PHAROAH SANDERS — Pharoah Sanders Quartet ‎: Crescent With Love

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PHAROAH SANDERS - Pharoah Sanders Quartet ‎: Crescent With Love cover
3.50 | 1 rating | 1 review
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Album · 1993

Filed under Post Bop
By PHAROAH SANDERS

Tracklist

1-1 Lonnie's Lament 7:55
1-2 Misty 5:46
1-3 In A Sentimental Mood 6:37
1-4 Softly For Shyla 3:45
1-5 Wise One 13:44
1-6 Too Young To Go Steady 5:58
2-1 Body And Soul 9:00
2-2 Naima 6:44
2-3 Feelin' Good 7:16
2-4 Light At The Edge Of The World 6:24
2-5 Crescent 9:50
2-6 After The Rain 5:39

Line-up/Musicians

Bass – Charles Fambrough
Drums – Sherman Ferguson
Tenor Saxophone – Pharoah Sanders
Piano – William Henderson

About this release

Venus Records – TKCV-79001 (Japan)

Recorded at Sear Sound Studio in New York on Oct 19 & 20, 1992

Thanks to snobb for the addition

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PHAROAH SANDERS PHAROAH SANDERS QUARTET ‎: CRESCENT WITH LOVE reviews

Specialists/collaborators reviews

snobb
"Crescent With Love" is a Pharoah Sanders album released on the Japanese Venus label, a label well known for its specialization in "late night jazz" (or predominantly hard bop ballads) - original recordings of renown artists, released on albums with erotic-art covers. This album is dedicated to the 25th anniversary of Coltrane's death. Even if Sanders played in Coltrane's band during his avant-garde (post-1965) times, "Crescent With Love" contains material strictly from the mainstream jazz category. Which perfectly fits under Venus label philosophy for sure.

There are five Coltrane hard bop-period songs included, plus Duke Ellington's "In A Sentimental Mood", Erroll Garner's "Misty" and other jazz standards. Sanders leads a competent acoustic quartet with double bassist Charles Fambrough, drummer Sherman Ferguson and pianist William Henderson - his regular quartet of the early 90s.

Sanders doesn't try to imitate Coltrane's sound here, he plays his own warm, a bit sentimental, soulful jazz deeply rooted in the r'n'b and blues of Sanders' youth. The trio on support do their job well, building an unpretentious background for Sanders' slow to mid-tempo soloing. The musical material is of excellent quality, so fans of regular Venus releases will find this album really attractive. Not much is offered for freer and more explosive Sanders music fans though. The album has been released in US in 1994 (with alternate cover art), and reissued a few times after, so everyone interested can find it without big problems.

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