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It certainly seems the world has taken a turn towards the ugly lately. Not only do we hear WWIII type saber rattling, but political leaders in the news seem determined to outdo each other with how callous and downright mean they can be. Possibly one of the best remedies for all this harshness is the beauty that can be found in music. “Chamber Music by Marco Pereira”, the new album by guitarist Marius Noss Gundersen, is almost radical in its difference to today’s culture of crude stupidity. Marco is blessed with the ability to touch us with melody, texture and mood. His music provides sensitivity and delicateness as nourishment to a world that is in need.
Periera is a Brazilian composer who works with a mix of Brazilian rhythms, (chorro, samba, bossa, bolero etc) plus neo-classical long forms and art pop songs. This seems not unusual in Brazilian music where high art and rhythmic songs are not necessarily exclusive of each other. Gunderson provides some nicely detailed liner notes where he expresses his gratitude to Periera for teaching him all things Brazilian in the world of music. Likewise, Marco also provides notes explaining aspects of each of his compositions. Its nice when artists take time with presentation. The music on here is a varied mix, sometimes upbeat and uptempo and sometimes more somber. Some pieces take on a more neo- classical type development, while others lean more towards Brazilian pop or jazz ballads. The closing number features some blazing fretwork for those that know that Marius is capable of such.
There is a lot of variation within the musical ensembles presented on each track, some pieces feature small chamber orchestras, while others may be performed with duos or trios. There are also female vocals on a couple tracks too. With so many different ensembles, recording locations and recording engineers, it’s a surprise how well this album flows from track to track. The production on here is excellent and the sound is crystal clear and fortunately devoid of any digital sugar coating.
