Modern Jazz

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JOHN COLTRANE A Love Supreme Album Cover A Love Supreme
JOHN COLTRANE
4.84 | 104 ratings
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MILES DAVIS Kind of Blue Album Cover Kind of Blue
MILES DAVIS
4.83 | 144 ratings
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BILL EVANS (PIANO) Waltz for Debby Album Cover Waltz for Debby
BILL EVANS (PIANO)
4.93 | 17 ratings
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BILL EVANS (PIANO) Sunday at the Village Vanguard (aka Live At The Village Vanguard) Album Cover Sunday at the Village Vanguard (aka Live At The Village Vanguard)
BILL EVANS (PIANO)
4.88 | 19 ratings
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HERBIE HANCOCK V.S.O.P.:Tempest in the Colosseum Album Cover V.S.O.P.:Tempest in the Colosseum
HERBIE HANCOCK
4.96 | 10 ratings
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CHARLES MINGUS The Black Saint and the Sinner Lady Album Cover The Black Saint and the Sinner Lady
CHARLES MINGUS
4.78 | 79 ratings
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WES MONTGOMERY The Incredible Jazz Guitar of Wes Montgomery Album Cover The Incredible Jazz Guitar of Wes Montgomery
WES MONTGOMERY
4.84 | 16 ratings
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JOHN COLTRANE Live at Birdland Album Cover Live at Birdland
JOHN COLTRANE
4.82 | 18 ratings
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ESBJÖRN SVENSSON TRIO (E.S.T.) Live in Hamburg Album Cover Live in Hamburg
ESBJÖRN SVENSSON TRIO (E.S.T.)
4.94 | 8 ratings
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JOHN COLTRANE Blue Train Album Cover Blue Train
JOHN COLTRANE
4.74 | 71 ratings
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JOHN COLTRANE My Favorite Things Album Cover My Favorite Things
JOHN COLTRANE
4.73 | 60 ratings
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HORACE SILVER Horace Silver And The Jazz Messengers Album Cover Horace Silver And The Jazz Messengers
HORACE SILVER
4.88 | 9 ratings
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Mother Harp
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MATT ULERY
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Memories Dreams Reflections
Album
NICOLE GLOVER
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Gadabout Season
Album
BRANDEE YOUNGER
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Dibango 82
Live album
MANU DIBANGO
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Quartet (England) 1985
Live album
ANTHONY BRAXTON
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All Aboard, Vol. 2: Arrivals
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ITAI KRISS איתי קריס
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Fellow Creatures : We Must Fight
Album
JASPER HØIBY
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Lost Session, Paris 1979
Album
DAVE BURRELL
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Live From Studio Rivbea 1974 & 1976
Live album
JIMMY LYONS
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Live at PS1
Live album
TRIO VOLTAÏCITY (AYUMI ISHITO - YUKO TOGAMI - STAN ZENKOV)
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Sound Remains
Album
REZ ABBASI
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Fantasma
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JOHN ZORN
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Words Fall Short
Album
JOSHUA REDMAN
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Daybreak
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ITAI KRISS איתי קריס
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Voyage
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JAN GUNNAR HOFF
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Threads of Time
Album
ALAN BROADBENT
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Continuing the Conversation
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DANIEL CARTER
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Gather
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ALISTER SPENCE
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Ilusión Óptica
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PEDRITO MARTINEZ
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More Is
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CHRISTIAN MCBRIDE
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Avant Gonz
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JERRY BERGONZI
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Necessary Fictions
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GOGO PENGUIN
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Nuits de la Fondation Maeght
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SUN RA
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Butterfly Effect
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IZUMI KIMURA
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Irene's Hot Four
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IRÈNE SCHWEIZER
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Abstraction Is Deliverance
Album
JAMES BRANDON LEWIS
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Concord
Album
JOE MAGNARELLI
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Return To Electric
Album
PHIL HAYNES
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This Time
Album
MARTY EHRLICH
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City Life
Album
MICHAEL DEASE
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Agree To Diagree
Album
SIMON NABATOV
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Ignorant as the Dawn
Album
FABRICE MOREAU
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Keepers of the Eastern Door
Album
CHRIS CHEEK
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Tuff Times Never Last
Album
KOKOROKO
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Through The Looking Glass
Album
JOHN ZORN'S CHAOS MAGICK
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About Ghosts
Album
MARY HALVORSON
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Poets of Forest
Album
ARNAUD DOLMEN
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Edges
Album
SYLVAIN KASSAP
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Dear Alex
Album
STEFAN PASBORG
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Mirror
Album
TRILOK GURTU
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Unclassified Affections
Album
DAN WEISS
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Mikołaj Trzaska & Daktyle : Transient Riot
Live album
MIKOŁAJ TRZASKA
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Song over støv
Album
ERLEND APNESETH
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Rhythm, Melody and Harmony
Album
CYRUS CHESTNUT
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Natural Information Society and Bitchin Bajas : Totality
Album
NATURAL INFORMATION SOCIETY (JOSHUA ABRAMS NATURAL INFORMATION SOCIETY)
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Eternity And A Day
Album
MICHIKA FUKUMORI
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New African Orleans
Album
ALUNE WADE
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For Years Gone
Album
STEVE KNIGHT
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For These Streets
Album
ADAM O'FARRILL
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Solace Of The Mind
Album
AMINA CLAUDINE MYERS
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Prophecy Live, First visit
Boxset / Compilation
ALBERT AYLER
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About (or On)First Visit
Album
ELLERY ESKELIN
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To Walk On Eggshells
Album
RUSS JOHNSON
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Snakeoil : Snakeoil Ok
Live album
TIM BERNE
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East/West/Also
Boxset / Compilation
CURLEW
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Hiwar
Album
ALEPH QUINTET
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Jazz Suite Outcome Of Choice
Live album
PAUL DUNMALL
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Stavanger 9 9 2024
