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Favorite Jazz Artists

All Reviews/Ratings

956 reviews/ratings
LOUIS ARMSTRONG - The Louis Armstrong Story, Volume I: Louis Armstrong And His Hot Five Classic (1920s) Jazz | review permalink
MILES DAVIS - Agharta Fusion | review permalink
EARTH WIND & FIRE - Gratitude RnB | review permalink
HERBIE HANCOCK - Speak Like a Child Post Bop | review permalink
FRANK ZAPPA - One Size Fits All (as Frank Zappa And The Mothers Of Invention) Jazz Related Rock | review permalink
HERBIE HANCOCK - Crossings Fusion | review permalink
PARLIAMENT - Mothership Connection Funk | review permalink
HERBIE HANCOCK - Thrust Funk Jazz | review permalink
SUN RA - Angels and Demons at Play Progressive Big Band | review permalink
SUN RA - Sun Ra And His Astro Infinity Arkestra : Atlantis Avant-Garde Jazz | review permalink
SANTANA - Santana Latin Rock/Soul | review permalink
FUNKADELIC - America Eats Its Young Funk | review permalink
MILES DAVIS - Live At The Fillmore East Fusion | review permalink
HERBIE HANCOCK - V.S.O.P. Post Bop | review permalink
MILES DAVIS - Get Up With It Fusion | review permalink
JIMI HENDRIX - Electric Ladyland (Jimi Hendrix Experience) Jazz Related Rock
MILES DAVIS - Miles Davis Quintet : Miles Smiles Post Bop | review permalink
MILES DAVIS - Nefertiti Post Bop | review permalink
JOHN COLTRANE - Giant Steps Hard Bop

See all reviews/ratings

Jazz Genre Nb. Rated Avg. rating
1 Fusion 122 3.64
2 Avant-Garde Jazz 74 3.91
3 Post Bop 65 4.04
4 Hard Bop 63 3.80
5 Soul Jazz 51 3.42
6 World Fusion 43 3.60
7 RnB 42 3.61
8 Big Band 42 3.81
9 Eclectic Fusion 41 3.72
10 Jazz Related Rock 33 3.74
11 Funk Jazz 31 3.55
12 Progressive Big Band 30 4.02
13 Nu Jazz 30 3.48
14 Bop 28 4.04
15 Funk 25 3.80
16 Pop/Art Song/Folk 25 2.76
17 Third Stream 24 3.90
18 Jazz Related Electronica/Hip-Hop 19 3.42
19 Exotica 18 3.42
20 Latin Jazz 17 3.74
21 Jazz Related Soundtracks 16 3.81
22 Post-Fusion Contemporary 14 3.46
23 Cool Jazz 13 3.69
24 Dub/Ska/Reggae 13 4.04
25 21st Century Modern 12 4.21
26 Vocal Jazz 12 3.54
27 Blues 11 3.82
28 Jazz Related Improv/Composition 10 3.40
29 Swing 8 4.00
30 Latin Rock/Soul 6 3.75
31 African Fusion 6 3.92
32 Acid Jazz 4 3.50
33 Classic (1920s) Jazz 4 4.25
34 Dixieland 1 3.50
35 Afro-Cuban Jazz 1 4.50
36 Bossa Nova 1 3.50
37 Jazz Education 1 3.50

Latest Albums Reviews

RUSS SPIEGEL Nitty Gritty

Album · 2025 · Fusion
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“Nitty Gritty” is guitarist Russ Spiegel’s seventh album, and although most of his earlier albums contain mostly originals, for this album Russ wrote only four compositions with everything else being covers done in ways that are different than the usual versions of the songs he selected. It is an eclectic album and in Russ’s own words, “ I chose tunes that feature my guitar playing in different genres and styles of jazz - from swinging, earthy blues to folk and Latin rhythms to groovy and outright rocky tunes”. Russ mentions some favorite influences on the guitar, including Pat Metheny, John Scofield, Ed Bickert and Bola Sete. Accompanying Russ on this adventure is his usual trio with Jim Gasior on organ and piano, and Lucas Apostoleris. Guests, Tim Armacost on tenor sax and Kurt Hengstebek on bass, play on about half the tracks.

