SARAH ELIZABETH CHARLES

Pop/Art Song/Folk / Eclectic Fusion • United States
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Sarah Elizabeth Charles is a vocalist and composer based out of New York City. Sarah’s musical stylings are unique and the intricacies to her art focus on modernizing classics and composing distinctive originals. Currently, Sarah is a member of two performance/recording projects including Manner Effect and The Enoch Smith Jr. Trio. She is also the bandleader for her own group, the S.E.Charles Quartet, performing and recording her own compositions/arrangements. With these groups as well as others, Sarah has performed at numerous venues throughout New York City including The Apollo Theatre with Geri Allen, Blue Note NYC, The Iridium, Smalls Jazz Club, Zinc Bar NYC, and New York Couture Fashion Week. Performances outside of the city have taken her to such venues as the International Bern Jazz Festival in Switzerland playing opposite Jack DeJohnette, The Kennedy Center in Washington DC as a selected member of the 2009 Betty Carter Jazz read more...
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SARAH ELIZABETH CHARLES Discography

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SARAH ELIZABETH CHARLES Angel Eyes album cover 0.00 | 0 ratings
Angel Eyes
Eclectic Fusion 2004
SARAH ELIZABETH CHARLES Inner Dialogue album cover 4.00 | 1 ratings
Inner Dialogue
Pop/Art Song/Folk 2015
SARAH ELIZABETH CHARLES Free of Form album cover 3.50 | 1 ratings
Free of Form
Pop/Art Song/Folk 2017
SARAH ELIZABETH CHARLES Jarrett Cherner & Sarah Elizabeth Charles : Tone album cover 0.00 | 0 ratings
Jarrett Cherner & Sarah Elizabeth Charles : Tone
Pop/Art Song/Folk 2020
SARAH ELIZABETH CHARLES Blank Canvas album cover 4.00 | 1 ratings
Blank Canvas
Pop/Art Song/Folk 2022

SARAH ELIZABETH CHARLES EPs & splits

SARAH ELIZABETH CHARLES Red album cover 0.00 | 0 ratings
Red
Eclectic Fusion 2012

SARAH ELIZABETH CHARLES live albums

SARAH ELIZABETH CHARLES Live At The Majestic Theatre album cover 0.00 | 0 ratings
Live At The Majestic Theatre
Eclectic Fusion 2006

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SARAH ELIZABETH CHARLES Reviews

SARAH ELIZABETH CHARLES Inner Dialogue

Album · 2015 · Pop/Art Song/Folk
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Mssr_Renard
Working backwards through the discography of an artist or a band is not always the right thing to do, because sometimes the quality of songwriting, music, performance and/or production can diminish.

But in the case of Sarah Elizabeth Charles it does not really matter in wich order you discover her albums, they are all of very high standard.

On Inner Dialogue the use of electronics is at a minimum and the emphasis here is on the use of analogue instruments. The music and vocal acrobatics remind me here a bit of Zap Mama, wich is huge compliment.

Sarah uses a lot of multritracking for her vocals and voices, while the band (Scope) uses mostly analogue and acoustic instruments (piano, double bass, drums, electric piano and some sparse synths). Christian Scott aTunde guests on trumpet.

Mostly the music can be described as World Fusion, and the lyrics are in different languages (english and french). Sarah is of Haitian heritage and tries to incoporate lots of Haitian folk in the music, aswell as (soft-)jazz, pop and fusion. The voice of Sarah is a bit reminiscent of Sade and Marie Daulné of Zap Mama.

A very enjoyable album, with a very warm sound and beautiful melodies.

SARAH ELIZABETH CHARLES Blank Canvas

Album · 2022 · Pop/Art Song/Folk
Cover art Buy this album from MMA partners
Mssr_Renard
I only recently discovered this artist only to realize she has been around for a very long time, be it solo or be it as part of the world-fusion group Ajoyo.

Sarah is a gifted singer and composer, who surrounds herself by equally talented musicians wich form her backing band, also called Scope.

The songs are in the vein of art-rock, like Kate Bush, Bjork or Susanne Sundford. Mostly the music leans towards electropop, but more in the intelligent form. There are some elements of fusion and folk, but mostly it is art-pop.

The voice of Sarah reminds me sometimes of Sade, wich is a compliment. Sometimes Sarah decides to multitrack her own vocals, wich (with the instrumentation) makes the whole album sound a bit over-produced here and there. There is absolutely nothing raw about this album and artist.

But it works very well and in the end is mostly a beautiful and moving album, to be played loudly on headphones.

Most of the songs are composed by Sarah herself, except for one Max Roach-original and one collaborative song with famous trumpettist Chief Xian aTunde Adjuah. My favorites on this album are the more progressive songs like Borders and Black Canvas.

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