SÃO PAULO SKA JAZZ

World Fusion • Brazil
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São Paulo Ska Jazz is a Brazilian Ska-Jazz band formed by musicians of the pop and jazz scene in São Paulo. Created between the years of 2007 and 2008 in São Paulo, by Marcelo Calderazzo (bassist and producer). The band released their first album in 2009, entitled 'Sao Paulo Ska Jazz'. In 2010, they were selected by the German label MadButcher to participate in the compilation "V.A. SKANNIBAL PARTY VOL.10 CD". Their style has been compared to bands like Tokyo Ska Paradise Orchestra, New York Ska Jazz, Ska Jazz Foundation and Saint Petersburg Ska Jazz Review.

The band has shared the stage with Canadian singer Chris Murray, Tato Falamansa and the singer Fernanda Porto. It played in pubs and theatres in São Paulo: SESCs Pompeia, Consolação, Vila Mariana, Osasco, SESI Bauru, Marilia, Ribeirão Preto; Virada Cultural de Bauru, Festival Expresso Jazz, Festival de Paraty, Festival de Inverno de Rio
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SÃO PAULO SKA JAZZ São Paulo Ska Jazz album cover 3.43 | 2 ratings
São Paulo Ska Jazz
World Fusion 2009

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SÃO PAULO SKA JAZZ São Paulo Ska Jazz

Album · 2009 · World Fusion
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js
I have to admit I don’t know a whole lot about this band, but I was introduced to their music on the internet and came away very impressed. Sao Paulo Ska Jazz is a group of eight Brazilian musicians who are apparently very experienced in playing everything from Afro-Cuban jazz to hard rock and everything in between. On their debut album they play high energy instrumental ska music that is blended with all the different styles of their collective experience. When I say ska music, don’t think of that hyper music for kids played by those lacking good musical chops. As mentioned earlier, these guys are veterans who play a brand of ska that is funky and soulful, but still hyped with modern high energy tempos when needed.

The band’s ability to mix ska with many different styles in an authentic way is impressive; “Skaiao” has a bossa nova flavor, while “Sao Paulo” is roots rock steady, on “Em Algum Lugar da America” they go Afro-Cuban and “A Torre” is pure funk. None of these stylistic changeups sound gratuitous or phony, and everything is tied together with a strong feel for jazz improvisation. All of the horn soloists are good and keyboardist Thiago Sousa occasionally uses analog synths for an exotic solo sound. Guitarist Renato Guizelini can also kick it solo-wise with an aggressive distorted rock sound. With the next ska revival always lurking around the corner, there’s always plenty of really cheezy ska music to avoid, but don’t avoid these guys, they’re awreet.

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