So lets take a look at the variety that Russ has bestowed on us here. “Soul Station” is classic Hammond B3 driven soul jazz originally composed by Hank Mobley. On Ellington’s “Prelude to a Kiss”, Russ eschews the tune’s usual ballad treatment and instead gives it an upbeat samba drive. Hearing ‘Prelude’ in upbeat mode gives the well known song a different flavor altogether. Whereas the Beatles, “Norwegian Wood”, is usually given an up tempo 6/8 modal vamp, Spiegel instead keeps it in a relaxed folk style workout for the acoustic guitar. Original, “Nitty Gritty”, uses distorted guitar in a heavy funk jazz style similar to Medeski, Scofield, Martin & Wood.

For the second half of the CD Spiegel settles into more of a fusion style which supplies a little more cohesion after the ‘all over the place’ nature of the first half. “Deep Brooklyn” is one of the best tracks on the album with it’s melancholy melody and Gasior’s post bop ride on the acoustic piano. “Epic” is another ‘big’ sounding fusion number with a rocky 5/4 groove and plenty of heavy guitar soloing from Spiegel. “26-2”, another jazz rock number, gives plenty of room for Armacost’s tenor sax solo. There are more tracks but let’s avoid an exhausting grocery list here, but the real surprise is lounge classic, “A Man and a Woman”, which Russ plays without a trace of irony or kitsch.

DIVR Is This Water

Album · 2024 · 21st Century Modern
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Static music, and/or music as a continuum, may be a somewhat experimental idea in the western world, but in other cultures, particularly African culture, music performance that stays more or less the same from beginning to the middle and on to the end, is par for the course. Avant-garde composers such as John Cage, Karlheinz Stockhausen and Steve Reich have produced music that has no particular linear development, and in the jazz world, Miles Davis tried out a fusion approach to static music with albums like “On the Corner” and “Get Up With It”. This leads us to a new Swiss trio known as, divr, with band members, Phillipp Eden on piano, Raphael Walser on bass and Jonas Ruther on drums. These guys are taking a very fresh approach to music making that sets them apart from the field. Their improvisations are not ‘static music’ per se, but are similar in that linear development takes a backseat to thoroughly exploring the present moment.

What divr does is produce musical ideas and then loop them and slowly alter them while carefully interacting with each other. They describe their music as based around ‘sonic interdependencies framed by the practice of mindfulness and deep listening’. Although there is some obvious repetition at work, the music slowly morphs and changes in unpredictable ways. There is some post-production at work on this album, so it may be hard to tell what is exactly being played and what might be looped, but it really doesn’t matter, even if there is some technology involved, everything sounds organically human.

The music itself has a lot of variety to it, "As of Now", sounds like a mid 90s trip-hop track, while "Upeksha" uses interlocking minimalist piano figures that recall Terry Riley. "Supreme Sweetness" gets into some dissonant and very active free jazz and "Tea High" has pounding piano chords on top of a drumnbass type busy rhythm. The last two tracks don’t quite measure up to the rest of the album as they close with a ballad of sorts and some cliché ambient bits, but the rest of the album is top notch. divr do not sound like anyone else, they represent a different approach to music making, an approach that will be lost on many listeners, but will be welcome to those who prefer deep listening and music that expands on the moment rather than anxiously always moving on.

ELDAD TARMU Silver on Aluminum

Album · 2025 · Hard Bop
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Vibraphonist Eldad Tarmu has been releasing albums as a leader since the late 90s and has worked as a sideman with top names such as; Mike Clark, Billy Higgins, Freddie Hubbard, Poncho Sanchez, Ernie Watts and many more. Although he usually writes original music, on his latest outing, “Silver on Aluminum”, Eldad has eschewed the originals to devote himself to interpreting the music of Horace Silver. The album’s title alludes to the idea of performing Horace’s music on the aluminum vibraphone. It’s an interesting concept because it allows the more percussive instrument to bring out the rhythmic complexities of Silver’s music. Some of this probably has to do with Eldad’s arrangements, but many of these tunes are mind boggling in their constant rhythmic changeups and challenges, this is especially evident on a track like, “Pyramid”.

Joining Tarmu for this endeavor are bassist Marty Isenberg and drummer Michael Shapira. This being a trio album, the rhythm section gets a lot of chances for interplay, the music is very conversational, but they are given very little solo space, this album is all about the vibraphone and it’s presence is a constant. Much of the music falls roughly into the hard bop genre, although with plenty of Latin and funk jazz rhythms as well. “No Smokin” is the high speed bop number and “Strollin” is the ballad. The recording quality is very clear and unadorned. This sounds like a microphone, or a couple of microphones, in a room with very little if any compression or fake reverb. In fact, you can clearly hear the room itself in the ambience.