Live album
FRODE GJERSTAD
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Birdly Serenade
Album
DAVID MURRAY
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Dave Rempis Nico Chkifi Duo : Aula
Live album
DAVE REMPIS
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Standards Lost and Found 2
Album
GATO BARBIERI
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Nocturne
Live album
GERRY MULLIGAN
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Maiden Voyage
Album
HAKAN BAŞAR
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Live At the Jazz Standard
Live album
GEORGE COLLIGAN
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At the Peninsula Library 1972
Live album
MARIAN MCPARTLAND
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Rushin'
Album
EMANUELE CISI
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Esquina
Album
MICHAEL SARIAN
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Wojciech Jachna Squad : Ad Astra
Album
WOJCIECH JACHNA
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Nitty Gritty
Album
RUSS SPIEGEL
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Peter Brötzmann Trio : Hurricane
Live album
PETER BRÖTZMANN
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Live at The Village Vanguard
Live album
JAKOB BRO
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Faces Of Love
Album
PETER MADSEN
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Into the Sweet Unknown
Album
DANIEL ERDMANN
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Homage
Album
JOE LOVANO
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Lili
Album
TOM BOURGEOIS
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Rain Sultanov Syndicate : Mr. Joe
Live album
RAIN SULTANOV
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All The Quiet (Part I)
Album
JOE ARMON-JONES
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Scenery in My Story
Album
ZHENGTAO PAN
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For All We Know
Album
THOMAS RÜCKERT
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Native Son
Album
MICHAEL WALDROP
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The Penelope Album Live
Live album
BILLY MARROWS
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Poems For Travellers
Album
EMIL BRANDQVIST
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Fourth Page. Meaning Of A Nest
Album
SUN-MI HONG
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Memory Lane
Album
HANS ULRIK
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Avenue Wagram Paris
Album
THIERRY MAILLARD
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Uncharted Passages
Live album
SUN RA
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Barb & Feather
Album
RED SNAPPER
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Radio Paradise
Album
YARON HERMAN
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Samba of Sorts
Album
UNITY QUARTET (HELIO ALVES - GUILHERME MONTEIRO - GILI LOPES - ALEX KAUTZ)
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Poetry Legroom
Album
ZOO TOO TRIO (MICHAEL CAIN - KEITH PRICE - PHEEROAN AKLAFF)
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Geneva 1980
Live album
ART PEPPER
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Spellbound
Album
SHEZ RAJA
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What Happens Next
Album
RAY SUHY & LEWIS PORTER
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Evening Song (Aftensang)
Album
KETIL BJØRNSTAD
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Poems Never End
Album
TONY TIXIER
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Echo
Album
EMI MAKABE
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The Tubby Hayes Quintet : Antibes '62
Live album
TUBBY HAYES
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Am Are
Album
BUGGE WESSELTOFT
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Jessica Jones Quartet : Edible Flowers
Live album
JESSICA JONES
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Proof of Life
Album
OLA ONABULE
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The Call
Album
FRANK KIMBROUGH
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Songs Inspired by People and Places
Album
ACCIDENTAL TOURISTS
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Bees In The Bonnet
Album
HEDVIG MOLLESTAD
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Out Late
Album
ERIC REED
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In The Shadow First Visit
Album
JOE MANERI / MANERI ENSEMBLE
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Building Characters
Album
CHARLES CHEN
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Rivers
Album
REGGIE WATKINS
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From Then Till When
Album
FRANCESCO CAFISO
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Ballads
Album
NOAH PREMINGER
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Heavy Drops
Album
ADAM BEN EZRA
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破 Old and New Dreams Chapter-2
Live album
OTOMO YOSHIHIDE
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Then and Now
Album
TERJE GEWELT
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Un Presente
Album
DANIEL FERRUZ
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Luminous Axis
Album
DUO B.
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Open Roads
Album
ROMAIN PILON
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The Cave
Album
MARILYN CRISPELL
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Journey Through Life
Album
FEMI KUTI
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Ones & Twos
Album
GERALD CLAYTON
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Requiem For A Nomad King
Album
BENJAMIN PETIT
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Vieux bougre
Album
5 FOR TRIO
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7 Shades of Melancholia
Album
MEHMET ALI SANLIKOL
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Coming Around Mr Brown
EP
GEORGE CARTWRIGHT
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Server Farm
Album
JON IRABAGON
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Silent Moods
Album
HENRIK GUNDE
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New Dawn
Album
MARSHALL ALLEN
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In Argentina : the Buenos Aires Concerts
Live album
CHARLES MINGUS
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On Fire : Live From the Blue Morocco
Live album
FREDDIE HUBBARD
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Next Standards
Album
MABUMI YAMAGUCHI
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NuMBq
Album
MICHAEL BISIO
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Fourth Atlas
Album
TIM DAISY
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Live At The Village Vanguard
Live album
BILL STEWART
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Piano Jazz In New York
Boxset / Compilation
GEORGES ARVANITAS
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Poncha
Album
NICK COSTLEY-WHITE
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The Crisis Knows No Borders
Album
GUSTAVO CORTIÑAS
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I Will
Live album
LARRY GOLDINGS
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Standards, Vol. 2
Album
YOTAM SILBERSTEIN
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Being-A-Ning
Album
SILKE EBERHARD
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Splash
Album
MYRA MELFORD
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Reach
EP
KNEEBODY
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LA BOA Meets Tony Allen
Album
TONY ALLEN
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SEMA4
Live album
ALISON RAYNER
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Blue DNA
Album
JERRY BERGONZI
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Inner Flight Music
Album
TOBIAS WIKLUND
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Riofonic
Album
MAFALDA MINNOZZI
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Chapter III : We Return to Light
EP
ANOUSHKA SHANKAR
