progshine Continuing my 1967 trip according to my Progshine post (progshine.net/2013/10/prog-rock- year-by-year-1967.html), we have Safe As Milk (1967) from Captain Beefheart And His Magical Band. The high teor of Blues Rock and Psychedelia was here, of course, that's how pretty much Rock band was sounding in 1967. But it's quite fine, wild and kinda upbeat all around.

Besides not being released early in the year (but in September) the album is kinda impressive for being the first of the band. As most of the albums from the Psychedelic generation Safe As Milk (1967) has all kinds of songs fom ballads to free jams.

One of the nicest I've heard so far from this research of mine.

Warthur As Beefheart's plaintive moan emerges over a wavering guitar line at the start of Sure 'Nuff 'N Yes I Do you can instantly tell you're in for something different; when the full band kicks in, it's confirmed. The Captain's debut album is a collection of wild, fuzzy, psych-driven blues and blues-drenched psychedelia.

So much could be written about this album, but I'll refrain from doing a track by track review to just cover a few standout tracks. The driving Zig Zag Wanderer is ridiculously energetic (and actually kind of danceable). Dropout Boogie combines some of the fuzziest, heaviest rock music to date with some bizarrely out of place (in terms of how tranquil they are) musical breaks. The standard is similarly high for most of the other songs; the only blot on the track list, for me, is I'm Glad - a sappy ballad that doesn't quite suit Beefheart's vocal delivery or the context of the album, but at least it's followed by the unparalleled classic Electricity, which sums up all the foreboding, ominous, and incredibly strange qualities of the album and delivers it in one menacing but catchy package.

At this point in their career Beefheart and the Magic Van still had perceptible links to contemporary trends in music, rather than existing in the Captain's own weird dimension as on Trout Mask Replica, so this is one of the best ways to dabble in Beefheart's work before taking the plunge into less approachable work. And even for Beefheart veterans who've heard everything else, it's more than worth a listen. Autumn's Child, the album closer, never fails to make my hair stand on end when I hear it; like the rest of the songs (I'm Glad excepted), it's as fresh today as it ever was. This milk doesn't go sour.

arcane-beautiful I think with all first albums, you can have a lot of freedom. Especially in the 60's, where music was at times trying to be controlled and some bands just had to kind of give in to pressure and the current trends at the time. One prime example of this is The Moody Blues. Originally a Beatles rip off, after a flirtation with an orchestra, they really adopted their style and kind of sprouted the seeds for the prog genre. This album is an example of a very infantile album. I think when comparing this to other classic albums from the 60's, e.g. Piper At The Gates Of Dawn, Sgt. Peppers, Days Of Future Passed, it just doesn't match up. Even though the album is pretty ground breaking for its time, in comparison to some experiments in the 60's, it's just not as impressive.

This is a good album nonetheless. The real positives at times is the musicians and Beefheart himself. His vocals are always top notch, and the arrangements and lyrics are always interesting to hear. The guitar work of young Ry Cooder is also pretty cool too. There are some weak moments on the album, but overall, it is a great album

1. Sure 'Nuff Yes I Do - Now I really don't like blues. But this I'm not too bad with. Still not my style, but hey, it's Captain Beefheart. I love the jauntyness towards the end of the song. 6/10

2. Zig Zag Wanderer - Ok, now this is what I love about the 60's. Jangly guitars, and an overall sense of fun. Quite reminiscent of early Pink Floyd at times. 9/10

3. Call On Me - A bit too much of a standard 60's jangly pop song. And maybe a bit too bluesy for my liking. 5/10

4. Dropout Boogie - I love when Beefheart sings in this evil raspy voice. The instrumental section is pretty cool too, and very odd to hear during the 60's. The lyrics are pretty cool, and maybe a bit odd. 8/10

5. I'm Glad - Best song on the album, and maybe one of my favourite Captain Beefheart tracks. The falsetto vocals are a bit cheesy, but to be honest it really is nice and pretty. Maybe this was Beefheart's way of trying to achieve a top 10 hit or something (a bit like Frank Zappa's doo wopp album), but this song is 10 times more interesting and successful than that whole album. Beefheart's vocals also are full of emotion and are really raw, which really reflects the emotion of the song (although at times there is very Procol Harum moments, especially in the vocals). 10/10

6. Electricity - The kind of blues I can stand. Basically blues with a backbone really to try out new things. There is some even jazzy moments in the song. The use of guitar really is something to be marvelled at (especially how Ry Cooder makes those noises). Love the raspiness of Beefhearts vocals as well. 8/10

7. Yellow Brick Road - A bit like a country parody. Now I hate country, but I actually really like this song. I love the melody of the verse. It's so easy, yet so memorable. 9/10

8. Abba Zaba - It is a bit silly, but it does work. The silly lyrics are memorable and they do stick in your head, in fact you'll probably sing along to this song soon after listening to it. The use of almost gibberish does add a rhythmic edge to the song. 8/10

9. Plastic Factory - I really hate the use of harmonica in blues. In fact it's the worst part of this song. The best part is obviously Beefhearts vocals. I just really don't like blues. The instrumental section does make the song more interesting, I have to admit. 4/10

10. Where There's A Woman - Pretty interesting instrumental work and a nice arrangement. Their's something very gospel about this song too. Pretty cool chorus too. 8/10

11. Grown So Ugly - Even though the lyrics are pretty funny, the song is a bit too bluesy for my liking. Still not too bad though. 5/10

12. Autumn's Child - I like the dramatic nature of the song. Maybe a bit too "silly psychedalia," but meh it's a pretty fun song. 7/10

CONCLUSION: Don't get me wrong, this is still a highly enjoyable album, it's just at moments, it's just not my thing. The 60's music for me at times can be touch and go. In fact theirs only a few albums from this era that I would admit I love. A great album, but we all knew better things were to come.

6.3/10