LEB I SOL — (∞)

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LEB I SOL - (∞) cover
3.88 | 3 ratings | 1 review
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Album · 1981

Filed under Jazz Related Rock
By LEB I SOL

Tracklist

A1 Hars
A2 Skakavac
A3 Živa Rana
A4 Ajde Sonce Zajde
B1 Beli Mrak
B2 Neplaćena Struja
B3 U Tome Je Stvar
B4 Stomačne Vijuge
B5 Kasno Popodne

Total Time: 36:51

Line-up/Musicians

Bass – Bodan Arsovski
Drums – Garo Tavitijan
Flugelhorn – Stjepko Gut
Guitar, Vocals – Vlatko Stefanovski

About this release

PGP RTB – 2320118 (Yugoslavia)

Thanks to snobb for the updates



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Members reviews

seyo
The first major shift in the carer of LEB I SOL occurred immediately after the release of the third album "Rucni rad", when keyboardist Koki Dimusevski left the band. His replacement was Miki Petkovski, formerly of SMAK, but he also left after few months. They then decided to continue as a trio, without keyboards and started composing theatre soundtracks.

In the beginning of 1981 they released the fourth album, under the enigmatic title - a mathematical symbol for "Infinity" (∞). This period saw a flood of "new wave" in ex-Yugoslavia and old prog and jazz-rockers began to fade out... So LEB I SOL decided to comply, accepting influences from new wave, but filtering them through their improvisational/fusion approach, making songs with more lyrics for wider public and retaining "jazzy" instrumental play, particularly evident on their concerts of the era. Arsovski was forced to expand his bass playing in order to fill the gap of missing keyboards.

"(∞)" is a transitional album in a good sense and still one of their best! Out of 9 songs, 3 are with lyrics and these happen to be among their best: "Ziva rana", "Beli mrak" and "U tom je stvar". They are dominated by the sense of melancholy, depression, emptiness and some eerie dark, minor chords, with leading melodic instrument being Arsovski's fretless bass. Stefanovski probably listened to THE POLICE a lot at that time because the sound of guitar and percussion are often similar to Summers/Copeland style, while Sting also appeared to have played fretless at occasions. Nonetheless this combination sounds good if you are willing to accept it. Macedonian folk is retained however and they did an excellent remake of traditional "Ajde sonce zajde". Jazz veteran trumpetist Stjepko Gut added a few nice notes of flugelhorn in two tracks.

Now what to say? I am supposed to recommend this album to jazz listeners! Well, if you never listened to LEB I SOL, start first with any of the first 3 albums. If you like them, then come here! If you are a world fusion fan, you will have already appreciated first 3 albums and you may like this one too. If you are more open to the music of different genres (like I am ) you will find many moments on "(∞)" to admire and listen to, no matter the genre definition. After these guidelines one can easily mark it 3 stars, but hell, for me this is excellent addition to any jazz collection!

CD re-issue "2LP on 1CD" coupled with "Rucni rad" (T.Pics/PGP RTS, CD 2046, 2000) is out there, so grab the chance and enjoy!

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  • Lynx33
  • historian9

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