SEED ENSEMBLE

Third Stream / Fusion • United Kingdom
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SEED ENSEMBLE picture
SEED Ensemble is a Mercury Award-nominated ten piece band led by alto saxophonist and composer Cassie Kinoshi.

The band presents a stellar line-up featuring some of London’s most up-and-coming young jazz musicians including tuba player Theon Cross (Sons of Kemet), trumpeter Sheila-Maurice-Grey (Kokoroko) and guitarist Shirley Tetteh (Maisha). Combining jazz with inner-city London, West African and Caribbean influenced groove, SEED explores a blend of genres through original compositions and improvisation. Their debut release Driftglass (Jazz Re:freshed, 2019) features the track Afronaut (feat. XANA) which won the Ivors Academy Award 2018 (formerly known as BASCA, British Composer Award) for Jazz Composition for Large Ensemble.

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SEED ENSEMBLE Driftglass album cover 3.95 | 2 ratings
Driftglass
Fusion 2019

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SEED ENSEMBLE Cassie Kinoshi's Seed. With NikNak & London Contemporary Orchestra : Gratitude album cover 0.00 | 0 ratings
Cassie Kinoshi's Seed. With NikNak & London Contemporary Orchestra : Gratitude
Third Stream 2024

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SEED ENSEMBLE Driftglass

Album · 2019 · Fusion
Cover art Buy this album from MMA partners
snobb
England-born composer, band leader and sax player Cassie Kinoshi is on the top now writing music for orchestras, theater, dance and visual-arts. Just a few weeks ago she released the second album of her popular SEED band, recorded mostly live with an orchestra. Still, everything started five years ago, with the debut release of Cassie Kinoshi's initial project, the ten-piece SEED Ensemble's "Driftglass".

"Driftglass" combines some lesser known London scene artists and already popular ones (such as Ezra Collective keyboardist Joe Armon-Jones and Sons of Kemet's tuba player Theon Cross among others). Cassie's band released an excellent soundtrack of the time - richly orchestrated Afro-Caribbean based spiritual jazz album with sweetly-sour tunes, knotty danceable rhythms and in general a relaxed and exhilarating feel.

Some songs contain spoken word poetry or vocals, others are just moody instrumentals, but they all vary enough in mood and arrangements making the whole album versatile and non-monotonous at all. Unrepentant atmosphere of early 70s r'n'b and fusion organically mixes with the more contemporary Caribbean rhythms and tunes of nowadays London. It is a great start. Not really a prolific recording artist, Cassie Kinoshi still has more than enough to say.

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