TATU & TUTKIMUSMATKAILIJAT

Jazz Related Rock • Finland
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Finnish progressive/psychedelic rock band formed in 2019.

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TATU & TUTKIMUSMATKAILIJAT Matka kaikkine vaiheineen album cover 3.55 | 2 ratings
Matka kaikkine vaiheineen
Jazz Related Rock 2020
TATU & TUTKIMUSMATKAILIJAT Vasta Alkusoittoa album cover 4.00 | 1 ratings
Vasta Alkusoittoa
Jazz Related Rock 2024

TATU & TUTKIMUSMATKAILIJAT EPs & splits

TATU & TUTKIMUSMATKAILIJAT Juhannusyo​̈​nä kukkiva Taigasananjalka album cover 0.00 | 0 ratings
Juhannusyo​̈​nä kukkiva Taigasananjalka
Jazz Related Rock 2022

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TATU & TUTKIMUSMATKAILIJAT Reviews

TATU & TUTKIMUSMATKAILIJAT Vasta Alkusoittoa

Album · 2024 · Jazz Related Rock
Cover art Buy this album from MMA partners
Matti P
The second album of the Finnish instrumental rock/fusion group whose name means Tatu & the Explorers. Bassist and co-composer Tatu Back has also drawn the cover art for both albums.

Again the band colours their jazzy rock with hints of various musical genres. The debut had a little more blues flavour. Here 'Löylyn henki' is spiced up with flamenco, and accordion finishes the nature-inspired national-romantic spirit on the relatively emotional, melodic piece 'Vipulampi'. All in all, electric guitar is the "lead" instrument, as Hammond and other keys are mainly filling the overall soundscape.

The shortish opening piece starts with a beautiful, mysterious slowness, two guest musicians playing snare drums gently, and just as the piece sort of comes alive, it ends all too soon. But it's seamlessly followed by the determinant, rockier piece 'Homo Ludens' where the guitar associates with David Gilmour in and out of Pink Floyd. The final minute is a synth-centred spacey outro.

The longest, 11-minute composition is my favourite. The title refers to a plant blooming in midsummer night, but it's deliberately underlining the "magic" connected to the Finnish midsummer night, as fern plants do not bloom in real life. The composition progresses without any hurry and is occasionally milking a bit too long its motifs,but with some shifts in tempo and atmosphere it manages to create a narrative feel. In the end the band members shout together "Lähdetään juhannussaunaan!" (= let's go to midsummer sauna), and the next, flamenco flavoured piece continues the sauna theme in its title.

The final track pulsates almost like an Alan Parsons Project instrumental and has great interplay with Gilmouresque guitar and synths. Also the drums are deliciously strong.

Perhaps the lesser amount of blues flavour makes me prefer this album over the debut. The production is very good, one only wishes the arrangements to contain wider variety.

TATU & TUTKIMUSMATKAILIJAT Matka kaikkine vaiheineen

Album · 2020 · Jazz Related Rock
Cover art Buy this album from MMA partners
Matti P
The Finnish instrumental prog fusion group led by bassist Tatu Back have released their second album in 2023. But first things first, here's my view on the debut. The composing credits (not given trackwise) are shared by Back, guitarist Markus Venehsalo and drummer Jaakko Pöyhönen. The line-up consists also of Harri Taittonen on Hammond & other keyboards and Marko Salmela on percussion. Two tracks (3, 4) feature slide guitar of Jarkka Rissanen who's not featured on the second album. Those tracks are the most blues-rock oriented, 'Lonkat' containing also funk flavour highlighted by a delicious bass solo.

The nearly 10-minute opening title track (= The journey with all its phases) is among the highlights. The grandiose melodies and thoughtful dynamics in the composition justifies comparisons to classic Fusion artists such as PEKKA POHJOLA or JEFF BECK. The band sound is organic and rich. 'Kevään viimeinen pimeä yö' (= The last dark night of spring) is a slow-tempo piece with a shady, nocturnal atmosphere.

The flat hand-clap intro of 'Sylvi' is luckily followed by strong ensemble playing although the electric guitar stays pretty much in the lead role like it does theoughout the album. Keyboards are left with smaller space to shine. The sixth brief track is practically just an outro, audibly unseparated. Again without a pause starts 'Syvissä' (= In deep) that has a dub/reggae rhythm and sneaks like a thief in a dark alley.

The final piece brings the excellent bass playing to the fore but in the expence of melodic substance, reminding me of Jaco Pastorius' solo works. Technically this is a strong debut but a little unfocused and uneven what comes to compositions.

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