Matti P

Matti Pajuniemi
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Registered more than 2 years ago · Last visit 49 minutes ago

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All Reviews/Ratings

78 reviews/ratings
EERO KOIVISTOINEN - Valtakunta Pop/Art Song/Folk | review permalink
HEIKKI SARMANTO - Syksy Ja Muita Lauluja Pop/Art Song/Folk | review permalink
JUKKA HAAVISTO - Reflections Fusion | review permalink
ESA HELASVUO - Think - Tank - Funk Avant-Garde Jazz | review permalink
PAT METHENY - Imaginary Day Live World Fusion | review permalink
TORD GUSTAVSEN - Tord Gustavsen Quartet ‎: The Well Post-Fusion Contemporary | review permalink
JUKKA TOLONEN - The Hook Fusion | review permalink
PAUL SIMON - Still Crazy After All These Years Pop/Art Song/Folk | review permalink
JEANETTE LINDSTROM - Jeanette Lindström Quintet : I Saw You Vocal Jazz | review permalink
CÆCILIE NORBY - First Conversation Vocal Jazz | review permalink
DAVID DARLING - Eight String Religion Jazz Related Improv/Composition | review permalink
ATTE AHO - Atte Aho Fusion | review permalink
SUKELLUSVENE - Vesi- Ja Lintumusiikkia Jazz Related Rock | review permalink
JOE JACKSON - Will Power Third Stream | review permalink
NJET NJET 9 - Toivo Nu Jazz | review permalink
PATRICIA BARBER - Mythologies Vocal Jazz | review permalink
MORTALITY - Mortality Fusion | review permalink
SUSANNA ALEKSANDRA - The Siren Vocal Jazz | review permalink
JULIE LONDON - Around Midnight Vocal Jazz | review permalink
DIANE SCHUUR - Diane Schuur Featuring Caribbean Jazz Project : Schuur Fire Latin Jazz | review permalink

See all reviews/ratings

Jazz Genre Nb. Rated Avg. rating
1 Vocal Jazz 19 3.66
2 Pop/Art Song/Folk 15 3.57
3 Fusion 12 4.00
4 Jazz Related Rock 9 3.56
5 Post-Fusion Contemporary 5 3.80
6 RnB 3 3.00
7 Third Stream 3 4.17
8 Progressive Big Band 2 3.25
9 World Fusion 2 4.00
10 Jazz Related Soundtracks 2 3.00
11 Bossa Nova 2 3.25
12 Avant-Garde Jazz 1 4.50
13 Jazz Related Improv/Composition 1 4.50
14 Latin Jazz 1 4.00
15 Nu Jazz 1 4.50

Latest Albums Reviews

SUSANNA ALEKSANDRA The Siren

Album · 2021 · Vocal Jazz
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SUSANNA ALEKSANDRA (b. 1989) is an Estonian jazz vocalist. Her debut album Miracles (2015) was made with her countrymen, but the later albums are Finnish products; she has studied in the Sibelius Academy, Helsinki. Her third and latest album The Siren is actually an updated, internationally distributed version of Souls of the Night (2020), featuring co-producer Joonas Haavisto on piano and synths, Joonas Tuuri on double bass and Ville Pynssi on drums. Percussionist Abdissa "Mamba" Assefa guests on one track. Apart from the standard 'Blame It on My Youth' and the Finnish folk tune 'Ruusu laaksossa', the songs are originals, with all the lyrics -- and mostly also compositions (1, 3, 5, 6, 8, 9) -- by Aleksandra herself. Tracks 2 and 7 are composed by Haavisto, and the final, eleventh song is their mutual composition.

Not downright light, nor melancholic 'The Siren' flows beautifully. Immediately the listener is won over by the excellent, airy arrangement and crystal-clear production where each instrument is a star, and by Aleksandra's sensual, effortless vocals. The moodier but equally elegant 'Your Path' perhaps slightly centres more on the piano. 'Clumsy' is in a faster tempo and features skilful scat vocals. The band is really fantastic in creating a lively groove.

'Blame It...' is interpreted as a sensitive, slow, late night jazz ballad. I'm not fascinated by 'Summer Came Early' where the percussion is very central in the soundscape. 'Love Song' feels charmingly sincere with its Katie Melua -like romantic approach.

'Souls of the Night' is another excellent evidence of Aleksandra's compositional skills as it meanders dynamically. The balance between sensitivity and energy maintains harmonically throughout the album. As a Finn, it's of course interesting to hear how well an Estonian sings the Finnish traditional. You can easily tell it's not her mother tongue but that only makes it more charming, in a way. All in all, an excellent and enjoyable vocal jazz album with a fantastic musicianship and production.

MIKE MAINIERI Love Play

Album · 1977 · RnB
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The American vibraphonist Mike Mainieri came to my radar when I was 14 and loved the album "Love Over Gold" by my then-favourite band Dire Straits. Mainieri's vibes were an enjoyable addition especially on the title track and 'Private Investigations'.

I had never heard a single track of Mainieri's solo career, until a year ago I bought a heap of used, nearly-free vinyls mainly from the late 70's. Alongside a relatively weak Carly Simon album among others, this one I didn't care enough to keep it to myself. Now re-listening to it on YouTube I have more positive feelings. The overall production is quite outdated and cheesy, yes, but in the right mood the music is pretty nice in its lighthearted groove.

To me, the list of supporting musicians features a couple of familiar names, ie. bassist Tony Levin and drummer Steve Gadd. All musicians are undoubtedly excellent on their instruments. Sadly the arrangements are in my opinion too overproduced with synths, saxes, guitars and the rhythm section, whereas the gentle vibes would function better on more spatial soundscapes -- like the ones on "Love Over Gold".