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Silt Remembrance Ensemble : The Order
Album
SILT REMEMBRANCE ENSEMBLE / REMEMBRANCE QUINTET
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Afro-Puerto Rican Jazz
Album
ALEX APOLO AYALA
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Artistic Being
Album
IDRIS ACKAMOOR
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East by Midwest
Album
CHARLIE BALLANTINE
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Big & Lovely
Album
ALLISON MILLER
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Elegy
Album
REX RICHARDSON
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Tuomo Uusitalo Trio : Sörkka
Album
TUOMO UUSITALO
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Abundância
Album
MARIA JOÃO
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Silver on Aluminum
Album
ELDAD TARMU
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REQUESTS - Tsuyoshi Yamamoto Trio LIVE vol.1
Live album
TSUYOSHI YAMAMOTO 山本剛
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REQUESTS - Tsuyoshi Yamamoto Trio LIVE - Vol.2
Live album
TSUYOSHI YAMAMOTO 山本剛
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Borderless
Album
BRIAN CHARETTE
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Arboresque
Album
ARTEMIS
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Motherland
Album
DIETER ILG
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Eddy m'a dit
Album
EMMANUEL BEX
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Joona Toivanen Trio : Gravity
Album
JOONA TOIVANEN
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Kinetic
Album
BLACK FLOWER
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You Better Bet
Album
JACOB WUTZKE
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Walkabout
Album
ROB BROWN
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I’m Just Say’n
Album
JOE MCPHEE
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ARC
Album
FANTASTIC SWIMMERS
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Belonging
Album
BRANFORD MARSALIS
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III
Album
ANDORRA
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And Now
Album
KJETIL MULELID
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One of These Nights
Live album
AL DI MEOLA
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Fiend
Live album
ENEMY (KIT DOWNES - PETTER ELDH - JAMES MADDREN)
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Gratitude
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SHAREL CASSITY
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The Eternal
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BILLY MOHLER
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When Shadows Dance
Album
EYOLF DALE
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Duduka Da Fonseca Trio : Rio Fantasia
Album
DUDUKA DA FONSECA
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Exits
Album
STRAT ANDRIOTIS
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Mean What You Say
Album
YVES BROUQUI
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Jazz Detectives
Album
FRODE KJEKSTAD
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Tribute to Dom Minasi
EP
JACK DESALVO
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Hope
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MIKKEL PLOUG
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Speilstillevariasjoner
Album
STEIN URHEIM
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Live In Helsinki
Live album
TIMO LASSY
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Chicago To New York
Album
ERIC ALEXANDER
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It's All So
Album
BRAD TURNER
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Next Gen
Album
JOHN STEIN
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A Brand New State
Album
ALEX MCLAUGHLIN
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Thrive
Album
FABIENNE AMBÜHL (AMBUEHL)
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Fasten Up
Album
YELLOWJACKETS
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After the Last Sky
Album
ANOUAR BRAHEM
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Downhill From Here
Album
GILAD HEKSELMAN
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Illuminescence
Album
HEARTS AND MINDS
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Better If You Let It
Album
THE YOUNG MOTHERS
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Positive Energy
Album
GREG ABATE
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Peaceful (with Tim Hagans)
Album
THE MODERN JAZZ TRIO
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Mosaic : The Music of Gregg Hill
Album
RODNEY WHITAKER
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Consentrik Quartet
Album
NELS CLINE
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Every Journey
Album
ENSEMBLE C
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Yikes Too
Album
TIM BERNE
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Latent Info
Album
PETROS KLAMPANIS
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Fantome
Album
SASHA BERLINER
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With Respect To Oscar & Niels
Album
IGNASI TERRAZA
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The Music of Anthony Braxton
Live album
STEVE LEHMAN
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Ianchelevici
Album
FLYGMASKIN
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Everyday
Album
TAKUYA KURODA
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Unbound Inner
Album
WILLIE MORRIS
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In Jazz We Trust
Album
POSI-TONE SWINGTET
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Tell The Truth
Album
BEN MARKLEY
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Dust
Album
ROMAIN COLLIN
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Hard Believer
Album
BELIEVERS
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At Club Danshaku NY
Live album
RON MCCLURE
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South
Album
RANDAL DESPOMMIER
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Table For Three
Album
ALEX NORRIS
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Lost in the Shadow
Album
ANDREW RATHBUN
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Woven
Album
JEREMY PELT
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Live at 1976 Studio
Live album
DANIEL CASARES
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青春歌謡 (Seishun Kayou)
Album
TAKEO MORIYAMA
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Masahiko Satoh & Roger Turner : Aoi 葵
Live album
MASAHIKO SATOH 佐藤允彦
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Agapé
Album
PIERRE DE BETHMANN
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The Equinox
Album
PAINKILLER
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The Spell Is Broken
Album
HANS LUCHS
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Anthem For No Man’s Land
Album
ANDREAS SCHAERER
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Cabaret
Album
MARIUS NESET
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Living Ghosts
Live album
MICHAEL WOLLNY
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MYT
Album
MOSES YOOFEE TRIO
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Solstice Concert
Live album
FABIANO DO NASCIMENTO
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Échapp​é​e - Piano Solo
Album
JOACHIM KÜHN
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Moon Inhabitants
Album
RUSS LOSSING
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Billy Hart Quartet : Just
Album
BILLY HART
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Force & Grace
Album
BLUE MOODS
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Freedom Is Peace
Live album
ROBERTO MAGRIS
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Big Tuba
Album
THE HOT 8 BRASS BAND
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Hopium
Album
DAYNA STEPHENS
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Skrifum
Album
JON BALKE
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modern jazz Music Reviews

