SOT — Kogel Mogel

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SOT - Kogel Mogel cover
3.62 | 3 ratings | 1 review
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Album · 2016

Filed under Jazz Related Rock
By SOT

Tracklist

1. Tømmer 03:03
2. Salt 3/4 04:51
3. Kjede Tegn 03:42
4. Strøsalt 04:58
5. Ekspertgraad 02:31
6. Ind 03:56
7. Commandore 03:19
8. Byttomfot 04:33
9. Elma 03:22

Line-up/Musicians

Drums, Vocals, Keyboards [Additional Keys] – Anders Hunstad
Guitar, Vocals – Skjalg Reithaug
Saxophone – Grzech Piotrowski (tracks: A4, B1, B2)
Tuba, Vocals – Lars Andreas Haug

About this release

Sotanic Sounds – SOTLP 503 (Norway)

Recorded and Mixed at Mølla Studio, Gjerstad, Norway, five days in June 2o16.
Track 4, 5 and 6 recorded in 4 hours at Woobie Doobie Studion, Sulejówek, Poland.

Thanks to snobb for the addition

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Members reviews

UMUR
"Kogel Mogel" is the third full-length studio album by Norwegian avant garde/progressive rock act SOT. The album was released through Sotanic Sounds in November 2016. It´s the successor to "Redwings Nest" from 2014 and features the same trio lineup who recorded the predecessor. All tracks were recorded live in the studio without overdubs during a five day recording session in June 2016 at Mølla Studio, Gjerstad, Norway.

Stylistically the material on "Kogel Mogel" is a continuation of the eclectic avant garde/progressive rock style of the band´s first two albums. The tracks are quite intriguing and relatively complex in structure, shifting atmosphere and musical styles in the matter of seconds. It´s still relatively accessible for an avant garde oriented release, but it´s not easy listening material by any means. In fact I´d say "Kogel Mogel" is SOT´s least accessible release of the first three albums. While the main instruments on the album are tuba (which often works as the bass does in other band´s), drums, and guitar, the album features occasional odd/silly type vocals, and some keyboards too. Some guest musicians also add saxophone and strings to some parts.

The influences are many and there´s for example a strong jazz influence heard throughout the album (especially on the tracks where saxophonist Grzech Piotrowski guests), but this is not as such jazz/fusion...it´s simply too weird and experimental for that. The technical level of playing is through the roof, and this is music which will keep you on your toes. It demands your attention and with the many shifts in style, pace, and dynamics, it´s impossible not to feel greatly entertained.

"Kogel Mogel" features an organic, raw, and detailed sounding production, which to my ears is a slight step down in quality from the sound production of the first two albums, but it´s still overall a good quality production. Upon conclusion "Kogel Mogel" is a both challenging but also immediate avant garde rock album and while I prefer the first two albums to this one, a 3.5 star (70%) rating is still deserved.

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  • lunarston
  • Shlagh

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