FRANK ZAPPA — 200 Motels

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FRANK ZAPPA - 200 Motels cover
3.14 | 20 ratings | 2 reviews
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Album · 1971

Tracklist

A1 Semi-Fraudulent/Direct-From-Hollywood Overture 1:59
A2 Mystery Roach 2:32
A3 Dance Of The Rock & Roll Interviewers 0:48
A4 This Town Is A Sealed Tuna Sandwich (Prologue) 0:55
A5 Tuna Fish Promenade 2:29
A6 Dance Of The Just Plain Folks 4:40
A7 This Town Is A Sealed Tuna Sandwich (Reprise) 0:58
A8 The Sealed Tuna Bolero 1:40
A9 Lonesome Cowboy Burt 3:59
B1 Touring Can Make You Crazy 2:52
B2 Would You Like A Snack? 1:23
B3 Redneck Eats 3:02
B4 Centerville 2:31
B5 She Painted Up Her Face 1:41
B6 Janet's Big Dance Number 1:18
B7 Half A Dozen Provocative Squats 1:57
B8 Mysterioso 0:48
B9 Shove It Right In 2:32
B10 Lucy's Seduction Of A Bored Violinist & Postlude 4:01
C1 I'm Stealing The Towels 2:14
C2 Dental Hygiene Dilemma 5:11
C3 Does This Kind Of Life Look Interesting To You? 2:59
C4 Daddy, Daddy, Daddy 3:11
C5 Penis Dimension 4:37
C6 What Will This Evening Bring Me This Morning 3:32
D1 A Nun Suit Painted On Some Old Boxes 1:08
D2 Magic Fingers 3:53
D3 Motorhead's Midnight Ranch 1:28
D4 Dew On The Newts We Got 1:09
D5 The Lad Searches The Night For His Newts 0:41
D6 The Girl Wants To Fix Him Some Broth 1:10
D7 The Girl's Dream 0:54
D8 Little Green Scratchy Sweaters & Courduroy Ponce 1:00
D9 Strictly Genteel (The Finale) 11:10

Line-up/Musicians

- The Royal Philharmonic Orchestra conducted by Elgar Howarth
- The Mothers on this particular occasion: Frank Zappa / guitar & bass
- Mark Volman / vocals & special material
- Howard Kaylan / vocals & special material
- Ian Underwood / keyboards & winds
- Aynsley Dunbar / drums
- George Duke / keyboards & trombone
- Martin Lickert / bass
- Jimmy Carl Black / vocal on "Lonesome Cowboy Burt"
- Ruth Underwood / orchestra drum set
- Jim Pons / voice of the "Bad Conscience"
- The Top Score Singers conducted by David Van Asch
- Phyllis Bryn-Julson / soprano
- Classical Guitar Ensemble supervised by John Williams
- Narrated by Theodore Bikel

About this release

United Artists Records – UAS 9956 (US)

Orchestra recorded at Pinewood Studios, London
January 28-February 5, 1971
Overdubs: Whitney Studios, L.A. Summer 1971
Reduction facilities: Whitney Studios, LA.
live recording facilities: The Rolling Stones Mobile

Thanks to snobb for the addition



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Moshkiae
200 MOTELS USA 1972

It is a real shame that someone like Frank Zappa gets commissioned to do an opera for one of the world's music centers, Austria, but his work goes by barely noticed in his native country.....

While 200 MOTELS is not exactly for everyone, it is hard to follow, and what comes off as a drugged mentality, is actually a very well designed, and composed piece, while not as well done on film as compared to the orchestra playing the piece. There are vocal styles, which even today are being worked with by many classical composers.... and they are not easy to play, or sing. And it is a tribute to a musical genius that it can be pulled off.

While I would like to see a piece of work which tackled more interesting themes than mere rock'n'roll-iness, Frank's work for the American radio have retained a sort of disguised identity, probably to make sure he himself does not fall prey to a stylized social stigma which he himself has witnessed...his family has been known to have rescued many actors and artists from the many overdoses of everything (Frank has been anti drugs, even during his early albums when he was already making fun of it ).