JACO PASTORIUS Jaco Pastorius

Album · 1976 · Fusion
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FunkFreak75
The first solo studio album produced of the legendary bass innovator's performances of his own compositions. When one takes into consideration the young master's "tender" age of 25 on this record, one can begin to contemplate what the world was being exposed to.

1. "Donna Lee" (2:26) Jaco takes on this Charlie Parker song with solo bass and Don Alias' congas acting as his lone support instrument! The man was a genius! What imagination! What even flow! (4.625/5)

2. "Come On, Come Over" (3:50) full R&B funk: complete with vocals (from no less than Sam & Dave!), active multi-part horn section, and bouncy rhythm guitar-sounding clavinets and other electronic keybaords from no less than the one and only Herbie Hancock. A great tune! I'm very surprised I'd never heard this one before. (9.25/10)

3. "Continuum" (4:31) using Stevie Wonder's melody lines from his 1972 hit "Superwoman" as well as similar Fender Rhodes support from Alex Darqui, Jaco expresses himself quite eloquently, even romantically. Lenny White's drums are suspiciously muted/compressed on the high end--maybe to let the harmonics of Jaco's play stand out or to let Herbie Hancock's electric piano sound shine. (9/10)

4. "Kuru / Speak Like A Child" (7:38) strings open this announcing a dynamic adventure into James-Bond-like cinematic music. Herbie Hancock's piano play is given the first solo while Jaco, Don Alias, and Bobby Economou hold down the rhythm track. Strings only make appearances in the first two minutes as minor accents or breaks between solos, but then in the third minute they're given a rather central place for over a minute with Herbie performing the role of providing accents. At the very end of the fourth minute there is an exciting sped up bridge with Jaco and Herbie momentarily displaying something extra, but then this moves into a more lounge-jazz-like section in which Herbie's piano performs At 5:20 the music speeds up again as the strings re-enter and take over the lead again: slowing and smoothing things out until the next sped up section (which starts at 6:10 and lasts for over a minute). Weird to hear Jaco serving only as a rhythmatist and Herbie and the strings occupying 100% of the solo/front time! (13.5/15)

5. "Portrait Of Tracy" (2:20) gorgeous and mind-blowing solo electric bass. The man was a mind-blowing genius! How can a bass create such a lovely melody by using only harmonics? (4.75/5)

6. "Opus Pocus" (5:25) two steel drums players performing with Jaco, Don Alias and Lenny White holding down a spacious low end while Wayne Shorter takes on the lead with his soprano saxophone. In the third minute Lenny and the steel drummers finally regulate themselves with a forward moving albeit still rather slow groove as Jaco, Wayne, Herbie Hancock's Fender Rhodes, and the steel drums take off each in their own directions. I love how well they five play off of each other while still remaining loyal to the foundational groove and melody line. (9/10)

7. "Okonkole'y Trompa" (4:21) A song co-composed with percussionist Don Alias, the two take off on a hypnotic journey into African rhythmic minimalism (with Jaco only using bass harmonics for his contribution to the weave)--all the while French horn player Peter Gordon provides a kind of distant future-MARK ISHAM-like dirge. Brilliant! Maybe I've been giving too much credit to KING CRIMSON for their "ground-breaking" polyrhythmic song "Discipline"--which won't reach the public's ears until 1981! (9.75/10)

