ALPHONSO JOHNSON — Spellbound

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ALPHONSO JOHNSON - Spellbound cover
2.50 | 1 rating | 1 review
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Album · 1977

Filed under Fusion
By ALPHONSO JOHNSON

Tracklist

A1.Summer Solstice
A2.Follow Your Heart
A3.Bahama Mama
A4.Moonlight Conversations
B1.Face Blaster
B2.Feelings Are... (The Hardest Words to Say)
B3.Earthtales Suite
i. Release from Bondage
ii. Why
iii. Voice of Authority
iv. Rushing of the Wind
v. Sword and the Scepter
vi. Summer Solstice (Second Movement)

Line-up/Musicians

Alphonso Johnson (Bass (Electric), Composer, Drums, Drums (Steel), Fretless Bass, Lyricist, Main Performer, Producer, Stick, Synthesizer, Vocals, Vocals (Background)
Bayete - Vocals (Background));
Clyde Criner - Arp 2600, Arp Omni, Clavinet, Fender Rhodes, Mini Moog, Piano, Piano (Electric), Piano (Grand), Synthesizer);
David Igelfeld - Chimes, Conga, Cymbals, Drums, Electronic Percussion, Gong, Handbells, Percussion, Wind Chimes);
Kevin Shrieve - Guitar, Guitar (12 String), Guitar (Electric));
Pat Thrall - Guitar

About this release

Epic ‎– JE 34869 (US)

Thanks to snobb for the addition

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Sean Trane
Third and last album (for the 70’s anyway) from the ex-Weather report bassist Alphonso Johnson, this time helped out by from what it looks like a set-group (this might have been a regular band, maybe they even toured) and in the reduced guest list, only Pat Thrall (future Pat Travers Band and Glen Hughes) rings a bell to yours truly. A rather boring photo, but showing the Chapman graces the album’s cover.

If Johnson appears with that now-famous Chapman stickon the cover, the least we can say is that it is all over this album as well >> it can even serve as a demo for the instrument makers.. The first half has three sung tunes, which is generally not good news in jazz-rock, but then again, most of the tracks on that album don’t really qualify as such (funky jazz-funk at most ;o))). Nothing really transcendental or even remotely interesting on this side. Musically, this album is all over the map, a bit like the other two, but again there are four sung tracks, even if the sidelong suite Earthtales only gets a couple lines, twice. Don’t get your hopes up to high about it though…. The first half is downright boring (nothing exciting happening), but around the 2/3 mark, it does get more exciting as they all crank up the volume and passed on the third gear… there are good moments in there, but unfortunately a bit tempered by disputable synth sounds of the late-70’s. Just like his other two 70’s albums, this is hardly essential (except for the Chapman stick), and if you want to discover his works, I suggest you start with Yesterday’s Dream.

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