Jazz Related Soundtracks

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The jazz soundtrack genre at JMA is for artists who compose soundtracks with a strong jazz element. These artists may also work in other genres, but its their jazz soundtrack work that is of most interest to the jazz fan. Some good examples of jazz soundtrack composers are Quincey Jones, Henry Mancini and Isaac Hayes.

jazz related soundtracks top albums

Showing only albums and live's | Based on members ratings & JMA custom algorithm | 24 hours caching

CURTIS MAYFIELD Superfly Album Cover Superfly
CURTIS MAYFIELD
4.85 | 7 ratings
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THE SEATBELTS Cowboy Bebop Album Cover Cowboy Bebop
THE SEATBELTS
4.95 | 3 ratings
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JOHN COLTRANE Blue World Album Cover Blue World
JOHN COLTRANE
4.60 | 5 ratings
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ISAAC HAYES Shaft Album Cover Shaft
ISAAC HAYES
4.46 | 8 ratings
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HERBIE HANCOCK Death Wish (OST) Album Cover Death Wish (OST)
HERBIE HANCOCK
4.26 | 10 ratings
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THE ART ENSEMBLE OF CHICAGO Bande Sonore Originale Du Film Bande Sonore Originale Du Film "Les Stances À Sophie"
THE ART ENSEMBLE OF CHICAGO
4.33 | 6 ratings
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ARILD ANDERSEN Electra Album Cover Electra
ARILD ANDERSEN
4.50 | 3 ratings
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FRED FRITH Step Across The Border Album Cover Step Across The Border
FRED FRITH
4.33 | 3 ratings
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JOHN ZORN Spillane Album Cover Spillane
JOHN ZORN
4.20 | 5 ratings
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MILES DAVIS A Tribute to Jack Johnson Album Cover A Tribute to Jack Johnson
MILES DAVIS
4.00 | 53 ratings
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DAVE BRUBECK Jazz Impressions of New York Album Cover Jazz Impressions of New York
DAVE BRUBECK
4.05 | 5 ratings
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PRINCE Prince And The Revolution ‎: Purple Rain Album Cover Prince And The Revolution ‎: Purple Rain
PRINCE
3.90 | 6 ratings
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Under The Big Onion (Soundtrack)
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OTOMO YOSHIHIDE
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jazz related soundtracks Music Reviews

GONG Continental Circus (OST)

Album · 1972 · Jazz Related Soundtracks
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Moshkiae
Gong Continental Circus 1972

This album is a soundtrack that belongs to a film by Jerome Laperrousaz, and it seems to be about motorcycle racing ... but even if we do not know the film, and there isn't a whole lot about it anywhere, the album, is, for all intents and purposes, a superb show of what Gong was to become. With the addition of Pip Pyle on drums, the trie of Gilli, Didier and Daevid, not had a much stronger touch, which was augmented by bassist Christian Tritsch, and made the long cuts listed in the LP valuable and you got to hear, for the first time, the thing that Daevid became very well known for ... his glissando style of playing the guitar, and here, he shows as a very strong lead guitar player, something that he did not exactly worked on the rest of his time with the Gong, preferring to stick with the story and augmenting its required touches and moments.

There are lyrics, loud and clear in the opening piece and it is likely that it is mostly ad lib as it seems to not exactly have any continuation that resembles what would be expected lyrically in a song. But, the glorious side of it, is Daevid's glissando, that is used so well and creates a wonderful touch and feel about the music, that is special and makes this album even more important.

After the first 4 pieces, which is what the LP has, a later release on a CD showed up with a lot of stuff that ... I'm not sure it was in the film, or belongs here, but, seems to have come from the same recording sessions.

The listing on the CD is as follows and a lot of it was used later in the story of Zero The Hero, which might suggest this stuff was already being worked on and was likely known that it would become some new material in the next albums. The CD also has Continental Circus as the 4th piece and What Do You Want? as the 2nd piece, with a replay of the first piece as an instrumental in the 3rd slot.

I can not tell you how it all fits or not, but the CD seems to sound fine, though I'm a bit wondering about the extra material, which likely was material to be worked on further and used later. It is possible that the material listed here is a part of the Flying Teapot album, which was released separately later, although it seems like most of it was now ready for prime time, and got cleaned up even more for the album later.

Est-Ce Que Je Suis Hip Hypnotize You Dreamin'it Never Fight Another War Excerpts from Camembert Electrique Est-Ce Que Je Suis Foghat Digs Holes in Space Dynamite I Never Glid Before I Am Your Pussy

An outstanding album, specially in the first 4 pieces all of which are very long and special, with extended glissando parts, all of which make this really special to have and enjoy. I'll reserve the comments on the rest of the album for the Flying Teapot release.

MILES DAVIS Ascenseur Pour L'Échafaud (OST)

Album · 1958 · Jazz Related Soundtracks
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js
This review is based on the original vinyl LP version of the soundtrack to the French film L' Ascenseur Pour I' Echafaud, featuring a French jazz trio augmented by Miles and US drummer Kenny Clarke. The understated jazz atmospheres on this soundtrack tell a lot about where jazz will be heading in the next five decades. This film music marks the first time that Miles will depart from playing jazz per se and instead finds him using the style as something to objectively manipulate and shape into something more original and personal. In formulating the music for this film, Miles eschewed actual songs and instead wrote bare riffs and repeating chord sequences for him to solo over and build atmosphere.