8. "Used To Be A Cha-cha" (8:52) this Latin groove comes across as something light and upbeat--like a Chick Corea song--as the acoustic jazz instrumentalists contribute more traditional-sounding (albeit, Latin-infused) jazz structure and solos to the top. Hubert Laws' piccolo flute, Herbie Hancock's impeccable piano play, Lenny White's masterful drum play, and Don Alias' fearless percussion play all serve immeasurably to help Jaco express this one: a song for the ages. I'm sure this one has been studied and copied and practiced with by anyone who wants to be anything. Just, Wow! They're all working so hard, I hope they were having fun, too! (19/20)

9. "Forgotten Love" (2:12) just Herbie's piano chord play with support of full strings and Jaco's simple support on bass. Very surprising to see that Jaco is the sole author of this composition. A beautiful study in odd chord progressions. (4.75/5)

Total time 41:35

I remember picking this album up while I was in college (late 1970s) and having great trouble connecting with anything in it. (My young and inexperienced ears and brain were not yet able to comprehend what I was hearing.) Now I finally am able to appreciate--with gratitude--(some) of the genius being put on display for the world to see/hear with this album. It's a humbling yet inspiring. We are so fortunate to have had this man and his talents on the planet--and to have some of his performances and compositions preserved for posterity!

A-/five stars; a minor masterpiece of stunning performances rendered of ground-breaking compositions and ideation. Highly recommended: but only when you're ready to receive ideas and performances well out of the basket of comfort and "normalcy."

EDDIE HENDERSON Comin Through

Album · 1977 · Funk Jazz
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FunkFreak75
Recorded in Eddie's "backyard"--in San Francisco--at Wally Heider Studios--sometime in 1977--the album is reputed to have had a July release from Capitol Records.

1. "Say You Will" (4:28) so this is how it's going to be: Disco Jazz-Funk! There is the skillfully-played musicianship coupled with repetitive dance grooves with their instrumental riff "hooks" and engageable melodies. The main melody as presented by Eddie on his trumpet prepares us for Debbie Harry's awesome 1980 hit, "Rapture," while the mesmerizing bass 'n' drum line beneath feels as if it came straight out of The ISLEY BROTHERS' 1975 release, The Heat Is On (like a slightly less bass-heavy "Fight the Power"). (8.875/10)

2. "Open Eyes" (3:53) slow it down to Bob James pace, Paul Jackson's funky note-sliding bass line is so cool! Active horn section, Patrice Rushen's clavinet, and choir sultry background vocals make for a great cocky-urban groove to fall into. Here the effect of the percussion ensemble is felt and Eddie really lets us hear his trumpet talents. Nice--though it is faded out to end it (indicating, of course, that the original jam went on for some time longer). (9/10)

3. "Morning Song" (5:38) discarding the Disco and R&B stylings for a song is a good thing. Here they are reaching back into the soulful early 70s with a Bob James/Steely Dan kind of spacious style. I like this very much as it reminds me much more of the true essence of some of those original pioneers of Jazz-Rock Fusion--the ones who were seeking to catch listeners with melody, comfort, and ease. Eddie's lead trumpet play is quite smooth and modest, rarely showing his skills, settling more for the engaging melodies of the classic soul singers of the 1960s. (8.875/10)

4. "Movin' On" (5:54) I'm wondering if the "dirty" production on George Cables' electric piano intro was intentional or not. No matter. After 30 seconds of solo electric piano, the band appears with a Disco-lite motif that predicts HERB ALPERT's 1980 hit, "Rise." George's clavinet play above Paul Jackson's centering bass line is great while the electric piano strays and spices things up beneath the steady beat provided by the Locksmith. The long reverbed trumpet notes are pretty cool even if they are mixed a little further back than I would have expected (or liked). With so many percussionists employed for this song I would have expected more noticeable action coming from that department, but no. My favorite part of the song (beside the clavinet and Fender Rhodes play) is Manny Boyd's excellent sax solo in the third and fourth minute. Again, like Herb Alpert in "Rise," Dr. Eddie stays the course pretty firmly with his long- sustained reverb note playing throughout. (9/10)

5. "Return to the Source" (4:32) a song that sounds like a slow-motion version of one of The Isley Brother's popular uptempo funk songs from their Heat Is On-Harvest For the World-Go for Your Guns period (1975-1977). Eddie's muted trumpet play is awesome, the pace a little discombobulating because it's slower than you would want or expect, but it does allow for plenty of chances to observe the talents of band members like the rhythm guitarists and vocal choir. Great rhythm guitar work from Lee Ritenour and some of the album's best trumpet playing by Eddie. (9/10)

6. "The Funk Surgeon" (4:59) fully committed to the Disco era: multiple rhythm guitars, slap and pluck bass, bass- and hi-hat-centered drums, EWF-like horn section, Patrice Rushen's novelty sound of duck-like Mini-Moog--it's all here for a dance-floor novelty song. Which is sad for the way in which Eddie's trumpet becomes so secondary (or tertiary) to the music--even going so far as getting buried within the mix instead of up front. (8.75/10)

