JAMES FARM — City Folk

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3.57 | 3 ratings | 1 review
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Album · 2014

Filed under Fusion
By JAMES FARM

Tracklist

1. Two Steps
2. Unknown
3. North Star
4. Mr. E
5. Farms
6. Otherwise
7. Jury's Out
8. Aspirin
9. City Folk
10. What Remains

Line-up/Musicians

Bass – Matt Penman
Bass Drum [Marching] – Eric Harland (tracks: 6)
Drums – Eric Harland
Dulcimer – Eric Harland (tracks: 3)
Edited By – Adam Tilzer, Joshua Redman
Engineer [Additional] – Alon Tayar
Keyboards [Casiotone 202] – Aaron Parks (tracks: 9)
Keyboards [DX-7] – Aaron Parks (tracks: 1, 8)
Keyboards [Juno 106] – Aaron Parks (tracks: 2, 4, 9, 10)
Keyboards [Mellotron] – Aaron Parks (tracks: 6)
Keyboards [Oberheim Matrix 1000] – Aaron Parks (tracks: 4)
Keyboards [OP-1] – Aaron Parks (tracks: 2, 7)
Keyboards [Rhodes] – Aaron Parks (tracks: 3, 8)
Keyboards [Wurlitzer] – Aaron Parks (tracks: 2)
Piano – Aaron Parks
Shaker – Eric Harland (tracks: 9)
Soprano Saxophone – Joshua Redman (tracks: 2, 10)
Tenor Saxophone – Joshua Redman (tracks: 1, 3, 4, 5, 6, 7, 8, 9)
Vocals – Aaron Parks (tracks: 2)

About this release

Nonesuch ‎– 7559-79535-5 (US)

Recorded January 4 - 7, 2014 at Brooklyn Recording, Brooklyn, NY

Thanks to snobb for the addition and js for the updates

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JAMES FARM CITY FOLK reviews

Specialists/collaborators reviews

js
The first time you spin James Farm’s “City Folk”, you may get the impression that its not much more than some instrumental indie rock/pop tunes with jazz solos. It doesn’t help that lead off tune, “Two Steps”, is not one of the strongest cuts on here, but give this CD some more plays and a deeper more complex creation will reveal itself. There is a melodic indie pop element to many of these songs, but others are more abstract in their blending of modern fusion and post bop, and on every cut, the band is careful to avoid anything too predictable or cliché.

For those looking for something more in the way of a jazz workout, “North Star” and “Mr E” are probably two of the best tracks to go with. Of the more melodic fare, “Unknown” has one of those ‘haunting’ melodies that really sticks with you, as well as an excellent building chord progression that keeps reaching upwards. For a jazz album, the playing on many cuts is a bit restrained, but always creative and thoughtful. Joshua Redman always impresses with his sense of melody in improvisation.

I’m not sure on the intended target audience here, some jazz fans may balk at the simple rock beats on some tracks, while other tunes get a little more abstract than what the average rock listener is used to. I suppose the jam band fan who wants to move up to something a little more jazzy could see “City Folk” as a gateway. Also, those who like the music of Brad Mehldau and other similar contemporary piano trios will understand where this band is coming from with their moody indie rock influences. Overall, this is a good contemporary jazz CD, just don’t expect to get blown away by anything too dramatic, “City Folks” is more about careful creativity than fireworks.

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