AREA — Crac! (review)

Album · 1975 · Jazz Related Rock

5/5 · 2024-10-11
FunkFreak75

The second AREA album I'd ever heard (after Arbeit Macht Frei), there was so powerful of an impression made on me by this latter album that I failed to follow up by exploring other AREA albums for years. Luckily, I got unstuck and moved outward, into the band's other discography. Coming two years and one album after Arbeit (with Caution Radiation Area having been released in 1974), the growth in musicianship, studio mastery, and tightened song-writing skills is quite noticeable here. While Arbeit shocked with musical and lyrical force and brashness (it was the band's debut release), Crac! supplies proof that this band is not just a political force but that it must be looked at and respected from a musicianship perspective as well. It is an album of astounding musicianship--virtuoso performances that rival anything else the jazz or jazz fusion worlds has ever created. The amazing thing is that this album stands up perfectly even today--it sounds as if it could have been made today. I will go even farther as to say that this album exceeds my heretofore respect and reverence for all-things Mahavishnu as I think the sound engineering and overall production far surpass those of any of the Mahavishnu Orchestra albums. And the musicians and compositions are so tight! Thus, I find myself wanting to proclaim Crac! as perhaps the best jazz-rock fusion album of all-time! And drummer Giulio Capiozzo may be the best jazz-rock fusion drummer I've ever heard!

1. "L'elefante bianco" (4:33) Demetrio's powerful voice opens the album right in your face as he and piano declare their intentions. By the end of the first minute we've apparently heard enough from Demetrio for the song catapults into a kind of jazzy version of fast-paced folk theme. At 2:30 we return to piano and voice, but this time the band gradually joins in and builds up into a modern rock variation of that amphetamine-laced Middle Eastern-tinged folk (or is it classical?) theme. Excellent musicianship and a great opener. (9/10)

2. "La mela di Odessa" (6:27) opens with a kind of SUN RA-spacey free-form jazz sound and style, that moves quickly into a drum and percussion display before harpsichord, Arp synth and electric bass join in and move the song into structure and drive. Nice TONY WILLIAMS/MAHAVISHNU feel to this one until, after 3:10, things shift to funk land. The clavinet, synths and horns are prominent along with Demetrio's commanding Zappa-like vocal performance--all in spoken form. So tight! Drummer Giulio Capiozzo is extraordinary (as is Demetrio). (9.25/10)

3. "Megalopoli" (7:53) opens with some play on the Arp synthesizer before Demetrio joins in with multiple tracks of his voice free-styling. Electric piano and bass clarinet join in the atmospheric play before a drum roll takes us out and into a new funky jazz excursion with a great melodic base. Demetrio's wordless vocal scatting over the top is, at first, like a substitute for a lead guitar or sax, but then gives way to an extraordinary jam between drums, bass, electric piano, organ, and synth. The Mahavishnu Orchestra was never this tight or well recorded! Incredible drumming! Why is this guy never included in the talk of the greatest of the greats? (15/15)

4. "Nervi Scoperti" (6:35) Every time I hear this song I think I am listening to one of the all-time greatest prog fusion songs ever created and that, thus, it has to be a product of Corea/RTF, Miles, Mahavishnu, Cobham, Williams, Weather Report, or even a straight jazz genius. But it's not. It's AREA! Astounding, stupendous, incredible, jaw-dropping performances from everybody in the band. What a band! This one deserves extra-credit for being exactly what I said: one of the very best jazz fusion songs of all-time. (11/10)

5. "Gioia e rivoluzione" (4:40) opens like a JOHN COLTRANE, TEMPTATIONS or MAGMA song before switching radically to an acoustic guitar-based, countrified jam. The lyric of Demetrio's vocal throughout is obviously meant to be the center of attention. Otherwise, it is an okay pop song for delivery to the common folk. (8.5/10)

6. "Implosion" (5:00) a little more Zawinal/Weather Report-ish than the previous jazz fusion masterpiece. More melodic and showcasing of individuals (especially the extraordinary bass player, Ares Tavolazzi). (10/10)

7. "Area 5" (2:09) an ejaculatory expression of free-form improvisational jazz. (4/5)

An album of astounding musicianship--virtuoso performances that rival anything else the jazz or jazz fusion worlds has ever created. The amazing thing is that this album stands up perfectly even today--it sounds as if it could have been made today.

A/five stars; a true masterpiece of jazz-directed progressive rock music--mostly cutting edge jazz fusion. Amazing! Definitely one of my Top 10 Jazz-Rock Fusion Albums of the "Classic Era."