KLAUS DOLDINGER/PASSPORT — Garden of Eden (review)

KLAUS DOLDINGER/PASSPORT — Garden of Eden album cover

Album · 1979 · Fusion

4/5 · 2025-04-09
FunkFreak75

For Garden of Eden Klaus Doldinger has managed to retain the participation of the new core of collaborators that he had on the previous year's Ataraxia (Sky Blue); the only loss (and it is significant) is of the Louis brothers, Elmer and Roy (percussion and guitar, respectively).

1. "Big bang" (3:53) a long spacey/atmospheric synth intro is joined by Disco drums, percussion, and the rest of the band while Klaus steps in with a soprano sax to lead the way. There is a little bit of the ELOY sound emanating from this as well as, in the later portions, some JACO PASTORIUS-imitative bass play. (8.6667/10)

2. "Garden of Eden": (8:51) (18.875/20) a) "Dawn" (1:54) the beautiful and soothing pastoral Nature intro that I've always loved. Yes, Mike Oldfield, and may have been source inspirations for this. (5/5) b) "Light I" (1:53) enter Kevin Mulligan's English vocals, presented in a kind of YES/Jon Anderson mode. Then drums and electric guitar begin to introduce themselves before a second verse. Sax, Moog, and electric guitar add their ten cents worth along the way. (4.375/5) c) "Light II" (5:04) now launching into a fun, forward-moving passage that reminds one of the music of NARADA MICHAEL WALDEN and THE ELOY as well as future Trevor Horn projects like The Buggles and Frankie Goes to Hollywood. Nice vocal melodies from Kevin and Kathy Barney. Excellent jazzy New Age prog. (9.5/10)

3. "Snake" (4:49) gorgeous journey down a lazy river. Great slow, drawn out melodies. (9.5/10)

4. "Gates of paradise" (3:47) more Hiram Bullock/Narada Michael Walden-like music, here bringing out the funk with some new slap bass and deep thrum chords. Vocals are okay, though the melodies are great, it's just that the multi-track (chorused?) effect on a lead vocalist that was popular at the time (as with Narada Michael Walden's treatment of his own voice as well as some of Al Jarreau's): a little schlocky. There's also a little more of the NOVA sound here. (8.875/10)

5. "Dreamware" (5:00) Disco with all of the concurrent tricks: slap-and pluck bass, Ernie Isley guitar sound in the rhythm (styled like George Johnson), Evelyn Champagne King hand claps, electric piano chords, and synth sound used for the solo over the top. Great quality upbeat and uptempo disco dance music. (9.125/10)

6. "Good Earth smile" (5:04) another pop/radio-oriented tune that has one foot in the world of American Gospel-oriented Southern Rock and one in the Weather Report school of Adult Contemporary jazz. (8.6667/10)

7. "Children's dance" (3:39) another song that seems to come straight out of the WEATHER REPORT repertoire of happy-go-lucky pop tunes. (8.75/10)

Total Time: 35:03

By far the proggiest of Klaus' albums. When they're proggy, the songs are really great. When he tries to turn back toward the latest trends in Jazz-Rock Fusion and Weather Report/Crusaders pop jazz it falls into the category of average (for that time very good).

A-/five stars; an album blessed with great prog but then also cursed with schlocky, now-dated pop. Fortunately for we prog lovers, the progginess and high quality of the other explorations wins out.