7. "Beyond Forever" (4:38) one of the most interesting songs on the album--mostly due to its mid-song tempo increase and the remarkable instrumental performances that come with that. NOt only are the performances of Paul Jackson, George Cables, and Locksmith off the charts impressive, the composition (by George Cables) displays a songwriter who is anything but complacent--someone who wants to continue to keep the exciting, exploratory nature of jazz alive within the music industry. Great song! (Too bad they faded it out again: I would love to hear what else they had to say!) (9.375/10)

8. "Connie" (3:05) an Eddie Henderson composition that finds the flugelhorn player expressing from a tradition that feels closest to that of Miles Davis and/or Freddie Hubbard. George Cables is Eddie's lone accompanist--on a sparkling Fender Rhodes. Very reflective and introspective. I love Eddie's emotional side. (9.25/10)

Total Time: 37:07

Though full of plenty of funk and creativity, this album definitely presents a full commitment to the sounds and styles that were dominating the world of radio- (and sales-) friendly pop music at the time.

A-/4.5 stars; a collection of masterful songs that perfectly reflect so much all that was going on in the dance, radio, and Jazz-Rock Fusion world at the time (mid-1977).

JOÃO LENCASTRE Free Celebration

Album · 2024 · 21st Century Modern
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js
Is there any jazz subgenre that is more uniquely and purely jazz than bebop, the answer is no. Any other jazz subgenre seems to have an outside comparative, (free jazz - avant-garde composers), (post bop - French composers), (hard bop - blues and RnB), (fusion - rock and funk) etc. When played correctly, bebop stands alone as one of the most singular contributions to the musical world, but very few really play it right anymore. Since bebop got reduced to college classes taught to budding young musicians, there has been a lot of mediocre bop out there, both at the universities and at the clubs. But there are still those that can play bop with the requisite crazy abandon and flippant attitude as created by Charlie Parker and then furthered by Ornette Coleman and Eric Dolphy. This leads us to Portuguese drummer Joao Lencastre and his new album “Free Celebration”, one of the hottest avant-garde neo-bop albums to come out since the last outing by Walking Distance or Anthony Braxton’s superb Parker tribute.

Frantic and crazy bop in the style of Ornette and Dolphy are the backbone of this album, but not in a retro way at all. There are plenty of current modernisms in the mix too, such as jagged Mary Halvorson type guitar from Pedro Branco and plenty of noisy analog electronics from keyboardist Joao Bernardo. Through the course of the album the band veers off into many directions from free fusion to noisy chaos and then into something sentimental such as the track “Kathelyn Gray” or grooving hard bop on “The Third World”. For the correct bebop flavor you need a high flying alto sax player, and that comes from Ricardo Toscano, easily one of the best altoists happening today.

There is an eclectic mix of musical ingredients at work here, but this album never becomes one of those John Zorn style clumsy pastiche things in which incongruent elements are slammed together just for effect. Nope, all of this music grows and changes in very organic ways and with solid musical integrity. The track “Giggin” is a great representation for this band as it opens with blazing fast bop that grows more intense with shifting tempos pushing things towards chaos as a hornet’s nest of electronics enters and multiple soloists push things to the edge. “Free Celebration” is one of the best jazz records to come out this year.

STEPHAN THELEN Fractal Guitar

Album · 2018 · Nu Jazz
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FunkFreak75
The SONAR leader and King Crimson-style Math Rock champion is back with yet another solo effort with an all-star array of guest musicians.

1. "Briefing For A Descent Into Hell" (18:35) could have come from Stephan's other project, SONAR, and their 2018 album Vortex, especially as there are three of the five members of that album on this song. Interesting, cool, just not memorable for anything new or distinctive--though there are many moments in which I feel as if I'm more immersed into a piece by CAN or KLAUS SCHULZE. One bull-headed pace and foundation over 18 minutes with lots of interesting displays of creativity over the top as solos. Somehow it works as I find this to be the song I return to most of all when I want to re-test this album. (36/40)

2. "Road Movie" (13:23) another SONAR-like foundation from the rhythm section as Henry Kaiser takes a turn competing with Stephan. Flags a little in the second half. (25.5/30)

3. "Fractal Guitar" (9:20) opening with infinitely echoed and morphed solo electric guitar, the sound journey is fascinating in itself. Yet another SONAR-like foundation is added by the rhythm section at the end of the first minute--in an unusual time signature. The "guitar atmospheres" of Barry Cleveland are quite interesting--perhaps they are the sound "morphing" to which I referred in the opening sentence. Drums and percussion begin to add their own distinct personalities in the fourth minute. (17.5/20)

4. "Radiant Day" (8:42) a more KING CRIMSONian weave of electric stringed instruments opens this song. Markus Reuter, Matt Tate, and Barry Cleveland all weaving their touch guitars with Stephan's is quite interesting. The absence of atmospheric "glue" of washes and slow decay notes and chords is also interesting. It's like a stage full of guitarists each waiting patiently for their turn to solo. (16.75/20)

