snobb
Unorthodox Italian vocalist Claudio Milano's newest album, "Frattura, Comparsa, Dissolvenza," was recorded by a quartet with electronic artist Borda and two pianists/electronic artists/vocalists, Niccolo Clemente and Alberto Nemo. Unlike many of Claudio's previous releases, the new one has nothing too much in common with the progressive rock of the 70s, which always was a strong Milano influence.
Just four pieces, 43 minutes long in common. Minimalist and liturgical atmosphere, dark and partially chamber. The opener "Frattura Iniziale" is Alberto Nemo's composition. Nemo began his career performing sacred music in chapels. Slow, dark, and minimalistic repetitive piano and operatic voice together sound like church liturgy. Partially recalls Ran Blake's music. Beautiful song and the best on this album for my ears.
"Comparsa" opens with a dark and dreamy(gothic?) piano solo, and operatic vocals come soon after. Song author and composer Niccolo Clemente adds electronics too. The vocals feel the space flying free. The same atmosphere of church liturgy and Gregorian chants continues.
"Dissolvenza", the longest album's composition, is more based on electronic effects sound. Claudio's vocal acrobatics pushes it towards a more leftfield zone. If the album's opener can be compared with chamber Ran Blake's works, "Dissolvenza" is closer to Diamanda Galas' music.
"Frattura Finale", the album's shortest piece, is written by Nemo again. Chamber piano, minimalist repetitive construction, and emotional voice over it. The Mass is ended.
As always in Claudio's music, there are a lot of philosophical themes and minds in the lyrics (true, it's good to be fluent in Italian though). According to liner notes, the album was recorded somewhere in a gas station. Surprisingly enough, its acoustics recall more of a church space. Probably not an album for Claudio's prog rock side fans, "Frattura, Comparsa, Dissolvenza" shows his great alternative talent - an electro-acoustic minimalist chamber vocalist. Well done!