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SOT has a rather unusual lineup for a jazzy rock band. The expected guitar and drums are there, but in place of a bassist, SOT features Lars Andreas Haug on tuba. The tuba is no gimmick but instead proves its versatility by covering the bass foundation for the rockin parts, and then moving into the upper register for simulated orchestral sections. SOT is a very eclectic band and the use of the tuba expands the different sound colors and genres they can draw upon. Guitarist Skjalg Reithaug, thankfully avoids that awful digital metalish saturation sound you hear from so many guitarists today, but instead goes for a natural distortion that gives his guitar that rock edge, but still allows every note to be very clear. Skjalg, like his tubist brother, is very versatile, moving from fusion like solos, to sweeping chorused arpeggio ambiance, as well as Indian modes and raga influences. Arild Nyborg is the newcomer on drums who doesn’t ‘miss a beat’ in keeping up with SOT’s often fast changing meters and time signatures.
SOT is an instrumental band, save for the occasional wordless choir effect, and they fall somewhere between prog rock and fusion, but they avoid some of the more heavy handed and overly dramatic tendencies of both those genres, and the lack of pretentious song lyrics and vocals are also a plus. There is an upbeat, sometimes humorous, and always celebratory nature to these jams. SOT is having fun and they do well in sending that message to their audience. Musical styles they cover are broad. One staple they fall back on is quick changing rock guitar riffs that recall Jan Akkerman and Focus. Other sections draw on Indo-fusion in a John McLaughlin style. The lengthy title cut has a long section in which the band goes into a slinky Ellington vamp while an unaccredited bari sax player adds to the jazz noire vibe. Despite all the busy jazz rockin, some of SOT’s best moments come during ambient breaks where the string sounding keyboards and the tuba provide panoramic orchestral soundscapes. Finally, the choral buildup at the end of “Sunship” is a high point on the album. SOT is an excellent band and don’t think that tuba is a cute gimmick, it really works.