HERBIE HANCOCK — Sextant (review)

HERBIE HANCOCK — Sextant album cover Album · 1973 · Fusion Buy this album from MMA partners
4/5 ·
FunkFreak75
The band is loose and funked up, maybe having more fun now that they're all so comfortable with each other, and with Herbie really going out there with his experimentations into electronic keyboards and sounds but, on the other end, there seems to be less attention to quality sound engineering on this album than on Mwandishi and Crossings.

Line-up / Musicians: - Herbie Hancock / Steinway piano, Fender Rhodes, Mellotron, Hohner D6 clavinet, handclaps With: - Bennie Maupin / soprano sax, bass clarinet, piccolo, cabasa, kazoo - Eddie Henderson / trumpet, flugelhorn - Julian Priester / bass, tenor & alto trombones, cowbell - Patrick Gleeson / ARP 2600 & Soloist synths - Buster Williams / electric (with wah-wah & fuzz) & acoustic basses - Billy Hart / drums - Buck Clarke / congas, bongos - Billy Bonner / Fx

1. "Rain Dance" (9:18) lots of experimental sounds here (mostly synthesizer generated). Drums and bass are probably the two most prominent and loyal to their acoustic origins than any other instrument here. As a matter of fact, there is very little input from the horn players on this one. Interesting for the fact that it previews the later world of computer sounds and sequencers but not really a song that I enjoy or wish to hear repeatedly. On the outlying edges of what I'd call music. (17/20)

2. "Hidden Shadows" (10:12) funky with quite a variety of keyboards under Herbie's hand (including Mellotron!), there is quite a bit more dynamic range in this sonic presentation of this song than that of the previous Mwandishi albums. (18/20)

3. Hornets (19:31) I wouldn't doubt that this song was the inspiration for the famous SNL "Killer Bees" sketches a year or two later, as trumpet, clavinet, kazoo, ARP, percussion, and other crazed sounds coming from Bennie Maupin all contribute to a serious attempt to reproduce the chaotic busy-ness of the eusocial wasps known as "hornets." Crazy yet brilliant, chaotic yet so disciplined and focused. Just like hornets. Though Herbie and Billy Hart make a strong play for the title, Bennie Maupin, however, is by far the craziest hornet of them all. Entertaining and fun/funny, historically important, but not really a song that draws me back. (I wonder if the band were able to replicate this song live, in concert.) (34.5/40)

Total Time 39:02

B/four stars; a solid piece of progressive rock music from the domain of experimental jazz-rock fusion--where it may be deserving of more acclaim and accolades.
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