HARDCELL (BERNE + TABORN + RAINEY)

Avant-Garde Jazz • United States
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Hardcell was one of Berne’s main activities during the early-to-middle aughts, with Tom Rainey on drums and Craig Taborn on keyboards, though by the time this recording was made, Taborn had pulled the plug on those instruments and switched over to acoustic piano. Also by this time, the Prezens band was up and going and touring during the same time. That’s not quite the juggling act that it might seem, because Prezens is just Hardcell plus Torn.

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HARDCELL (BERNE + TABORN + RAINEY) Discography

HARDCELL (BERNE + TABORN + RAINEY) albums / top albums

HARDCELL (BERNE + TABORN + RAINEY) Tim Berne, Craig Taborn, Tom Rainey : The Shell Game album cover 0.00 | 0 ratings
Tim Berne, Craig Taborn, Tom Rainey : The Shell Game
Avant-Garde Jazz 2001

HARDCELL (BERNE + TABORN + RAINEY) EPs & splits

HARDCELL (BERNE + TABORN + RAINEY) live albums

HARDCELL (BERNE + TABORN + RAINEY) Electric And Acoustic Hard Cell Live album cover 4.00 | 1 ratings
Electric And Acoustic Hard Cell Live
Avant-Garde Jazz 2004
HARDCELL (BERNE + TABORN + RAINEY) (Feign) album cover 0.00 | 0 ratings
(Feign)
Avant-Garde Jazz 2005
HARDCELL (BERNE + TABORN + RAINEY) The Cosmos album cover 0.00 | 0 ratings
The Cosmos
Avant-Garde Jazz 2020
HARDCELL (BERNE + TABORN + RAINEY) Sensitive album cover 0.00 | 0 ratings
Sensitive
Avant-Garde Jazz 2021

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HARDCELL (BERNE + TABORN + RAINEY) Reviews

HARDCELL (BERNE + TABORN + RAINEY) Electric And Acoustic Hard Cell Live

Live album · 2004 · Avant-Garde Jazz
Cover art Buy this album from MMA partners
snobb
Some years ago sax player Tim Berne started recording for German ECM label and his music received much wider distribution (and some additional glances for working with one of the most prestigious jazz labels ever). He already had a chance to be contracted by major labels in the States in the mid-late 80s, but the few albums he released didn't satisfy Columbia's people, so Tim returned back to the half-underground scenes in New York, having a cult following from fans of "New York new avant-gard jazz", whatever it was.

For those knowing Berne from most current ECM works he most probably associates with well-composed modern complex jazz, perfectly played but a bit too chamber (or not raw enough - you choose). Then a journey to Berne's 90s and 00s recordings (mostly on tiny labels or his own Screwgun) can offer plenty of pleasant surprises. "Electric And Acoustic Hard Cell Live" is a good example and there are some more with no doubt.

Hard Cell was a short-lived super-trio of sorts uniting Tim Berne with his regular keyboardist Craig Taborn and Californian drummer Tom Rainey. Just two albums have been recorded, both live (both released on Berne's own Screwgun label). Four tracks (lasting between 7 and 16 minutes each) are raw, muscular tuneful and surprisingly post-bop influenced. Recorded during two different gigs, the material presented is of quite good sound quality and contains a lot of audience emotional evidences, all for good.

Two tracks sound like an audience recording, but as on some better bootlegs, this fact even adds more blood and adrenaline into the music and common atmosphere. There are no traces of Berne's later chamber sobriety to be found here and Craig's use of electronics only adds effect of modernity. Being energetic, music here sounds far from some noisy free jazz chaos clichés, it is melodic and combines improvisations with well composed material.

This is one of Berne's better recordings which can be recommended for his more current fans - most probably you will find a lot of things you will like here.

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