The instrumentals such as 'I'm Sorry' or 'Love Play' are in general more enjoyable than the tracks featuring vocals (by various guests I'm not familiar with). The songs slightly decrease the jazzier feel and drag the album closer to the middle-of-the-road late 70's funk-flavoured pop.

MORTALITY Mortality

Album · 2019 · Fusion
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Having originally reviewed this album on a Finnish website in 2020, it was for me among the finest recent jazz albums to come out of Finland, or from any country actually. Featuring -- both as performers and as arrangers -- top musicians such as trumpetist Verneri Pohjola, saxophonist Pauli Lyytinen and pianist Aki Rissanen, the album is easy to enjoy as pure music too, but there's a special story linked to the album's birth.

When guitarist and composer Tapio Ylinen lost his wife to lethal disease in 2015, he picked up the guitar and channeled his grief in the means of improvisational recordings. Over two years later he started to shape a concept album about the loss-centred mental landscape and the thoughts on mortality. He also pondered lyrics, but it soon became clear that some things find their truest expression in music only, and that the genre would be jazz. Ylinen chose six sketches and asked his colleagues to work on them. All the invited musicians took part in the project wholeheartedly, to give their best.

Ylinen himself plays only the brief intro's sad solitary guitar melody, which, without knowing, had started the whole project around the time of the funeral. Lyytinen's arrangement on the 2nd part is already full-blooded jazz. The 3rd part's Pekka Pohjola -reminding fascination is excellently arranged by Verneri Pohjola. Also the pieces arranged by double bassist Jori Huhtala and guitarist Teemu Viinikainen witness the emotional substance meet fluent and rich ensemble playing in a perfect harmony.

Despite the mourning behind the compositions, the album does not dwell in misery but sounds exactly as sophisticated, fresh and timeless as the contemporary jazz can sound at its best. By the time of the final three-part piece 'Towards Dawn' the tone has clearly evolved from sorrow into light. The listener gets a hold of the album's cathartic conceptuality without a slightest sacrifice of pure musical values. Therefore Mortality is a gorgeous evidence of the power of music.

TATU & TUTKIMUSMATKAILIJAT Vasta Alkusoittoa

Album · 2024 · Jazz Related Rock
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The second album of the Finnish instrumental rock/fusion group whose name means Tatu & the Explorers. Bassist and co-composer Tatu Back has also drawn the cover art for both albums.

Again the band colours their jazzy rock with hints of various musical genres. The debut had a little more blues flavour. Here 'Löylyn henki' is spiced up with flamenco, and accordion finishes the nature-inspired national-romantic spirit on the relatively emotional, melodic piece 'Vipulampi'. All in all, electric guitar is the "lead" instrument, as Hammond and other keys are mainly filling the overall soundscape.

The shortish opening piece starts with a beautiful, mysterious slowness, two guest musicians playing snare drums gently, and just as the piece sort of comes alive, it ends all too soon. But it's seamlessly followed by the determinant, rockier piece 'Homo Ludens' where the guitar associates with David Gilmour in and out of Pink Floyd. The final minute is a synth-centred spacey outro.

The longest, 11-minute composition is my favourite. The title refers to a plant blooming in midsummer night, but it's deliberately underlining the "magic" connected to the Finnish midsummer night, as fern plants do not bloom in real life. The composition progresses without any hurry and is occasionally milking a bit too long its motifs,but with some shifts in tempo and atmosphere it manages to create a narrative feel. In the end the band members shout together "Lähdetään juhannussaunaan!" (= let's go to midsummer sauna), and the next, flamenco flavoured piece continues the sauna theme in its title.

The final track pulsates almost like an Alan Parsons Project instrumental and has great interplay with Gilmouresque guitar and synths. Also the drums are deliciously strong.

Perhaps the lesser amount of blues flavour makes me prefer this album over the debut. The production is very good, one only wishes the arrangements to contain wider variety.

TATU & TUTKIMUSMATKAILIJAT Matka kaikkine vaiheineen

Album · 2020 · Jazz Related Rock
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The Finnish instrumental prog fusion group led by bassist Tatu Back have released their second album in 2023. But first things first, here's my view on the debut. The composing credits (not given trackwise) are shared by Back, guitarist Markus Venehsalo and drummer Jaakko Pöyhönen. The line-up consists also of Harri Taittonen on Hammond & other keyboards and Marko Salmela on percussion. Two tracks (3, 4) feature slide guitar of Jarkka Rissanen who's not featured on the second album. Those tracks are the most blues-rock oriented, 'Lonkat' containing also funk flavour highlighted by a delicious bass solo.

The nearly 10-minute opening title track (= The journey with all its phases) is among the highlights. The grandiose melodies and thoughtful dynamics in the composition justifies comparisons to classic Fusion artists such as PEKKA POHJOLA or JEFF BECK. The band sound is organic and rich. 'Kevään viimeinen pimeä yö' (= The last dark night of spring) is a slow-tempo piece with a shady, nocturnal atmosphere.

The flat hand-clap intro of 'Sylvi' is luckily followed by strong ensemble playing although the electric guitar stays pretty much in the lead role like it does theoughout the album. Keyboards are left with smaller space to shine. The sixth brief track is practically just an outro, audibly unseparated. Again without a pause starts 'Syvissä' (= In deep) that has a dub/reggae rhythm and sneaks like a thief in a dark alley.

The final piece brings the excellent bass playing to the fore but in the expence of melodic substance, reminding me of Jaco Pastorius' solo works. Technically this is a strong debut but a little unfocused and uneven what comes to compositions.

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