KENNY WHEELER — Double, Double You

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KENNY WHEELER - Double, Double You cover
4.72 | 7 ratings | 1 review
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Album · 1984

Filed under Post Bop
By KENNY WHEELER

Tracklist

A1 Foxy Trot 14:07
A2 Ma Bel 3:50
A3 W. W. 7:48
B Three For D'reen / Blue For Lou / Mark Time 23:28

Total Time: 49:18

Line-up/Musicians

Kenny Wheeler - trumpet, flugelhorn
Michael Brecker - tenor saxophone
John Taylor - piano
David Holland - bass
Jack DeJohnette - drums

About this release

ECM Records – ECM 1262 (Germany)

Recorded May 1983 at Power Station, New York

Thanks to snobb for the updates

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KENNY WHEELER DOUBLE YOU DOUBLE reviews

Specialists/collaborators reviews

Steve Wyzard
MASTERPIECE BLOWING SESSION

Don't expect an impartial review here: my enthusiasm for Double Double You knows no bounds. If I were making an "all-time top 20 jazz albums" list, three would come from the year 1984: Jean-Luc Ponty's Open Mind, Steps Ahead's Modern Times, and this album. Yet it's really Double Double You that has languished in undeserved obscurity for far too long and has only just recently been re-issued so everybody could finally hear it. Not only is this Kenny Wheeler's best album EVER, it's also among the best albums ECM released during the entire decade.

The line-up of musicians alone should tell you this will be a blowing session for the ages: Kenny Wheeler, trumpet & flugelhorn, Mike Brecker, tenor saxophone, John Taylor, piano, Dave Holland, bass, and Jack DeJohnette, drums. Yes, there is absolutely unbridled, ferocious soloing throughout by all the performers, without anyone dominating the proceedings. Some of Kenny Wheeler's recordings can best be described as avant-garde, but Double Double You emphatically leans toward the accessible end of the spectrum.

The unforgettable "Foxy Trot" (14:07) is carried by one of Dave Holland's greatest basslines, and is one of those compositions that everyone should know and cover. There is a brief respite from the intensity with "Ma Bel" (3:50), a duet between Wheeler and Taylor. "W.W." (7:48) is a showcase for the horns, and the side-long suite "Three for D'reen/Blue for Lou/Mark Time" (23:28) goes through a multitude of moods, and gives everyone a chance to stretch out without endless repetitions. And please ignore the famous Leonard Feather review that complained about DeJohnette's extended solo at the end: this is one of Jack's greatest moments EVER.

Let it be said right here that if you are familiar with any of the performers, you simply MUST add this recording to your collection immediately. Thank God this flawless album is now much more widely available, and if you love this art form, you really should give it a listen. Immaculate ECM recording, as always. I have no idea if these five were able to play this material in a live setting, but if they did, I have no doubt those in attendance must have been floored!

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