snobb
American pianist Vijay Iyer ECM debut opens with "Spellbound And Sacrosanct, Cowrie Shells And The Shimmering Sea" - solo piano composition,coming from his first ever album, released in 1995 (Memorophilia,Asian Improv Records – AIR 0023). But on "Mutations" this song sounds not like free improv, but as well-composed chamber piece. "Vuln,part 2" coming next changes the mood radically - Iyer's piano sounds are walking over deep electronics pulsation more common on ambient or left-field recordings.
Rest of the album is completed with one long suite,composed by Iyer and played by him (on piano and electronics) and strings quartet."Mutations I-X" is perfect title for music presented under that title - mostly pre-composed,it flows changing its form,mood and timbres but staying generally almost the same. All compositions are minimalist,with lot of space and cross-stylistic by their origin. Strings quartet (cello,viola and two violins) sound sometimes chamber,but more often - dark,dissonant or even streetwise(in places their droning recalls "Apocalyptica plays Metallica" aesthetics). Iyer plays very ascetic piano here and there, more often he's a source of different electronic voices and noises.
Main pleasant surprise with "Mutations.." is that being a product of many (and often polar)influences,music here doesn't sound chaotic or eclectic. All techniques and aesthetics are so carefully used that final product sounds as new unity,tasteful,stylish,ambitious and accessible at the same time.
As many cross-genre recordings of similar origin, "Mutations" isn't music for everyone's ear. Jazz purists wouldn't find much jazz here (probably not at all),chamber snobs will be shocked by flippant use of electronics,noise and drones combining it with string quartet's music,but fans of advanced (and very cinematographic,or probably better to say - modern theater soundtrack-like)music will find lot of joy and new ideas here. Excellent Vijay ECM debut - opening label's already a bit conservative doors wider.