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American singer Shemekia Copeland spent the last decade releasing strong blues albums, rooted in tradition, but with a touch of freshness. Her voice is easy recognizable, and her straight-to-face, often naïve lyrics, are both her strong trademarks. Shemekia's previous album, "Uncivil War", released in 2020, offered faster and a more rhythmic touch on blues, still being a mixed bag containing some top-songs and fillers as well. With "Done Come Too Far", Copeland explores the new territories even deeper. Still with strong blues roots, she bravely moves towards high-energy blues-rock. From the very first sounds of the new album, she offers simply, groovy pieces, which blow listener's hats away from their heads. "The Talk", strongest album's blues, demonstrates how great a blues singer she really is. "Gullah Geeche" is an acoustic country-blues with banjo and fiddle on the front, and "Why Why Why" is an old-fashioned ballad. "Fried Catfish and Bibles" is pure Americana, with banjo and fiddle again, really danceable. Shemekia returns to heavy blues-rock on the title song, a duet with guitarist and singer Cedric Burnside. "Barefoot in Heaven" is already characteristic Copeland RnB with soloing from Will Kimbrough's electric guitar. She returns back to a country piece with "Fell in Love With a Honky". "The Dolls Are Sleeping" is an acoustic ballad (with Oliver Wood on acoustic guitar). On "Dumb It Down", one can enjoy electric organ. "Nobody but You", the closer, is straight-ahead heavy blues rock again.
As many previous Shemekia's albums, the newest one is a mixed bag of some strong songs and some fillers, offering a wide range of blues and Americana this time. Her best songs are really great songs, those which are not as successful, can sound a bit boring. Still, she offers here on this album a lot of what her fans love most of all - her unique voice.