ASSOCIATION P.C.

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Association P.C. (which means "Association Pierre Courbois") was a band playing a combination of jazz, rock and avantgarde music, founded in 1969 by Dutchmen Jasper Van't Hof (keyboards) and Pierre Courbois (drums), and German Toto Blanke (guitar). The bassist varied, it was either the Dutch Peter Krijnen or the German Siggi Busch.

Their first album - "Earwax", under the name Association, was released in 1970. It was followed by "Sun Rotation" in 1971 and live "Erna Morena" in 1972, after which Jasper van't Hof left the band to join Jean-Luc Ponty's band. He was replaced by German pianist Joachim Kühn. Their third album "Rock Around The Cock" came out in 1973. The next year, "Mama Kuku", their last album, was released, consisting of live recordings from 1973, featuring the American flautist Jeremy Steig. The band continued to tour until 1975.

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ASSOCIATION P.C. Discography

ASSOCIATION P.C. albums / top albums

ASSOCIATION P.C. Association / Pierre Courbois ‎: Earwax album cover 3.50 | 1 ratings
Association / Pierre Courbois ‎: Earwax
Fusion 1970
ASSOCIATION P.C. Sun Rotation album cover 3.45 | 2 ratings
Sun Rotation
Fusion 1972
ASSOCIATION P.C. Rock Around The Cock album cover 3.00 | 1 ratings
Rock Around The Cock
Fusion 1973

ASSOCIATION P.C. EPs & splits

ASSOCIATION P.C. live albums

ASSOCIATION P.C. Erna Morena album cover 3.00 | 1 ratings
Erna Morena
Fusion 1973
ASSOCIATION P.C. Association P.C. + Jeremy Steig : Mama Kuku album cover 3.00 | 1 ratings
Association P.C. + Jeremy Steig : Mama Kuku
Fusion 1974
ASSOCIATION P.C. In a Life Machine. Live 1972 album cover 0.00 | 0 ratings
In a Life Machine. Live 1972
Fusion 2024

ASSOCIATION P.C. demos, promos, fans club and other releases (no bootlegs)

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ASSOCIATION P.C. Reviews

ASSOCIATION P.C. Sun Rotation

Album · 1972 · Fusion
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FunkFreak75
Another go round with Pierre, Toto, Jasper, and, this time, all Siggi Busch on the electric bass. Recorded in Hamburg, Germany, in 1970 at Windrose Studio, from November 24 through 27, the album was released in 1971 by MPS Records and distributed by BASF.

1. "Idee A" (4:30) engineered far more toward the accentuation of the electrified elements of the music than anything on Earwax (8.75/10)

2. "Suite": a) "Scorpion" (6:47) spacey experimental soundscapes of a 2001: A Space Odyssey-like cinematic disorder opens up this suite as everyone in the band busies themselves with some unrestricted free-form play--yet there is a flow and tempo and even the shadows of some structural elements including harmony and interplay. The second half goes (13.25/15) b) "Neuteboom" (5:42) buoyed by a very repetitive bass and circus-organ arpeggio line, guitar and electric piano are sent soloing while drummer and bandleader Pierre Courbois messes around with perfect timing beneath. Interesting--and a little annoying after five minutes of the same bass line--though not quite so much when Toto and Jasper begin to try to weave their way into the bass and organ's line. (8.75/10) c) "Scorcussion" (5:56) Pierre is left alone to express on his drum kit. At the end of the third minute of Pierre's soloing Toto starts to inject some noise burst from his fuzz guitar while Jasper adds a spray of chords, flourishes, and crazed hits from his electric piano. At the end of the fifth minute everybody backs off to zero before Toto is given space for some target practice for his alien space ray gun. Despite my understanding the band's effort to take Herbie Hancock's spacey experimentation further, this is just not my cup of tea. (8.5/10)

3. "Silence" (0:18)

4. "Don Paul" (3:09) more jagged, angular jazz musings and exercises in cohesion and cooperation, this one opens a little too aggressively and then just as suddenly and quickly moves into a solo of Siggi's double bass. Eventually, he's joined by brushed drums and dissonant chord play from Toto's un-effected guitar. These guys are obviously so comfortable and proficient at their instruments that they can easily and smoothly do just about anything, but this is not the type of musical listening that I choose to come back to: there's just too much of the crazy Tony Williams Lifetime Emergency! avant garde experimentation going on here for my liking. (8.375/10)

5. "Totemism" (16:45) These guys are obviously so comfortable and proficient at their instruments that they can easily and smoothly do just about anything, but there's just a little too much of the crazy Tony Williams Lifetime Emergency! avant garde experimentation going on here for my liking. (Didn't I already say that?) Luckily, about two minutes into it the quartet gels into a forward-moving, single-direction motif over-and within which all of the individual musicians still find the freedom to move about and pave their own way. Having heard enough of Toto Blanke's guitar playing now to appreciate his skills, I have to say that when he plays like this--like 1960s jazz guitar with an experimental edge-- I am not a fan: impressed, yes, but not a fan. Jasper van't Hof is experimenting with way too much distortion on his electric piano which gives it a very "dirty" sound than I also do not like. This would probably be a very fun song to experience in a live jazz club scene but it is really not my kind of jazz (or jazz-rock fusion)--and here they're forcing 17-minutes of it down my throat! (30.375/35)

6. "Frau Theunisse"n (1:10) a FOCUS-like jam that seems to be coming out of some other jam (it's faded in to get started) but then is over far too quickly. (4.5/5)

Total time 44:17

After the previous year's Earwax, I was very excited to hear this, their follow-up!

B-/3.5 stars; a very good display of experimental, loosely-performed avant garde electrified jazz that feels like a detour down the wrong (but, I get it: necessary) direction. Check it out for yourself but this is no album that I will return to soon--maybe ever.

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