HANS KOLLER (SAXOPHONE) — Kunstkopfindianer

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HANS KOLLER (SAXOPHONE) - Kunstkopfindianer cover
4.50 | 1 rating | 1 review
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Album · 1974

Tracklist

A1 Kunstkopfindianer 9:04
A2 Suomi 2:34
A3 Nom 6:29
B1 Ulla M. & 22/8 11:50
B2 Adea 6:21

Total Time: 36:31

Line-up/Musicians

Bass, Electric Bass – Adelhard Roidinger
Drums – Janusz Stefanski
Piano, Electric Piano, Synthesizer, Harp [Nagoya Harp] – Wolfgang Dauner
Soprano Saxophone, Tenor Saxophone – Hans Koller
Violin, Alto Saxophone – Zbigniew Seifert

About this release

MPS Records / BASF ‎– 21 22019-2 (Germany)

Recorded 21.-23. 1.1974, Tonstudio Bauer, Ludwigsburg

Thanks to snobb, js for the updates

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Igor91
I came across this album while searching works by Wolfgang Dauner in Discogs and decided to give it a listen. I was happy I did, for this is an excellent example of experimental fusion from that era.

While the album is under saxophonist Hans Koller's name, it is heavily influenced by Dauner's experimental work of that time period. This is really more of a band project, with Koller being just one of the equally important members. Koller, the elder statesman in the group, was in his early 50's at the time, and I give the man credit for releasing music like this at this point in his career. I haven't heard much of his earlier work, but what I did listen to was firmly in the bop tradition. "Kunstkopfindianer" is something quite different.

I would describe this album as a mix of fusion, avant-garde/free jazz, and hard bop. The free jazz/avant-garde aspects of the music never goes too far before becoming grounded by some element of structure and melody. All of the musicians give superb performances, and all but drummer Janusz Stefanski contribute compositions. Stefanski does, however, lay down some incredible, at times ferocious, drum-work throughout the LP. Dauner is his usual genius on the keys, while bassist Adelhard Roidinger is all over the place (in a good way) on his instrument. Koller delivers a convincing performance in the mix, like he'd been a free jazz master all of his life.

I truly enjoy listening to this album and would recommend it to those who like Dauner's experimental work, such as Et Cetera. I give it a solid 4 1/2 stars - an obscure, yet essential album of experimental 70's jazz fusion.

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