5. "Urban Nightscape" (17:34) opens with two lines of chromatic arpeggi backed by David Torn loops and washes. Bass line and drums eventually join in but it takes a few minutes until a solid flow and structure are settled upon. Benno Kaiser's drumming is much more noticeable than the hypnotic support style of Manuel Pasquinelli because he is imposing a mentality of a lead instrument. (He's good but not great.) It's David Torn who really shines in the thick and heavy section between the sixth and ninth minutes (though Benno does try). The music gradually moves to a stripped down, atmospheric section where, in the fifteenth and sixteenth minutes you feel as if night skies and bug noises are the sounds trying to be reproduced (or imagined). My least favorite song on the album. (29/35)

Total time 67:34

It is very difficult to fault Stephan Thelen with this type of music because it is so unique and unusual in the music world, but after an album or two, listened to consecutively, one begins to grow fatigued of the repetition of similitude.

B/four stars; a solid contribution of polished, mood-oriented Math Rock and excellent addition to any prog lover's music collection.

ZAO Kawana

Album · 1976 · Fusion
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FunkFreak75
With a line-up of musicians such as this you really shouldn't go wrong:

- François Cahen / Yamaha acoustic piano, Fender electric piano, Korg synthesizer - Didier Lockwood / acoustic & electric violin, artianal bass violin - Gérard Prévost / Fender bass, hors phase bass, acoustic bass - Yochk'o Seffer / Soprano & Sopranino saxes, vocals, piano on F.F.F. - Jean-My Truong / orange double drums

1. "Natura" (7:03) sounds so much like a modern Pat Metheny Group epic--but it pre-dates all that! Piano, chunky and jazzy bass, and nasal soprano (sopranino?) sax all sound good together. Jean-My is a little quiet. (9/10)

2. "Tserouf" (8:59) a very tight funky jazz fusion song that could have come off of any of the American masters of the era--Miles, Chick, Stanley, Zawinal, even JLPonty, Area or Bob James! Great song. Very melodic. (9.5/10)

3. "F.F.F. (Fleurs for Faton)" (2:34) very nice little musical étude performed by piano, acoustic violin and bowed double bass--like a gift from Débussy or Fauré. (9.5/10)

4. "Kabal" (4:14) very tightly performed, fast-paced opening before stepping down to a slower tempo at 0:50 for some synth work--but then things ramp up again with EVERYBODY getting into the act MAHAVISHNU style. The bass and drum work remain super tight and focused at the bottom throughout this display of virtuosity. (8.5/10)

5. "Sadie" (3:43) opens rather loosely, as if walking by a Jean-Luc Ponty-like street musician. The sopranino sax, bass, and electric violin melodies and harmonic support throughout this oft-shifting tempoed song are gorgeous. At 2:40 we are even treated to an overdubbed solo track for the violin. Nice. Creative, inventive song. (10/10)

6. "Free Folk" (10:44) there's a very relaxed vibe throughout this song--like a WEATHER REPORT song. As a matter of fact, there's very little here--or on this album--that harkens to Zeuhl music. Feels and sounds like the Zao crew has shaken loose from the Vander clutches and moved fully into the jazz fusion fold. Nicely done. Probably the weakest song on the album--almost anti-climactic fill--but still good. (8.5/10)

The question is: why is Jean-My Truong so sedate and/or mixed so low in the soundscape?

modern jazz movie reviews

JEFF BECK Performing This Week...Live At Ronnie Scott's

Movie · 2008 · Fusion
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FunkFreak75
Have you seen this concert footage? If not you are missing an important document that preserves for all-time the mind-blowing guitar technique and genius of one of the greatest electric guitar players of all-time. The song selection, the band members present, the vocalists' contributions, are all sublime and masterful--plus we are here seeing the introduction to the world one of the new blood in bass player Tal Wilkenfeld. Vinnie Coluaita may be the best drummer of the past 25 years--How lucky are we to get these artists all playing such gorgeous, powerful songs? Whether he plays his own tunes or covers classics from others' pens, Jeff Beck is a master--raises every song and every performance to a new level never before imagined. Thank you, Jeff Beck! Thank you, Ronnie Scott's! Thank you video technology!

WEATHER REPORT Live At Montreux 1976

Movie · 2006 · Fusion
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Maxsmusic
The mid 70's was the pinnacle for jazz fusion and this concert captures the energy and excitement of the era. The artists were playing in front of large crowds and making money. This band evolved from the post bop of the 60's and was super talented. The leader was a keyboard virtuoso and he wanted to create a new sound fusing jazz with rock. Weather Report actually had hits played on the radio, which was unheard of for a jazz band. This is not traditional jazz, as this was the electronic era and the musicians wanted to crank it up and play with synths and feedback. The 70's was the decade of experimentation in all forms of music and they took the jazz format to its limit. On bass the incredible artist of Jaco Pastorius, who had only recently joined the band, makes his mark with a vengeance. He plays as a true great bassist with feel and funkiness. This music is a direct offshoot of the Miles Davis school of music. It is highly recommended for the art it conveys. 5 stars.

