CHRISTIAN SCOTT (CHIEF XIAN ATUNDE ADJUAH) — Axiom

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CHRISTIAN SCOTT (CHIEF XIAN ATUNDE ADJUAH) - Axiom cover
3.50 | 1 rating | 1 review
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Live album · 2020

Tracklist

1 X. Adjuah [I Own the Night] 9:52
2 The Last Chieftain [for Big Chiefs Donald Harrison Sr. & Jr.] 16:06
3 Guinnevere 10:53
4 Songs She Never Heard 9:39
5 Sunrise in Beijing 4:47
6 Huntress [for Cara] 9:17
7 Incarnation [Chief Adjuah - Idi of the Xodokan] 6:45
8 Diaspora 5:49
9 Introductions 0:35

Vinyl edition track list:
Side A 20:45
A01 X. Adjuah [I Own the Night] 09:52
A02 Guinnevere 10:53

Side B 20:54
B01 Songs She Never Heard 09:39
B02 Sunrise In Beijing 04:47
B03 Diaspora 05:50
B04 Introductions 00:38

Side C 16:03
C01 Incarnation [Chief Adjuah - Idi of the Xodokan] 06:45
C02 Huntress [for Cara] 09:18

Side D 16:06
D01 The Last Chieftain [for Big Chiefs Donald Harrison Sr. & Jr.] 16:06

Line-up/Musicians

Christian Scott aTunde Adjuah - Trumpet, Adjuah Trumpet, Sirenette, Reverse Flugelhorn, Percussion
Elena Pinderhughes - Flute
Alex Han - Alto Saxophone
Lawrence Fields – Piano, Keyboards
Kris Funn - Bass
Weedie Braimah – Djembe, Congas, Bata, Percussion
Corey Fonville - Drums, SPDSX

About this release

Ropeadope ‎– RAD-600 (US)

Recorded March 11-15, 2020 at the Blue Note in New York

Thanks to snobb for the addition

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CHRISTIAN SCOTT (CHIEF XIAN ATUNDE ADJUAH) AXIOM reviews

Specialists/collaborators reviews

snobb
Five years ago I saw Christian Scott playing live on his European tour with almost the same band (vocalist Isadora Mendez Scott is not on board, sax player Braxton Cook instead of current Alex Han and percussionist Joe Dyson instead of Weedie Braimah). He sounded quite similar to what is recorded on this newest album "Axiom", just here he sounds a bit better.

Exactly as during the gig I saw live, Scott speaks a lot, plays trumpet and manages his band well. Flutist Elena Pinderhughes is a night's star filling space with nice solos generally, not too knotty for the band's music. Lawrence Field's retro keys sound great and add a lot of 70s spirit.

Comparing with some of Scott's last studio albums, music here is much more organic, and that's for good. There is a groove and a lot of African percussion, and in general this album is not much different from today's popular London based African fusion influenced sound.

Exactly as during the concert I saw, songs here are quite long, being accessible and not too complex, the lengthiness can make the album simply sound a bit bulky as a result. Still, taking in account all the pros and cons, "Axiom" is probably the best Scott album I have ever heard.

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