KENNEY POLSON

Pop/Art Song/Folk / Latin Jazz • United States
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Jazz saxophonist Kenney Polson is also an accomplished composer and educator. Based in the Pacific Northwest, he has lived and performed in over 50 countries. Known widely as a smooth jazz artist, his seasoned musical style incorporates Latin, classical, New Age, rhythm & blues, funk and gospel influences. – resting on a firm foundation of straight ahead jazz.

Polson has appeared on U.S. television with jazz greats Kenny Burrell, Jimmy Heath, Phil Woods, David Sanborn and Wynton Marsalis. He has performed live with Joe Williams, Gil Scott-Heron, Michael Henderson, Norman Connors, Bettye Swan, and Lee Garrett.

He has toured Japan, Korea, Hawaii, Colombia, Brazil, and over a dozen Caribbean Islands. In 2016 and 2017, he toured extensively with Rick James’ Original Stone City Band playing major festivals such as Capital City Jazz Festival and Orange County Funk Fest in California.

With the Kenney Polson group and other ensembles, he has appeared at
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KENNEY POLSON Paradise (aka Paradise vol. I) album cover 0.00 | 0 ratings
Paradise (aka Paradise vol. I)
Pop/Art Song/Folk 2001
KENNEY POLSON Serendipity album cover 0.00 | 0 ratings
Serendipity
Pop/Art Song/Folk 2004
KENNEY POLSON For Lovers Only album cover 3.00 | 2 ratings
For Lovers Only
Pop/Art Song/Folk 2019
KENNEY POLSON Colors of Brazil album cover 0.00 | 0 ratings
Colors of Brazil
Latin Jazz 2021

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KENNEY POLSON For Lovers Only

Album · 2019 · Pop/Art Song/Folk
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kev rowland
It is strange to hear an album like this in 2019 as in many ways it is about forty years out of time, even down to the backing vocals on the opener “Stella by Starlight”. This is very cleverly performed lounge jazz with often a latin feel, with production, sounds and guitarwork very reminiscent of what was happening with the music scene as they attempted to move away from disco, but were unsuccessful. It is very clever, and Polson is a great soloist playing within arrangements which always have him to the fore, but even the use of electronic keyboard/synths makes it all feel very dated indeed. In many ways I get the impression I am going to get a sugar overload, as there is just so much sweetness, but much of the raw heart has been ripped out of this and it becomes just too bland. Playing one or two songs is fine, but working my way through the album, which I have done multiple times, is still something of an effort as it all feels too plastic, too false, too veneered. I am sure that anyone into this style of jazz will get a great deal from it as there is no doubt that it is very well performed and produced indeed, just not for me.

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