PAT METHENY Imaginary Day Live

Movie · 2001 · World Fusion
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Matti P
The gig date is July 1998 and the venue is not-so-ordinary stage at the Mountain Winery, Saratoga, California. The film is beautifully directed and edited by Steve Rodby, the bassist of the seven-piece group. The composition credits are shared by Metheny and keyboardist Lyle Mays. The main body of the set is from the then-latest album Imaginary Day (1997), which is one of the finest and most eclectic Pat Metheny Group albums.

On the opening solo number 'Into the Dream' Metheny plays peculiar 42-string "Pikasso" guitar that produces sounds reminiscent to kantele or zither. The group joins him on the groovy, bright & happy 'Follow Me' that features also some wordless singing from multi-instrumentalists Mark Ledford (trumpet, guitar, percussion) and Philip Hamilton (percussion, guitar). The frontman himself throws in his trade mark high-pitched guitar sound.

The 10-minute title track is an impressive example of the way this wonderful group builds exciting sonic textures and eclectic musical vocabulary without ever losing a certain positively charged accessibility and emotion. 'Heat of the Day' is a hectic piece full of percussive vitality but also a more serene pianism of Mays. Mellow 'Across the Sky' approaches a song structure in a nice way. The warm-spirited gig ends with three pieces outside of Imaginary Day. 'Message to a Friend' is a moody acoustic guitar solo.

Extra features on the 93-min. DVD include a Metheny interview, discography (featuring album covers and track lists), band member biographies, and Notes About the Album / Instrumentation / Tracks / Writing Process. Reading it all can be a bit exhausting, but in the end these extras help this DVD deserve a sincere recommendation for all fans of Pat Metheny. Musically speaking, this is one of the most enjoyable jazz/fusion live DVD's I have ever viewed.

WEATHER REPORT Live in Germany 1971

Movie · 2010 · Fusion
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Sean Trane
Well if the world still has to find some live recording from the very first studio all-star line-up (not likely, though), at least we've got now something very close to and we can even see the quintet at work with this just-as-famous version in the form of a German TV show called the Beat Club. With only Airto Moreira gone, replaced by Brazilian countryman Um Romao, the other four being Vitous, Shorter, Mouzon and Zawinul, Weather Report embarked on this TV show adventure not knowing that Alphonse Mouzon would leave the band in a while.

As you'd expect this broadcast consisted mainly of tracks from the debut album, but some are fairly different as WR always made improvisation their force. So you'll recognize 'Umbrellas generic structure, but drafted fairly differently, not just because of Romao's constant change of percussions instruments - he's one of the visual focus of the group, who otherwise remains fairly static and even blows a flute (and later some whistles) for a short while. One of the big difference between the studio album and this broadcast is that Miroslav has taken up the electric bass (his contrabass is still very present but mainly played with a bow), thus allowing even more energy to invade the quintet's shared space. The group's steaming-hot improvised fusion is simply awesome and flows naturally from your speakers like a river of fresh lave spewing out from your volcanic woofers.

Clearly the gravitational centre of the band is Zawinul's Rhodes, but it is clear that it is the group's tightness its main force. Morning Lake is much needed breathing space, starting out slowly with Shorter's sax signalling the dawn for Romao's birdsongs. Just past that Dom pulls an Brazilian berimbau . Drummer Alphonse sings funkilly (rather well, too) a rare sung track in the closing medley, but it's will veer into the Dr Honoris Causa - later on the Body Electric album.

A while later, Mouzon would leave the band and be replaced by drummer Erik Gravatt and this line-up would go on to record Body Electric and the Tokyo concert (released in 77, but part of it in the ISTBE album) and in the process become the definitive line-up of the Vitous- era Weather Report But for now, this German TV broadcast is an inestimable witness of the group's almost original line-up, and is just as essential as their debut album, the Tokyo concert or Body Electric.Too bad it's relatively short, though. Run for this baby...

MEDESKI MARTIN AND WOOD Fly In A Bottle

Movie · 2011 · Eclectic Fusion
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js
“Fly in a Bottle” is a documentary that follows Medeski, Martin and Wood while they are on tour developing the music that will become “Radiolarians”, as well as some of the recording sessions for that same album. The music on here is excellent, MM&W have a come a long way over the years. They were always a talented band from the start, but their confidence has grown. The funky tunes are funkier than ever, and the psychedelic jazz-rock tunes are more powerful, imaginative and original. Almost any music fan might enjoy watching their concerts and even some of their recording sessions, but a lot of the rest of this DVD is for hardcore fans only.

Along with the footage of MM&W playing music, you also get a lot of footage of them on tour visiting ecological tourist spots and talking, hanging out etc, which is where I think a lot of non-fans will probably start losing interest. They seem like nice sincere guys, but they aren’t particularly entertaining or charismatic, which is often the case with nice sincere guys. There are also some artsy short videos that follow the main feature, some more entertaining than others. Fans of MM&W may want to pick this up, it’s a well-made video and the music is excellent, but non-fans may find this lacking in substance in places.

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