RAY BARRETTO — Acid (review)

RAY BARRETTO — Acid album cover Album · 1968 · Afro-Cuban Jazz Buy this album from MMA partners
5/5 ·
Matt
Born April 29//4/1929 in New York. Ray was Puerto Rican and he soon discovered the music of "Chano Pozo" (Legendary Cuban Conga Drummer) and "Dizzy Gillespie" and his ambition to be play Conga's was cemented.He was soon working as a Side man on jazz recordings with the likes of "Jose Curbelo" and "Tito Puente". Ray soon formed his own Charanga influenced band and had a hit with "El Watusi". Boogaloo was the new Latin style to emerge around 1966 and Ray embraced the music and formed his own Conjunto and now we have arrived at "Acid"

First up is" El Nuevo Barretto", Son is the style and what a jumper.You should be on your feet in a snap and dancing with the blazing opening trumpet it is one great number with some fabulous drive and solos.Track 2 we get "Mercy Mercy Baby" sung by Pete Bonet which is one little groover but the tile Acid is up next at 3 and Latin Jazz heaven to say the least concerning this one.Recorded in one take with one Cuban rythmn guiding underneath by some great funk Bass. A great Trumpet solo is done by "Roberto Rodriguez" and then Ray quietly commences but by the time he is near the end he hammers the Congas. "Deeper Shade of Soul" follows along in the number four slot and is a Boogaloo number followed along by "Soul Drummers" contining along with another great snappy Boogaloo.Eight tracks in all on the album and the finisher is one ripper with the opening exchange of "Orestes" playing Mallets on the Timbales and Ray on Conga with a muted trumpet. Percussion comes to the fore with this,if poly rythmn is what you are after try this exchange between "Timbales,Congas,Bells,Jawbone,Bass and of course piano as well and "Orestes" soaring Trumpet over the lot.The name of the track is "Espiritu Libre"

Ray Barretto was with Fania Records now in 1967 when this was recorded and Latin Jazz and Salsa would quickly become his main stays.This album is a Latin Jazz masterpiece with a New York and Cuban influence and one that anybody who likes Ray Barretto will say "this is one of the best".One other note there are no over dubs in this recording.
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