a trio session with the Art Ensemble of Chicago's bassist Malachi Favors and Don Cherry's drummer Ed Blackwell, Tarik (october 1969), particularly Paris? Oui!, Lop-O-Lop and Related and Unrelated Vibrations. Besides featuring three of the most creative minds of the free-jazz movement, it was moody and emotional music that related even to the audience of traditional jazz. He played alto on The Ear of the Behearer (june 1973), containing the twelve-minute bluesy Boody for a sextet with trumpet, cello, bass (Sirone), drums and percussion, and then also tried his hand on clarinet and zither in the
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4.00 |
1 ratings
Tarik
Avant-Garde Jazz
1970
4.50 |
1 ratings
Coincide
Avant-Garde Jazz
1975
0.00 |
0 ratings
Musics
Post Bop
1979
0.00 |
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Post Bop
1992
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