200 MOTELS, twenty years later, still holds up musically, where much of the music of that day has long gone and faded away into goldies radio.

This film is a look at the distorted mind state one gets in a road tour, in this case, the invisible 200 motels that bands stay in. The mind deranges, tires, the players all fight and disagree, and the bands often break apart. And to bring this off, the film takes on the look of the psychedelic shows of the 60's, with an incredible array of images superimposed on musicians, and the visuals of the situation. At this point it is hard to distinguish between reality and the ideal which the music is about.... but that is the story and theme of this film.

Of interest here are a few people, like Keith Moon dressed up as a nun, Ringo Starr (the only Beatle big enough to play with Frank Zappa), Mark Volman and Howard Kaylan who were the two mainstays behind the popular group THE TURTLES, and their magnificent vocalizations which lend themselves well to Frank's material. The magnificent orchestra playing what could be considered nerve wrecking music because it does not have simple passages to relax with is conducted by Elgar Howarth ... Aynsley Dunbar on drums and George Duke on horns and keyboards.... two superb musicians in their young days, learning a craft that they play so well today....Pamela Miller, of the groupie fame (Pamela Des Barres) who went on to write a book about her time from the early days.

RECOMMENDED, IF YOU GO TO SEE IT AS ... ANYTHING GOES MOOD. HAS COMEDIC TOUCHES WHICH ARE VERY SOUTHERN CAL-ISH, like satires on commercial products and their addictiveness....

The Royal Philharmonic Orchestra, Theodore Bikel, Ringo Starr, Mark Volman, Howard Kaylan SUPER FEATURES: The music ... and is Frank Zappa. Hopefully you know the difference!

NOTE: Much later just before Gail Zappa (Frank's wife) passed away this was done in its entirety at UCLA and there is a recording of it, and it comes off brilliantly ... however, as the original, the commercial minded folks refuse to listen to it, and realize how some things came off really well, specially the choral parts towards the end, which were exceptional. One can only hope that we get to hear these special works and have them be more appreciated.
Warthur
An enormous muddle, just like the film it's a soundtrack for, the 200 Motels soundtrack combines some very challenging orchestral work with spoken word parts from the film and more conventional songs - many of which are pretty inferior stuff, as far as Zappa's back catalogue is concerned.

The orchestral experiments are interesting but difficult to get into, not least because Zappa's intent of parodying overblown Hollywood orchestral scores of the 1950s and 1960s lead him to produce music which... sounds an awful lot like overblown Hollywood orchestral scores of that era, except with some avant-garde bits added. Those interested in Zappa's orchestral compositions have a wealth of releases to choose from - The Yellow Shark and the related Everything Is Healing Nicely, Orchestral Favorites, Boulez Conducts Zappa, or even Lumpy Gravy - all of which are not only more interesting than the material presented here and showcase a better standard of performance, but are also more focused on the orchestral material so you don't get the Mystery Roach or Lonesome Cowboy Burt bursting in just as you're getting used to it.

As for the non-orchestral songs, well, they're decidedly a mixed bag. Lonesome Cowboy Burt is a straight up country parody with few of the experimental stylings which most fans look to Zappa to provide, Mystery Roach is OK but not much more than OK, and the other material just isn't especially memorable. And the package as a whole sprawls so much that listening to the whole thing becomes a chore. (It takes a lot to make Flo and Eddie's voices gratingly, eye-wateringly annoying, but their overuse in this album accomplishes it with gusto.)

In fact, this must be the most disappointing album Zappa released at this point in his career - at least Cruising With Ruben and the Jets was a competent and sincere tribute to doo-wop. Not so much "Strictly Genteel" as strictly for the Zappa collector who absolutely has to own everything the man produced, and there are many hardcore Zappa fans who will freely admit that this one is a clunker. There might be 200 Motels here but they're all one-star dives.

Ratings only

  • Brown Clown
  • ed141414
  • Fant0mas
  • zrong
  • esset55
  • Lynx33
  • darkshade
  • progshine
  • EntertheLemming
  • Kontiki
  • timzurita
  • darkprinceofjazz
  • Drummer
  • POW
  • Tychovski
  • Noak2
  • Sean Trane
  • The Block

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