Not all is pure jazz here as some of the repeating motifs recall Satie and Ravel, as well as almost Indian style drones. Miles' playing over these drones and stark chord sequences is amplified with reverb and given that classic film noir 'jazz man in the back alley' sound that is almost humorous in it's cliché. Likewise the chord changes that Miles uses for the jazz sequences are classic cliché jazz sounds taken from a Disney film with beatnik characters, it's Miles tongue-in-cheek way of cleverly delivering the classic jazz goods that non-jazz fans want from a soundtrack..

This is an excellent album, timeless and beautifully retro like a classic noir film and in many ways, it marks the beginning of a world of innovations that will eventually blossom into cool jazz, fusion, acid jazz, trip-hop and nu jazz.

HERBIE HANCOCK The Spook Who Sat by the Door (OST)

Album · 2004 · Jazz Related Soundtracks
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FunkFreak75
The music is good, though the only recordings I've been able to find are set in, around, and within the dialogue and sounds of the actual movie, nothing much separate from it. As other reviewers note, the music here feels much closer to the Head Hunters funk-infused music than the drawn out experimental explorations done by the Mwandishi lineup. There are definitely still a lot of sound/noise experimentations going on here, suggesting that Patrick Gleeson was probably still on board as a collaborator (even producer). I enjoy the music--and the film scene details have me intrigued. (I enjoy the historical perspectives I can reference when watching these old "Blaxploitation" films.) Listening to any of Herbie's funk is a real treat. The soundtrack is short, and the sound engineering and mastering is not great, but it's a soundtrack! The music is still great.

ISAAC HAYES Tough Guys

Album · 1974 · Jazz Related Soundtracks
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js
Considering the massive success that Isaac Hayes had with his “Shaft” soundtrack, you would think that a long career in film scoring lay head of him, but surprisingly enough, he only scored two more movies, “Three Tough Guys and “Truck Turner”. Since Isaac had been working in the ‘blaxploitation’ genre, maybe the film industry didn’t turn to Hayes any more when the blaxploitation fad faded. Whatever the reason, it is a shame that Isaac didn’t score more movies as he is one of the best, especially when it comes to crime soundtracks. In this field he holds up well against other big names such as Quincy Jones, J.J. Johnson and Henry Mancini. It’s also odd that these other soundtracks he composed are not nearly as well known as “Shaft”, because these other soundtracks have the same high caliber of creativity as the celebrated Shaft OST.

Confusingly enough, Hayes’ soundtrack to the movie “Three Tough Guys” was released on an album called just “Tough Guys”, and in the vocals of the title track, it sure sounds like Isaac is singing about two tough guys. Opening track, “Title Theme”, has Isaac singing about the tough guys and this track is a bit silly and finds it’s only value in 70s blaxploitation kitsch, after this track though, it’s all serious well composed orchestrated jazz and RnB. The only musician credits are to the ‘The Movement’, which was Isaac’s backup band and probably made up of members of the Bar-Kays. Along with stellar ensemble work, The Movement also supplies excellent jazzy solos on horns, guitars and keyboards.

Side two opener, “Hung Up on my Baby”, has a solemn introspective and downright spooky guitar riff that was successfully sampled by the Geto Boys for their tale of urban madness, “Minds Playing Tricks on Me”. Top track for all out jamming goes to “Joe Bell” with its intense horn charts, driving rhythm and high end trumpet solo. Slow groove funk number “Buns O Plenty” has an almost cartoonish flavor as it depicts human movement of a more comical nature. Elsewhere, “Tough Guys” features instrumentals that mix jazz, RnB and esoteric lounge music all spiced with bits of psychedlic rock and art pop arrangements

DEXTER GORDON The Other Side of Round Midnight

Album · 1986 · Jazz Related Soundtracks
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js
“The Other Side of Round Midnight” is a collection of songs that didn’t appear in the famous movie, “Round Midnight”, or on the very successful soundtrack to that movie. These are the castaways, and they probably would not have been released except for the fact that the movie and it’s soundtrack ended up being way more successful than people thought, so possibly this album was one more attempt to squeeze a little more money out of one of the best movies about the jazz scene ever produced. These are songs that didn’t make the cut, except for one, but there are some real gems on here. The one song that did make the movie was a remake of “Tivoli”, and its just a segment of the tune made to fill a certain space in the movie. I would imagine if they knew they were going to be putting out this second album, they would have recorded the entire performance instead of fading it out after a couple minutes.

If you know anything about the movie, then you can guess that the main stars on here are Dexter Gordon and Herbie Hancock, but there are so many other talents on here, including Freddie Hubbard, Cedar Walton, Billy Higgins and many more. As mentioned earlier, there are some good tracks, including “Society Red”, a funky hard bop number and “Berangere’s Nighmare 2”, an energetic fusion jam featuring Hubbard and Tony Williams. The real gems though are two different versions of “Round Midnight”. This is a song we have all heard many times by many different artists, so it is a challenge to come up with a creative version that gives the song new life. On side one it’s an ensemble piece on which Dexter really shines, he is a genius who keeps you hanging on every note he plays. But the best track is Herbie’s closing version of the song on which he channels, the blues, French composers and the avant-garde. This version could become a contemporary concert hall piece if it was transcribed.

The rest of the album is a mixed bag with two ballads, one featuring Gordon and another featuring vocalist Bobby McFerrin and a casual jam session led by Wayne Shorter that probably would not have appeared on an album except to fill space on this afterthought production and a couple more standards played well, but not particularly inspiring. Despite some very good music here and there, the main problem with this album is that it comes across as something thrown together without any particular forethought.

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Artists with Jazz Related Soundtracks release(s)

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