snobb
Pip Pyle played in many leading Canterbury bands at late 60s - 70s (incl. Gong,Hatfield and North and National Health). Being one of leading musical wave in Britain at their time, all Canterbury scene declined at mid 70s,and leading bands were disbanded or changed direction to more commercial trying to survive. It didn't help, but a dozen of leading Canterbury scene musicians stayed with their music and from that time for decades played in myriads of short-lived projects or solo.
Even at its best time Canterbury scene wasn't a profitable enterprise,so starting from mid.70s related musicians became almost underground artists:irregular venues and small indie labels releases became their life's attribute for decades.
Pip Pyle's debut album, released in 1987 (!) only could be named Canterbury supergroup release (if the year of release was 1970). Two Soft Machine's core-members (Hugh Hopper on bass and Elton Dean on sax) and ex-Gong reed player Didier Malherbe (plus French respectable jazz piano player and Pyle's girlfriend Sophia Domancich) - such line-up are extremely promising for every Canterbury scene fan.
And this album will not disappoint old fans: even if there are not many experimental sounds ,musically presented compositions are great jazz fusion and electric jazz in old Canterbury traditions.Tunes are great,every musician has enough space for soloing, musical material is very variable, often complex under the skin, but always attractive and accessible for listening. Full of reeds' improvs, this album is quite a rare example of Dean's relaxed,soft and even lyrical sax. Didier Malherbe plays mostly flute, sometimes - in interplays with Dean's sax. Keyboards sound is very jazzy,and in combination with plenty of soloing reeds album's dominated sound is more jazz, than fusion.
Possibly most important moment with this album is that 15 years after their golden hour unique psychedelic and full of humor British jazz fusion movement ,named Canterbury scene is still alive and can release fresh albums without vintage dust or even traces of nostalgia.This great release only confirms how many interesting solo works of former Canterbury leading artists are still not known as well as they deserve.