MANFRED SCHOOF — Scales

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MANFRED SCHOOF - Scales cover
4.05 | 3 ratings | 1 review
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Album · 1976

Tracklist

A1.Scales (10:33)
A2.Ostinato (12:45)
B1.For Marianne (5:58)
B2.Weep and Cry (10:15)
B3.Flowers All Over (7:30)

Line-up/Musicians

- Günter Lenz /Bass
- Michel Pilz /Clarinet [Bass]
- Ralf Hübner / Drums
- Jasper Van't Hof /Piano, Electric Piano, Organ
- Manfred Schoof / Trumpet, Flugelhorn

About this release

Japo Records ‎– JAPO 60013 (Germany)

Recorded August 1976 at Tonstudio Bauer, Ludwigsburg

Thanks to snobb for the addition

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MANFRED SCHOOF SCALES reviews

Specialists/collaborators reviews

snobb
This one of early trumpeter Manfred Schoof album for a long was almost forgotten evidence of influential German avant-jazz musician, later turned more to contemporary classical music and composing. One of main reasons is this albums (as well as some more his works from early 70s) was never re-released on CD, so in fact till now it is obscure collectible release. Fortunately, few years ago ECM released compilation "Resonance",which includes full "Scales" LP (plus two more his early albums " Light Lines" and "Horizons",for a first time released on CD).

Schoof's music is quite usual for ECM label (of mid 70s) aerial down tempo avant-garde jazz with his trumpet (and sometimes flugelhorn) soloing in the fron of musical mix.Another solist is Michel Pilz (on bass clarinet).Albert Mangelsdorff band's rhythm section (bassist Günter Lenz and drummer Ralf Hübner) is more than competent,but are obvious back-up team. Another interesting collaborator is Jasper Van't Hof (Piano, Electric Piano, Organ)with some really great electric piano moments.

Schoof's trumpet sounds Davis' influenced in moments, but in all sounds very precise,cool and almost calculated. Comparing with Garbarek's works from mid 70's, all album sounds much better structured,organized,and at the same time doesn't include folk elements at all. Let say - ECM "German sound" as alternative to so well-known "Nordic".

Compositions are very multi-textured and complex, even all album doesn't sound as difficult listening. In any case, this music requires repeated spins for sure. Possibly, not everyone will like such emotionless and well-calculated work, but highest level of musicianship and very modern sound even in our days could attract much more listeners , than this album have. One of cornerstone works of German avant-garde jazz, it it deserves better attention for sure.

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