FunkFreak75
An album that puts on display how seriously the mercurial keyboard wiz had been affected by the music coming from Jimi Hendrix, Tony Williams, John McLaughlin, and even Jeff Beck; gone are Julie Driscoll and Brian's Doors-style keyboard melody making; abandoned are The Trinity and the "Wassenaur Arrangement" Dutch musical commune experiment; here are the heavy bass and drums, searing sound effects on guitars and keys.
1. "Dragon Song" (4:30) power Jazz-Rock with every bit as much heaviness as anything John McLaughlin or Tony Williams were doing at the same time. The bass, drums, organ, and searing electric guitar work scream "Hendrix Lifetime Devotion"! An incredible song! (9.75/10)
2. "Total Eclipse" (11:38) more heavy instrumental jazz-rock, though at least a little slower and steadier than the album's opener. Great guitar and experimental (for Brian) keyboard play. Engaging as Brian seemed to have a gift for making. (18/20)
3. "The Light" (4:24) the first song with any vocals here shows Brian trying to engage the hippy-trippin' culture but with a high-speed ride rather than some dreamy peacenik stuff. Despite great performances from Brian and bassist Barry Dean, the melodies and hooks just miss the mark. (8.75/10)
4. "On the Road" (5:28) a song whose music is stylistically more oriented toward American blues-rock or even Southern rock of the Band/Allman type. Multiple voices are used to choral sing the lyrics. Nice instrumental performances but just not my kind of music. (8.6667/10)
5. "The Sword" (6:36) more rock that has that Americana or American Rock base and feel--sounding a lot like early Grand Funk Railroad at its base though with much more impressive instrumental performances. (8.6667/10)
6. "Oblivion Express" (7:45) sounding more like Don Brewer-led GRAND FUNK Railroad and the heavier rock 'n' roll from EMERSON LAKE & PALMER. (13.25/15)
Total Time 40:21
A lot of male energy was expended in the creation of these songs! Those were the times!
B+/four stars; an excellent foray into the heavier rock-oriented side of Jazz-Rock Fusion that was being pioneered at the time by Cream, Jimi Hendrix, Tony Williams, and John McLaughlin.