YUJI MUTO & NANA OMORI

21st Century Modern • Japan
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YUJI MUTO & NANA OMORI picture
uji MUTO & Nana OMORI were founded in 2020 as Yuji's third free / improvisational jazz project. The pianist Nana OMORI has learned comtemporary music in her young days and played with lots of session artists mainly in US and Japan. On August 22th, 2020, under the pandemic situation, Yuji and Nana recorded material at Jazz Club Intersat (Nagoya, Japan) for their live album "Vale Tudo" (in Portuguese, Anything Alright), that was finally released on January 16, 2021, via Bomba Records.
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YUJI MUTO & NANA OMORI Vale Tudo album cover 3.50 | 1 ratings
Vale Tudo
21st Century Modern 2021

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YUJI MUTO & NANA OMORI Vale Tudo

Live album · 2021 · 21st Century Modern
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DamoXt7942
Delicious.

This album "Vale Tudo" (in Portuguese, anything is alright), released on January 16 2021, was created / produced by Yuji MUTO & Nana OMORI, the third free / improvised jazz duo project of Yuji. The material for this creation has been recorded live on August 22 2020 at Jazz Club Intersat. Yuji's recorded and released other two albums in collaboration with great drummers like Mieko SAKAI or Mako KIMATA, and we have been looking forward to his forthcoming opus cooperated by a pianist of multiplicity Nana. Yes they do not betray our expectations.

Just curious how Nana synchronizes Yuji's kaleidoscopic guitar plays, and we can notice two musical cogwheels can engage with each other in a complex and perfect manner. Already we know well Yuji plays the guitar diversely (jazz, rock, metal ... and so on) but Nana's piano sound launching should not be defeated at all. Take a listen to the first track "Introduction" and we can get immersed in his smooth, sliding guitar plays, followed by Nana's sensitive but vivid piano performances. The power of their combination expands dozens of times actually. "Bloodshed On The Desert" is another revolution of sound, lyrically combined with two talented activities just like a fireworks display. Via the three Improvisations we can enjoy their natural appearances in the air. Wondering why they can work together quite smoothly and precisely. And another highlight: In "Desert Yellow" Nana's heavy desert piano oscillations are completely chasing Yuji's metallic dissonant guitar paranoia. On the contrary, the last "Someday My Prince Will Come" is soft and quiet, as if they would appreciate the prince, namely the upcoming era we will be safe and sound.

Sounds exactly like the two virtuosi say 2021 will not be bad. Believe them, and make a toast for the new year with such a tremendous creation.

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