WILLIAM PARKER — Double Sunrise Over Neptune

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WILLIAM PARKER - Double Sunrise Over Neptune cover
4.02 | 4 ratings | 1 review
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Live album · 2008

Tracklist

1. Morning Mantra (15:08)
2. Lights of Lake George (27:24)
3. O'Neal's Bridge (0:37)
4. Neptune's Mirror (22:40)

Total Time: 65:49

Line-up/Musicians

Alto Saxophone – Rob Brown
Baritone Saxophone – Dave Sewelson
Bass – Shayna Dulberger
Cello – Shiau-Shu Yu
Drums – Gerald Cleaver, Hamid Drake
Guitar, Banjo – Joe Morris
Oud – Brahim Frigbane
Reeds [Double] – Bill Cole
Reeds [Double], Performer [Doson'ngoni], Conductor – William Parker
Tenor Saxophone, Clarinet – Sabir Mateen
Trumpet – Lewis Barnes
Viola – Jessica Pavone
Violin – Jason Kao Hwang , Mazz Swift
Voice – Sangeeta Bandyopadhyay

About this release

AUM Fidelity – AUM047 (US)

Recorded by Stefan Heger at Vision Festival XII, NYC
on June 19 & 20, 2007

Thanks to snobb for the updates

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WILLIAM PARKER DOUBLE SUNRISE OVER NEPTUNE reviews

Specialists/collaborators reviews

snobb
The deep groovy bass line which opens "Double Sunrise Over Neptune", surprisingly doesn't belong to William Parker - who is one among a few still active jazz bassists that is a living legend who made his name in the 90s playing accessible but very creative avant-garde jazz. Here on "Double Sunrise...", Parker conducts a multinational (East-West) orchestra and plays different reeds and the African stringed instrument doussn'gouni.

His 15-piece band contains some of the best musicians from both worlds, including drummers Gerald Cleaver and Hamid Drake, guitarist Joe Morris (who plays banjo as well), sax players Sabir Mateen, Rob Brown and Dave Sewelson, viola player Jessica Pavone plus a Chinese American violinist Jason Kao Hwang, Morrocan Brahim Frigbane and classic Indian Sangeeta Bandyopadhyay among others.

The album contains just four songs, three - long (between 15 and 27 minutes) and one- very short (little longer then half-a-minute). Musically one can hear usual Parker's tuneful groovy compositions framed and pushed ahead by repetitive rhythmic constructions. Still, characteristic William's storytelling-like form is significantly modified by a lot of Indian classical vocals and oud soling.

Predominantly mid-tempo very rhythmic music has enough freedom and space for each artist and group of instruments soloing on the front, interchanging with each other. Elements of different traditions fit together surprisingly organically, musical pictures seamlessly change one with the other, and longer-then-hour album didn't seem long at all.

Everyone familiar with Parker's music will recognize his music quite easily, but the addition of Eastern instruments and vocals brings a lot of new colorful nuances to it. One among best master's work for sure.

P.S. Joe Morris guitar solo on final album's composition, "Neptune's Mirror ", is really impressive.

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