THE SEATBELTS — Cowboy Bebop

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THE SEATBELTS - Cowboy Bebop cover
4.95 | 3 ratings | 1 review
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Album · 1998

Tracklist

1.Tank! 3:30
2.Rush 3:34
3.Spokey Dokey 4:04
4.Bad Dog No Biscuits 4:09
5.Cat Blues 2:35
6.Cosmos 1:36
7.Space Lion 7:10
8.Waltz for Zizi 3:29
9.Piano Black 2:47
10.Pot City 2:14
11.Too Good Too Bad 2:34
12.Car 24 2:49
13.The Egg and I 2:42
14.Felt Tip Pen 2:39
15.Rain (Steve Conte Version) 3:23
16.Digging My Potato 2:24
17.Memory 1:31

Total Time: 53:25

Line-up/Musicians

- Drums / Yasuo Sano, Akira Sotoyama
- Bass / Hitoshi Watanabe, Maki Kitada, Suzuki Bakabon
- Guitar / Tsuneo Imahori, Masayoshi Furukawa
- Percussion / Mataro Misawa, Ikuo Kakehashi, Yoichi Okabe
- Trumpet / Koji Nishimura, Koshio Araki, Yusuke Hayashi, Akio Terashima
- Trombone / Yoichi Murata, Satoshi Kawano, Hideaki Nakaji, Yoshiaka Hashimoto, Masanori Hirohara, Junko Yamashiro
- Saxophone / Masato Honda, Shigeo Fuchino, Masakuni Takeno, Takuo Yamamoto, Osamu Koike, Naruyoshi Kikuchi
- Flute / Hideyo Takakuwa, Kazuhiro Iwasa, Mika Hayashi
- Tuba / Kiyoshi Sato
- Ukulele / Ryan Boughter, Brian Brause
- Harmonica / Nobuo Yagi, Ryuichiro Senoh
- Strings / Masatsugu Shinozaki Group
- Synthesizer / Keishi Urata
- Producer-Composer-Arranger-Keyboards-Noises-Voices / Yoko Kanno

About this release

Victor ‎– VICL-60201(Japan)

Recorded At – Van Gelder Studio, Englewood Cliffs, New Jersey; Victor Studio; Studio Sound Valley; Studio Z'd; Soundtrack Studio; Studio Plus XXX

Thanks to snobb, dreadpirateroberts for the updates

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dreadpirateroberts
Hands down the best soundtrack to any animated series - but more importantly, what's it actually sound like?

Well, for my money 'progressive big band' is the perfect genre for this album. The pieces range from hard bop to Latin-influenced jazz to spacey sax ballads or bittersweet, sparsely accompanied pieces like 'Waltz for Zizi.'

Composer and pianist Yoko Kanno has brought together a sharp band in the Seatbelts and they hit hard with thunderous opener 'Tank!' - a charging blast of hard bop but with that Latin touch via the percussion bringing it something extra. A scorching alto solo from Masato Honda tops everything off too.

There's a good dose of stylistic variation on the album (though not as much as with their other releases) and it should keep fans of big band and hard bop interested from start to finish.

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