COLIN BENDERS

Acid Jazz • Netherlands
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Utrecht’s jazz, hip-hop connoisseur Collin Benders, the man behind The Kyteman Orchestra, is also a bit of whizz with modular synthesizers. His music is still full of melody and flow, controlled and balanced, with odes to his hop-hop roots.

As a 17 year old trumpet player Colin Benders already toured Europe, South Africa and Indonesia. At the age of 22 he started Kyteman’s Hiphop Orchestra with which he won various prestigious prizes and awards like the Dutch Pop Prize 2009, an Edison and the Silver Harp. But yet after one year he decided that it was necessary to put an end to this project, despite its enourmous acclamation, in order to explore different musical pathways. With its successor, The Kyteman Orchestra, Benders took a more classical approach with opera singers and a choir which entailed bringing more than 50 people on stage for every concert. Contrasting the meticulous musical organisation of
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COLIN BENDERS The Hermit Sessions (as Kyteman) album cover 0.00 | 0 ratings
The Hermit Sessions (as Kyteman)
Acid Jazz 2009
COLIN BENDERS Kytecrash (with Eric Vloeimans) album cover 3.07 | 2 ratings
Kytecrash (with Eric Vloeimans)
Acid Jazz 2011

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COLIN BENDERS Kytecrash (with Eric Vloeimans)

Album · 2011 · Acid Jazz
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snobb
Colin Benders is a really popular Dutch hip-hop star who combines hip-hop with his jazz roots (his uncle is the famous French-American piano jazz musician Jacky Terrasson).In 2009 he founded Hiphop Orchestra - a 24 member collective playing jazz, rock, reggae and hip-hop all in one. He started performing under the name Kyteman with the Hiphop Orchestra and received an almost cult following in clubs around the Netherlands.

On this first album of his new project he plays as a duo with Eric Vloeimans - a respectable Dutch nu jazz trumpeter. The result is a mixed bag - a very musically diverse album that contains a mix of all the previous influences from both musicians. The obvious leader is Benders though - this album's main atmosphere is quite melodic, even pop-oriented hip-hop (with not particularly attractive rap vocals). A lot of it is catchy, even dance-able tunes, electronic rhythms and effects make this album accessible, often even openly commercial oriented. Fortunately there are some jazzy solos (in a few moments almost avant-garde by their nature)so it saves the album from being the clubbing crowd dream.

How attractive is this work for a jazz listener? If you like rap vocals, dance rhythms and catchy acid jazz tunes in your music, possibly you will enjoy this album a lot. Otherwise, a few jazzy improvs from two skilled trumpeters wouldn't be enough to attract your attention, possibly you will even change this CD in the middle of the listening.

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