As mentioned already, this music is complex and demanding, particularly in it’s rhythms. As Tarmu explains, “You can sight read this music and get all the notes right, but it can still sound terrible. Silver’s compositions require a deep emotional engagement.” The make or break for this album lies in the sound of the vibraphone itself. It is very persistent on here without a break and this may take some getting used to for some. Hang in there with this one because close listening will reveal some interesting takes on rhythm and structure. You may end up hearing the music of Horace Silver in a new way.

BRENT LAIDLER Hidden Gems

Album · 2024 · Soul Jazz
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Although not particularly well known worldwide, guitarist Brent Laidler has been an active member of the jazz scene in Indiana for many years and in many capacities including; performer, arranger, composer, educator and also instrument repairman. “Hidden Gems” is Brent’s fifth album as leader and finds him working with the same group of musicians who recorded his previous outings. The band’s familiarity with each other pays off as this is a very tight ensemble, smooth in execution and always in the pocket and in the groove. Almost half the tunes are in a relaxed bossa/samba rhythm and the coolness of this music permeates the entire album, this is not a group given to much extravagant excesses. The concise Brazilian sound is furthered by Jamie Newman’s organ sound which does not often use vibrato, chorus or leslie, and instead presents that dry sound favored by the bossa crowd. The tick .. tick .. tick tick sound of wood claves also flavors many of these tracks.

Outside of the Latin influences, “Hidden Gems” also pulls from the world of soul jazz and funky hard bop with saxophonist Ned Boyd often featuring a raspy tone favored by the RnB crowd. The album’s title comes from the fact that Laidler poured through countless old fake books in search of ’gems’ to re-harmonize and contemporize. “Gemini” is based on an old Cannonball Adderly solo transcription, “Riffy Business” was a TV soundtrack in the early 1960s and “Petite Parasol” was updated with a modern hip-hop beat. The main appeal of this album though is found in it’s sound and production, appealing conciseness was something that Brasil 66 understood, likewise Erik Satie as well as Brian Eno’s ambient pop of the late 70s.

MILES DAVIS Ascenseur Pour L'Échafaud (OST)

Album · 1958 · Jazz Related Soundtracks
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This review is based on the original vinyl LP version of the soundtrack to the French film L' Ascenseur Pour I' Echafaud, featuring a French jazz trio augmented by Miles and US drummer Kenny Clarke. The understated jazz atmospheres on this soundtrack tell a lot about where jazz will be heading in the next five decades. This film music marks the first time that Miles will depart from playing jazz per se and instead finds him using the style as something to objectively manipulate and shape into something more original and personal. In formulating the music for this film, Miles eschewed actual songs and instead wrote bare riffs and repeating chord sequences for him to solo over and build atmosphere.

Not all is pure jazz here as some of the repeating motifs recall Satie and Ravel, as well as almost Indian style drones. Miles' playing over these drones and stark chord sequences is amplified with reverb and given that classic film noir 'jazz man in the back alley' sound that is almost humorous in it's cliché. Likewise the chord changes that Miles uses for the jazz sequences are classic cliché jazz sounds taken from a Disney film with beatnik characters, it's Miles tongue-in-cheek way of cleverly delivering the classic jazz goods that non-jazz fans want from a soundtrack..

This is an excellent album, timeless and beautifully retro like a classic noir film and in many ways, it marks the beginning of a world of innovations that will eventually blossom into cool jazz, fusion, acid jazz, trip-hop and nu jazz.

Latest Forum Topic Posts

  • Posted 12 days ago in Is After you've gone hard for beginner players
    I've never played it but I just looked at the changes and it doesn't look very hard. If you are looking for easy beginner tunes let me recommend, "Lover Man", "Tune Up" and "Satin Doll"I'm going to move this to Musicians Exchange section.  js2025-04-13 00:40:48
  • Posted 15 days ago in Videos
    PBS presents an excellent history of the Funk:https://www.youtube.com/watch?v=QrgV35cBHVs&t=143s
  • Posted 15 days ago in 2024 RnB, Funk, Dub & Electronica Albums
    Contemporary funk jazz with Oliver Crosby:https://radiojuicy.bandcamp.com/album/locana snobb2025-04-10 09:25:26

Shouts

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Warthur wrote:
more than 2 years ago
Hey dude,

You've banned me from the forums but I can still access the review submission system and site interactions.

If that is intentional then fair enough but if not I thought it'd only be honest to give you a heads up.

Warthur wrote:
more than 2 years ago
js - please clear some space in your PM inbox, I'm trying to send you something.

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