BUCKSHOT LEFONQUE

Funk Jazz • United States
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When Branford Marsalis decided to stir up a little trouble in 1994 by juxtaposing and fusing mainstream jazz with hip-hop rhythms, rap, R&B, rock, reggae, and half a dozen other idioms, he chose to present his new music under the group name Buckshot LeFonque. This fanciful moniker is actually a resurrection of a pseudonym Cannonball Adderley used in the 1950s when moonlighting on a record label other than his own. The group's eponymous first album, a brilliant, playful, musically rich realization of this anything-goes fusion unfortunately drew a lot of fire from critics in every genre, a situation that Marsalis lamented on the group's equally eclectic yet less striking second album Music Evolution. Nevertheless, Marsalis was so enthused by his new group that he left his high-profile job as bandleader of the Tonight Show in part so that he could tour with Buckshot LeFonque in 1994-1995. The 1997 edition of read more...
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BUCKSHOT LEFONQUE Buckshot LeFonque album cover 3.25 | 2 ratings
Buckshot LeFonque
Funk Jazz 1994
BUCKSHOT LEFONQUE Music Evolution album cover 2.45 | 3 ratings
Music Evolution
Funk Jazz 1997

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BUCKSHOT LEFONQUE Music Evolution

Album · 1997 · Funk Jazz
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js
Although DJs had been mixing jazz and hip-hop since the mid 80s, it took a while longer for the musicians to catch on to this inevitable merger, and even longer for the more established big names in the scene. When Branford Marsalis assembled Buckshot LaFonque in 1993, he became one of the first well known mainstream jazz musicians to get with the new school beats. His live appearances during this time revealed a hot new brand of modern funk jazz with influences ranging from Eddie Harris to Ornette’s Prime Time. Unfortunately, a lot of this energy didn’t make it on to the two CDs Buckshot released during their brief career.

“Music Evolution”, Buckshot’s second and final CD, is a lot like their first. There are some good solid modern funky jazz jams framed by mostly lackluster rap tunes and generic RnB ballads. On each of their two CDs there are one or two raps that connect, but generally the rap material is a little on the lite side. On the plus side, one of the best tunes on “Evolution” is “Wisenveritas”, a hard charging sampled JB beat topped with some very funky tenor work from Branford. Another top cut is “Jungle Grove”, on which the band plays rapid fire be-bop over new (for then) high speed jungle beats. Other than those two standouts, there are a couple other good groove numbers on here, and the rest is nothing special.

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