JOHN HÉBERT — Floodstage (review)

JOHN HÉBERT — Floodstage album cover Album · 2014 · Avant-Garde Jazz Buy this album from MMA partners
4/5 ·
snobb
Thinking about modern avant-garde jazz, we usually expect noisy, quirky, atonal, scratchy music - as if to sound listener-friendly is a sign of bad manners. Lousiana-born acoustic bassist John Hebert's third album breaks this rule - fortunately!

"Floodstage" is a piano trio album, mostly acoustic, dark, slow and lazy, rooted in New Orleans traditions. John Hebert is better known as the collaborator on many modern American jazz albums (Uri Caine, Fred Hersch and Mary Halvorson among others). Two of his trio colleagues are established jazz masters: Gerald Cleaver is probably the busiest drummer around New York's "new avant-garde scene", working with Tim Berne, Michael Formanek, Craig Taborn and many others; while French pianist Benoît Delbecq is a fast-rising star, probably the most interesting jazz pianist in the modern Paris jazz scene.

Quite surprisingly for a modern avant-garde jazz album, there are a lot of tunes, moods and soul on "Floodstage". Being a collaborative work of three equal musicians, there is enough space for each trio member. Louisiana atmosphere is surprisingly organically mixed with chamber piano on some songs, it continues with bluesy-rooted fusion like compositions where Delbecq plays vintage analog synth. Tasteful use of prepared piano doesn't destroy American South's atmosphere on quite cinematographic tunes, sounding almost like movie soundtracks.

Can't remember the last time I listened to a whole new album from beginning to end with such pleasure. With no doubt this album is another Clean Feed label success. Recommended - not only for adventurous listeners, but for every jazz fan interested in the best modern releases.
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