TITO CARRILLO

Post Bop / Latin Jazz • United States
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Tito Carrillo is a trumpeter, composer, and educator whose music blurs the lines between Afro-Caribbean music traditions and modern jazz. Born and raised in Austin, TX, by a Puerto Rican father and Mexican-American mother, Carrillo came to prominence in the mid-nineties of Chicago’s rich jazz and Latin music scenes, becoming a top call soloist, sideman, and bandleader. The Chicago Tribune describes him as having “acquired a reputation as a fluid improviser, doubly blessed with a warm lyric style and technique to burn.” The artists he has collaborated with are as diverse as his skill set: Chicago heavyweights Willie Pickens, Ryan Cohan, and Geof Bradfield; Chicago Latin groups Chinchano (Juan Pastor) and the Chicago Afro-Latin Jazz Ensemble (Victor Garcia); big bands such as the Woody Herman Orchestra, the Chicago Jazz Ensemble, and the Smithsonian Masterworks Orchestra (David Baker); salsa legends Andy Montañez, Cheo Feliciano, and Cuban flutist Orlando “Maraca” Valle; jazz read more...
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TITO CARRILLO Opening Statement album cover 0.00 | 0 ratings
Opening Statement
Post Bop 2011
TITO CARRILLO Urbanessence album cover 4.00 | 1 ratings
Urbanessence
Latin Jazz 2022

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TITO CARRILLO Urbanessence

Album · 2022 · Latin Jazz
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Carmel
Tito Carrillo's latest album, "Urbanessence" on Origin Records, is a must-hear. This trumpet player and composer is mixing it up, blending jazz, salsa, Latin jazz, gospel, blues, funk, and soul to create a unique and magical musical experience. Carrillo even included an original track from Phil Koceril to mix things up even more.

Carrillo's ensemble is a powerhouse, featuring himself on trumpet, Troy Roberts on tenor and soprano saxophones, Ben Lewis on piano, Clark Sommers on bass, Jay Sawyer on drums and cymbals, and Victor Gonzalez, Jr. on congas.

The "Fire & Ice" track is off the chain, with feel changes, sick melodies, and wicked dynamics. Carrillo and Roberts work together seamlessly on the front line, with Carrillo's solos being hella fluid and Roberts showing off his skills in technique and motivic development. The whole band is in the zone, bringing the composition to life through exciting solos and ensemble interaction.

And then there's "Crazy, Stupid Fine," which starts with a funky bass line from Sommers. The two horns weave through the theme with harmonic twists and plenty of rhythmic possibilities. Carrillo builds up the energy with his rhythmic patterns, while Roberts' lines get us moving and grooving. Finally, Lewis' smooth single notes bring everything together in a colorful and flavorful way.

Overall, "Urbanessence" is a collection of tracks that captures Carrillo's unique blend of musical styles. He goes beyond the traditional jazz routine to create a sound that's intense, rhythmic, harmonic and textured all at once. It's a celebration of his life journey and his ability to craft something new and powerful from his musical influences. So if you're looking for something fresh and exciting, this album is it!

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