GENE HARRIS — AstralSignal (review)

GENE HARRIS — AstralSignal album cover Album · 1974 · RnB Buy this album from MMA partners
3/5 ·
js
In the early to mid 70s, many a jazz musician was drawn to both the growing impact of the new funk groove, as well as the psychedelic sound borne from the 60s. Gene Harris was no exception as his “AsrtralSignal” album from 1974 bears trademarks from that groovy early 70s era, which is also reflected in the very ‘cosmic’ title of the album. Gene Harris was no stranger to mixing jazz with dance rhythms, in fact his entire career was built around a solid reputation as one of the top soul jazz artists from the mid 50s until the 70s and beyond. With “AstralSignals”, Gene took things one step further from his gospel based roots to embrace the new funk style of Sly Stone and James Brown. On this funk foundation, Harris layered multiple horns, vocals and electronic instruments to build his imaginative arrangements.

The album opens with a heavily reverbed cosmic statement from Gene before we launch into an exotic instrumental topped with wordless vocals. Next up, a very funky synth intro leads the band into Sly Stone’s well known song chant about racial name calling. After a laid back instrumental with more wordless vocals, Harris closes out side one with some of his signature gospel riffs on the piano in a double tracked solo performance.

Side two kicks off with a rockin instrumental version of Credence’s “Green River”. On Chicago’s “Beginnings”, Gene handles the lead vocals and sheds some new tone colors on this well known number. This side closes out with some more funk-jazz jams with Harvey Mason’s “Higga Boom” being a real highlight. This album has its ups and downs, but the ups make it well worth it for fans of funk jazz, exotic lounge music, rare groove and other jazz related crate digging.

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