ELTON DEAN — Elton Dean (aka Just Us) (review)

ELTON DEAN — Elton Dean (aka Just Us) album cover Album · 1971 · Fusion Buy this album from MMA partners
3.5/5 ·
Sean Trane
Elton’s first solo album (well JU was supposed to get a band at first, I believe), released during his tenure in Soft Machine and logically including some of his Machinist fellows. Indeed, while dean handles the reeds and keyboards, ex-SM man Charig toots his horn, while his fave drummer Howard pounds the skin, and Ratledge tickles the ivories on the same two tracks that Babbington plucks the contrabass strings. A rather enigmatic scorpion artwork graces the gatefold sleeve of the album that was recorded in the spring of 71 and engineered by Offord and released on the CBS label. The only conspicuous absence is Hugh Hopper really, and he’s replaced by Neville Whitehead.

The least we can say is that the album doesn’t start on the listener-friendly mode as the 15-mins Ooglenovastrome (say that again, Elton?) opens on some dissonant wailings that don’t necessarily reflect the album’s overall kaleidoscope. While the degree of difficulty varies throughout the lengthy track, it never gets easy. Somewhat more accessible is the brooding Something Passed Me By, where Whitehead’s modal bass line sets the tone and the horns are just hovering over it like a bee swarm. Probably the most accessible track (rhythmically-speaking) would be the 6-mins+ Blind Badger (reinforced with Ratledge and Babbington) , but Dean and Charig’s horns will not allow you to rest long. The Soft Machine derived track Caliban is definitely not in the same category, despite featuring the same sextet as in its predecessor track and Babs’ bowed contrabass doesn’t help making it more accessible. The closing The Last Part is also much more accessible as Elton’s Rhodes is leading the debate, the horns voluntarily restrained.

Now, thanks to the fantastic Cuneiform label, this album finally got a CD reissue in the late 90’s, but Feigelbaum added two bonus tracks with a somewhat different line-up, where trombonist Evans (also an ex-Crimson Machinist), bassist Green and drummer Moholo. The 20-mis Bishopgate is taken from a Bremen Radio 1 broadcast (Steve’s connection strikes again) in the early summer of 72 and sees Charig replaced by Nick Evans, and Whitehead by Green. Don’t go thinking that this piece is any easier than the studio stuff though, because drummer Howard drums up a storm and Dean’s Rhodes gives him a run for his money. The second bonus is a slightly different lie-up with Moholo subbing for Howard, and this is much more accessible and melodious.

Just Us is a typical Elton-esque soundscape that sits along quite well with what he did with Keith Tippett’s Sextet, Soft Machine, Centipede, Julie Driscoll’s 1969 album and Wyatt’s debut solo album. So if you like these, there isn’t a single doubt that this album will slide down your alley without the slightest effort.

Share this review
more

Review Comments

Post a public comment below | Send private message to the reviewer
Please login to post a shout
No shouts posted yet. Be the first member to do so above!

Review Index

Member Zone

Username:
Password:
Stay signed in

Jazz Subgenres

Artists Alpha-index

JMA TOP 5 Jazz ALBUMS

Rating by members, ranked by custom algorithm
Albums with 30 ratings and more
A Love Supreme Post Bop
JOHN COLTRANE
Buy this album from our partners
Kind of Blue Cool Jazz
MILES DAVIS
Buy this album from our partners
The Black Saint and the Sinner Lady Progressive Big Band
CHARLES MINGUS
Buy this album from our partners
Blue Train Hard Bop
JOHN COLTRANE
Buy this album from our partners
My Favorite Things Hard Bop
JOHN COLTRANE
Buy this album from our partners

New Jazz Artists

New Jazz Releases

6 Eclectic Fusion
KROKOFANT
Buy this album from MMA partners
Spring In Stockholm Live At Konserthuset, 1959 Cool Jazz
GERRY MULLIGAN
Buy this album from MMA partners
Mikolaj Trzaska, Ingebrigt Haker Flaten, Paal Nilssen-Love : The Last Temple vol.3 Avant-Garde Jazz
MIKOŁAJ TRZASKA
Buy this album from MMA partners
Mikolaj Trzaska, Ingebrigt Haker Flaten, Paal Nilssen-Love : The Last Temple, Vol.1 Avant-Garde Jazz
MIKOŁAJ TRZASKA
Buy this album from MMA partners
Mikołaj Trzaska / Ingebrigt Håker Flaten / Paal Nilssen-Love : The Last Temple Vol.2 Avant-Garde Jazz
MIKOŁAJ TRZASKA
Buy this album from MMA partners
More new releases

New Jazz Online Videos

FASCINATING RHYTHM - The Amazing Keystone Big Band feat. Neima Naouri
THE AMAZING KEYSTONE BIG BAND
snobb· 1 day ago
Alicante
RENAUD GARCIA-FONS
js· 1 day ago
She's Forty with Me
WILTON CRAWLEY
js· 1 day ago
Tall Tillie's Too Tight
WILTON CRAWLEY
js· 1 day ago
Rhoda Scott Ladies and Gentlemen - special guest : David Linx
RHODA SCOTT
snobb· 1 day ago
More videos

New JMA Jazz Forum Topics

More in the forums

New Site interactions

More...

Latest Jazz News

members-submitted

More in the forums

Social Media

Follow us
Follow us on Twitter Become a Facebook fan RSS Feed