THE AWAKENING

Fusion • United States
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The Chicago-based jazz sextet known as The Awakening was in the front line of the second tier of jazz combos active in the first half of the 1970s, amongst the Revolutionary Ensemble and the low-profile bands of, respectively, Sunny Murray, Hadley Caliman, Hampton Hawes, Billy Harper, Albert Mangelsdorff, and Fred Anderson. Who inhabited the top tier? Certainly the Art Ensemble Of Chicago and groups led by heavyweights Charles Mingus, Cecil Taylor, Elvin Jones, Herbie Hancock, McCoy Tyner, Sonny Rollins, Keith Jarrett and Phil Woods.

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THE AWAKENING Hear, Sense And Feel album cover 5.00 | 1 ratings
Hear, Sense And Feel
Fusion 1972
THE AWAKENING Mirage album cover 4.00 | 1 ratings
Mirage
Fusion 1973

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THE AWAKENING Brand New Feeling album cover 0.00 | 0 ratings
Brand New Feeling
Fusion 1976

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THE AWAKENING Hear, Sense And Feel

Album · 1972 · Fusion
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Mssr_Renard
The Awakening are an all-star collective, here with their first album on Gene Russell's indie-label Bkack Jazz, wich existed for only four years (1971-1975). The label focussed on consciousness and the advancement of African-American jazz-musicians.

Musically 'Hear, Sense and Feel' can be described as a hybrid of modal jazz, post-bop and jazzrock because of the electric piano and electric bass on a few tracks. You might even call this spiritual jazz, because it has some similarities to Lonnie Liston Smith.

Pianist Ken Chaney and trumpeteer Frank Gordon are co-leading this collective, and they all are related to the AACM.

The album features dome fine hornplaying, nice lush piano and some funky and here and there boppish rhythms, with sometimss a 'free' feel. But mostly the album is modal and soulful. A pleasant listening with great solos allover.

Right now all the Black Jazz albums are being reissued by Real Gone Music, wich is a treat.

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