JOE ALTERMAN — Joe Alterman Plays Les McCann : Big Mo & Little Joe (review)

JOE ALTERMAN — Joe Alterman Plays Les McCann : Big Mo & Little Joe album cover

Album · 2023 · Soul Jazz

4/5 · 2023-09-08
Carmel

Remember when jazz was as much about mentorship as it was about music? Joe Alterman certainly does. His tribute to Les McCann is a compelling example of mentorship, friendship, and timeless sounds. The Atlanta-based pianist's offering, "Joe Alterman Plays Les McCann: Big Mo & Little Joe," released on August 11, 2023, is a nostalgic nod to McCann's musical genius and a modern reinterpretation of his works.

McCann, a legend in his own right, was known for his expansive ensemble works. Here, Alterman condenses the vast soundscapes of McCann to an intimate trio of piano, bass (Kevin Smith), and drums (Justin Chesarek). The result? A tight-knit sound that retains the expansive feel of McCann's originals but with an added intensity and focus. In the process, Alterman breathes fresh life into lesser-known tracks that followed the iconic McCann's "Compared To What."

"Gone On And Get That Church" is steeped in gospel roots. There's an undeniable soulfulness, transporting listeners straight to a sunlit Sunday morning church service. Smith's bass and Chesarek's drums provide a driving backdrop to Alterman's rhythmically driving improvisation.

"Someday We'll Meet Again" carries a funky rhythm. Alterman's agile technique remains ever at the service of his expressive musicality. His soloing – built on rich bluesy ideas – speaks to his mastery and reverence for McCann's gospel blues influence.

"Ruby Jubilation" brings us a gospel swing that feels so right, with the trio's chemistry shining bright. Smith's bass line, undulating and assertive, complements Chesarek's dynamic drumming. Alterman's expressive touch on the keys here hints at a depth and versatility that's simply enthralling. Can I get a witness?

The choice of instrumentation pays homage to the quintessential jazz trio. Gospel influences, rich rhythmic textures, and the unmistakable touch of Alterman on the keys weave a tale of friendship, nostalgia, and spirituality. The impeccable recording quality, courtesy of Trammell Starks and the mastering finesse of Dave Nelson and Marlon Patton, ensures that every nuance is warmly captured.

This album chronicles a decade-long relationship between two jazz stalwarts. As the tracks flow, so do the tales of mentorship and camaraderie. Alterman's relationship with McCann comes through the music as deeply personal, making this tribute stand out from countless others.

While “Joe Alterman Plays Les McCann: Big Mo & Little Joe” induces us to reflect on the outcomes of jazz education's shift to academic institutions, this album beckons us back to an era where mentorship was intimate and deeply personal. It evokes memories of dimly lit bars, impromptu jam sessions, and life lessons intricately woven through every note and rhythm, handed down from master to apprentice.

In "Joe Alterman Plays Les McCann: Big Mo & Little Joe," Alterman reminds us that mentored jazz tells stories, evokes emotions, and bridges generations.